عرض: 25 50 75 100 النتائج

نتائج البحث: 25 من أصل 3,036

السيرة الذاتية النسوية في العراق Women Curriculum Vitae In Iraq

اسم المؤلف: رنا رياض فياض
الجامعة: جامعة بغداد
اسم المشرف: اثير محمد شهاب
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The subject of the study deals with the search for "Biography of women in Iraq" proceeding from the fact that this topic highlights an important aspect of the literary and cultural product of Iraqi women, that is represented by autobiography, which is especially important in the modern age for it can introduce information on the lives of people and communities throughout important multiple historical periods, this autobiography side with the official history which is written by the authorities away from the people's pulses and pains that are often obscured, therefore this study comes to cast the light on important aspect of these biographical works and sought to expose the side of women's contribution in this area.In culture, the importance of biography subject, that is considered as literary art, which found its way, expanded and published in the Arabic culture in general and it scored success records in writing personal and public history for writers of biography and in different styles, so this topic has been chosen after reviewing a number of topics. And after researching, we found that studying feminine biography is very importance. The importance of this literary art in academic studies for the time being is because these biographies offer live testimonies for important historical areas. This claim can be confirmed by the large number of biographies which is printed daily worldwide and the global demand for acquiring this type of writing, so Ilooked for Iraqi woman to find where she put her footstep in this area and found that there is no academic study devoted to tracking the feminine product of biography in Iraq, while this biography reserves a paramount importance as a cultural and civil indicator of the developmental process of the Iraqi society progress with the beginnings of the woman's movement, which has devoted its efforts in the field of women's rights to teaching and education, which later on developed into a participation of women in political conflicts, and the witness on the historical stages experienced by Iraq starting from the Ottoman occupation, the royal area of Iraqi history and the struggle against dictatorial authority down to events of the years after 2003.Finally, the study aimed to reveal the reality of Iraqi woman in addition to the disclosure of the reality of writing the feminine biography in Iraq, as it is described as a part of the Iraqi cultural reality.The frame of the study dealt with 11 biographies of Iraqi women, whether the biographies are written by a man, an Iraqi woman or by non - Iraqi hands, they are all considered within the framework of the women's biography.Hence the research was divided into introduction and preface which dealt with women biography and awareness of writing.The research discussed writing biographies for a number of Iraqi women writers in an effort to disclose the presence of women Iraqi writers who wrote biography in a way that makes writing a biography is common in Iraqi culture, trying to present the problems with that type of biographies in a time with too many types which helped in putting a different pathway between men biographies and women biographies, through which women tried to get their freedom. - The first chapter (from the body to self), dealt with the status of Iraqi woman previously and how she was treated and how she sought to have an identity, in addition to the application on some biographical models. - The second chapter (feminine point of view), dealt with the narrator and how he became an external narrator once, internal or aware narrator at another time, which had been applied in some biographical models. May be the motive that made me stand on the concept of point of view and the narrator, even though they are criticizing point of views on which had been talked about with prolixity, is tendency of writing in the text of women biography, while she is trying to hide in order to narrate her biography in different styles, including what it contains of confession, taboo, and confusions, so that the narrator took an active role in narrating divertive texts of biography. - The third chapter (maps and concept of place in the women's biography), dealt with the place in terms of being locked or open which was shown that through the application on some biographical models. Finding that the place is the most predominant in this biography because of its relation with the woman who is a result of eastern culture which makes her prisoned in a closed place.The most prominent finding which our research reached is that the Iraqi woman possessed an identity. And proved her presence and became side by side with the man completing him , not behind or following him.
الصفحات الاولى:

تضمين مشاهد القصة الموسوية في الشعر الاندلسي عصور (الطوائف، المرابطين، الموحدين، وبني الاحمر) Inclusion Of Scenes From Musa Story In Andalusia Poetries In ( Tawaef ,Murabit , Muahdeen And Beny Al - Ahmar )

اسم المؤلف: رغد فاضل علي
الجامعة: جامعة بغداد
اسم المشرف: فاطمة حيدر علي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: The importance of Andalusia Poetry in the four periods : Tawaef , Murabit , Muahdeen and Beny Al - Hmar that includes Quranic story ( the story of the prophet Musa ( p b u h ) technical and sin poetry acquiring high skilled aspects.Through it the poet showed his ability and culture by his continuous communication with holly Quran.It shows inclusion of Quranic words , terms and expressions in both reference and indication according the mechanism of construct texts and include them in Andalusia poetry through various thoughts and doctrines.Also through motives that could introduce the poetry according to the necessity of the motive either this motive was religious or social.Then it reach the poetic image that is based on giving poetic speech a sensitive scene that penetrate the mind of the perceiver to bring the image as soon as possible and visual dimension which gives the originality and roots to the poetic experience specially it is mixed with religiousaspect in the prophet Musa story.
الصفحات الاولى:

الحجاج في شعر الكميت بن زيد الاسدي The Protest Of Al - Kumait Bin Zaid Al - Asadi

اسم المؤلف: رشا فاضل سواري
اسم المشرف: عبد الحسين عبد الرضا العمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: ذي قار
المستخلص: The protest(Al - Kumait bin Zaid Al - Asadi). This study displays the subject(The protest of loyalty) as described it as a wide range for the protest,and that made it related to the problematic which rasied by rhetoric and lingual speech and communcation.The study includes perface and three chapters : The structure of protesting text, logical indications in Al - Kumait poetry and the protest and poetry. The preface dealt the concept of the protest and loyalty as language and idomatically.It tried to find relations between the protest and loyalty because they are very important in the speech protest. The first chapter ,the structure of the protest text is dedicated to search in the concepts of the structure and the protest text and the methods of its structure and characteristics and the most important conditions which are underlied the protest in certain textand the most important features which distanguish it for the other texts. The second study dealt the linguistic structure of the loyalty of the protest text. The second Chapter offered the connection the protest with figurehead logic under the title of logical signs in AL - Kumait which is divided into two sections the first is in the meaning of the connotation, logic and showing their linguistic and idomatically meaning and this Section dealt with the meaning of the logical connotation and its functions in the protest of Al - Kumait potery by focusing on a group of the concepts such as connections, the factors ,the principles, relationships , power and peace of protest and results power and metaphorical sayings that located at the top of the protest peace.The issues are consisted which raised by the implications of mental , natural and objectivity and protest of these indications that served each issue presented by the poet. The third chapter which called ( the protest and poetry) was set aside an applied the elements of protest for the adults ,it is a study of aesthetics that the protester depending on them.The research is divided into two sections.The first in the protest of the poetic dialogue and the second presented the connotative and aesthetical aspects for the poetic image and appearing the hprotest aspect from it.
الصفحات الاولى:

الظواهر الاسلوبية في شعر زاهر الجيزاني Stylistic Phenomena In Zahir Al - Jeizani Poetry

اسم المؤلف: رحيم خنجر جوني
اسم المشرف: جاسم حسين سلطان الخالدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: The poet Zahir Al - Jeizani is one of the seventy s generation poets that seeks for the renewal and contrary the form and content of the modern poem.He started with the vertical poem as a traditional exercise , after that he wrote the rhyme poemaffected by the pioneers liveliness.Then he wrote the prose poem. The headline of my research “ Stylistic Phenomena in Zahir Al Jeizani Poetry “ that suggested by my teacher Dr Jassim Husein sultan Al - Khalidi. I found it as a worthy , because it is one of the subjects that didn’t teach on the higher studies level. In addition to that , my desire to study the modern Iraqi literature that represents the natural resource for our literary legacy for different ages and the cultural and critical poetry that Al - Jeizani has , was another motive in studying this poet according to the stylistic manner and the fewness of the modern stylistic studies of the seventy s generation and be limited to artistic and analytic studies. The importance of this study is the concentrate of the stylistic phenomena that distinguish Al - Jeizani poetry and how it connected with him and psychological affect on him. The first chapter is about the phonetic level (rhythm structures )and it is divided in to three topics , the first topic included the frequency studying as an artistic expressional need in the poetic text.The poet made it as a style in many contexts such as words, verbs , letters ,sounds and punctuation marks frequency. The second topic is about the revolving phenomenon as one of the modern poem requirements and its psychological and emotional on the poetic text. The third topic is about variety of the rhythm and types of the rhyme according to the mental requirements and modernism in the modern poem structure. The second chapter is about the level structural and included the stylistic structural phenomena in the poet language. It divided in to three topics , the first one is about the question and calling phenomena as a stylistic request that covers his poetry and helps to motivate the poetic meanings.the second included the verbs tenses far from the obligated tense and how the poet gave it new standards by changing the tenses to make the poem as pulsing or living tissue The third topic included different stylistic patterns that came in his poetry like the pronouns structures and the advancing and retardation that came as a stylistic variety.The third chapter was specialized for the reference level. the first topic deals with the meaning glide with the presenting of the metaphor manner according to the poetry mode. The second chapter is about the colours by describing them as stylistic phenomenon that contribute with the richness of the poetry mode. The third one is about the accord phenomenon by describing as a n artistic and cultural phenomenon in the modern Iraqi poetry and its historic , koranic and literary usage.
الصفحات الاولى:

الهوية في روايات حميد الربيعي Identity In The Novels Of Hamed Al - Rubaie

اسم المؤلف: حمزة عبد الامير حسين
اسم المشرف: اوراد محمد كاظم
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: In a time of rising concerns about identity, and exploding mobile questions between (what) and (from) to demonstrate the depth of concern and engage in the know (ego) and (Finalize) both attend the importance of choice for research and study and describe those concerns in Applied Life Square and not sufficiency endoscopically, and because the test it in real life Saab had to be another alternative provides this test with the possibility of getting results and achieving the same goals if the study took place on the ground, was a literary novelist field private alternative fantasy and possible to do that which is shown by the (Paul Ricoeur ) Speaking of narrative identity, the right place and novel optimal model to a full life before our eyes and the extent of sight, as they reflect what is going on society and the real life of the vagaries of the doctrines and ideas find their respective fields of applied in the life of fictional characters. We do not look at the rigid personalities, but living beings practiced her life and express their identities and existence. The Medanna Applied He novels Iraqi novelist (Hamed al - Rubaie) a virgin field in the area of study, as the novels Hamid al - Rubaie, have not been studied before, which makes a researcher at the state of total self - reliance, without that there will be help for studies dealt's (identity in novels, Hamid al - Rubaie) this is one of the great difficulties that appear in the way of a researcher who accepts the so risky combine is thoughtful text and the subject is a new one in the field of academic research studies and Altolevah namely (IDS), which began highlighted in a year later (2003) in Iraq and before that a year later (1967) in other Arab countries, and by the two dates mentioned in the rest of the world as it moved from concept exclusively in philosophical inquiry to the rest of the social concerns and anthropological, psychological, economic and cultural general. Must be clear here, we have adopted all four novels, Hamed al - Rubaie, namely : 1. novel (Travel snakes) issued a year (1987) by Dar Al - Hamdani (Aden), reissued in (2012) from the House in July (Damascus).2. novel (Almighty wrench owner) of the year (2010) by Dar springs (Damascus), reissued in (2012) from the House in July (Damascus).3. novel (new death twice) issued a year (2012) the first edition of the house spaces (Amman - Jordan).4. novel (the corridors of the dead), published in (2014) for the first house in July edition (Damascus), the last novel published writer novelist (Hamid al - Rubaie) until the date of writing this letter. Thus, the letter will address these novels applied only in an unintended message title (b novels Hamid al - Rubaie). For monitoring it had to be that Neptde search boot comprehensive and summarizes the polls - (Philosophical dimension of identity) as the origin where they Study of philosophical, but the importance of this dimension in the conceptual transformations and their impact on the earth since ancient philosophy and even contemporary philosophy which became celebrates difference. - The first chapter : it has made it (references heritage and manifestations of identity), one of the two sections : Section I : mythology and manifestations of identity, and our research under this title two points : the myth of Genesis and the Baath and healing.In the second section (folklore and manifestations of identity) : Our research under this title two points : the sacrifice and play folk costumes. - The second chapter (references and intellectual manifestations of identity) has made it in two sections : The first topic (ideology and manifestations of identity) and which we discussed a number of trends, was the first to go (Marxist) and we discussed at two points : (monetary trend) and (revolutionary hero). The second trend is the (National) The third trend that we've had in this chapter is also the (religious) and our research under this title (Shiite identity) and (Sufi identity).The second section (of self and others) has been divided by the first - Self - west and the other in which, the female pornographic west, and the other Western decadence of civilization. Secondly - and not the other Negro identity. Third - virility and femininity, which we dealt with the male patriarchy in society for women, and how the (safety) in the novel says wrench owner, was a prisoner and victim of the will of the narrator in the stallion pulled towards the trap of sin and physical abuse. - The third chapter, titled (from alienation to recognize) : it is the other came in two sections monitoring of self - isolation, targeted to protect it as a reaction to the positive direction of the will of overseas frivolous identity and the end of the clash of recognition to those belligerent self extracted sovereignty can address to die and Akhovha from any authority. So it was the first section (alienation and reification) and we dealt with each of these Mufrdtin independent study, study singled to alienation, and other Chia. The second section Vtnolna the sadistic and Almazhukip independent study, and after we checked in (to recognize.. and finiteness about death) which concluded Neil sovereignty of the popularity of death Iqbal Liberals is based upon the free and independent identity in which the reality of being manifested without fear or worry or shame, and has been the conclusion of a detective. - After the completion of chapters and sections study, we have developed the most important conclusion to our findings in our research summaries by those results. This we have adopted in the study of identity in the novels of Hamed al - Rubaie approach (descriptive and analytical) and take advantage of the cultural criticism umbrella also in multiple text thoughtful turn - faceted, and the truth about the identity and the identity of the truth behind the actions and words and freaks of San personalities and shed light on areas of silence and silent, and the dismantling of the components of identity figures the raw materials of traditional and mythological and ideological, cultural and rebuilt to show the real face behind Matqom and that her true identity.Therefore, the reader may find to our present contradictions as are raised about personal identity and read interpretive Allakhadah to the logic of identity, what Nbdi here from the multi - faceted identities interpretation, is the result of duplication and synthetic and applied in nature formative figures, Sometimes pornography and other or may turn toward mysticism show, and sometimes show isolation and alienation, and other shows of resistance and revolution and Allakhov from the face of death to freedom through the confession... and other multi - faceted whose identity personalities and express this is a reflection of the existence of another real and external we water or contextual granted by this presence, which includes his absence, and the absence of which strive to clinch his presence
الصفحات الاولى:

اساليـب الطلب فـــي ديوان الشيخ عبد الحميد السماوي : دراسة دلالية تداولية Methods Of Request In The Diwan Of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study

اسم المؤلف: حمد عدل ناصر الغانمي
اسم المشرف: وليد شاكر نعاس الرفاعي محمود عبد اللامي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: المثنى
المستخلص: وقد اقتضت طبيعة البحث تقسيمه على تمهيد وثلاثة فصول متبوعة بخاتمة, اما : التمهيد فقد خصص لدراسة الكلام والانشاء الطلبي. واما الفصول فقد جاءت مقسمة على ثلاثة فصول, مبتدءة بالفصل الاول الذي تناولت فيه اسلوبي الامر والنهي. واما الفصل الثاني, | (Methods of Request in the Diwan of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study)In the name of Allah, the most compassionate, the most MercifulThanks to Allah, peace and blessing be upon the master of all mankind and his rightly guided progeny and peace be upon their followers until the Day of Judgment.The nature of the research has necessitated dividing it into a prologue, four chapters followed by a conclusion. The prologue has been allocated to study the poet biography; as this study is the first dealing with his works. The research has been divided into four chapters; the first of which has dealt with three concepts : speech, Composition and request, for two reasons; the first is that the reference of the methods of request are those three concepts, and the other reason is that this research is meant to keep pace with modern linguistic studies, particularly the deliberation theory. The second chapter which has studied the two modes - commands and interdictions - is divided into three sections; the first section has dealt with the command linguistically and idiomatically as well as its indication of time. The second section has addressed the forms referring to the commands which have been dealt with in the diwan. The third section has discussed the necessitating functions of the command mode. Chapter three has been allocated for interrogation methods and divided into two sections beginning with a preface dealing with interrogation linguistically and idiomatically, while the first section has addressed interrogation particles according to their occurrences in the diwan and they are classified as particles and nouns. The third section has studied the necessitating functions of the interrogation mode. The fourth chapter entitled (other methods namely the vocative, optative, hoping, offering and urging cases), has been divided into three sections : the first has dealt with vocative mode (nature, particles, and object). The second section has dealt with the necessitating functions of the vocative. The third chapter has been allocated for (optative, hoping, proposing and urging) cases. The chapters of the research are completed with its conclusion and findings, the most important of which are : 1 - Al - Samawi's diwan includes the main original and necessitating methods of request such as commanding, praying, appealing and etc.2 - The poet took too much care of the feminine addressing in his use of the command mode , which means that he take on this mode for its efficacy in influencing society more than the confrontation mode; also, he used it when sensing pain and bitterness for what he saw of the community situation.3 - The research has proven the need to differentiate between the verb of command as an act of the speaker, which is associated with the present time, and whose significance occurs at its saying, and the compliance phase with which the verb deviates from the command implication.
الصفحات الاولى:

الظواهر النقدية في رسالتي (التوابع والزوابع) و(الغفران) : دراسة موازن

اسم المؤلف: حسين ريحان عبد الزوبعي
اسم المشرف: شاكر محمود عبد السعدي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
المستخلص: The discussion can be summarized as follows : Praise be to Allah, and the best pray and peace upon His prophet Mohammed, and upon his followers and companions. My thesis entitled ( Critical Opinions on the Altawabaa Wal Zawabaa and Alghufran theses; Comparable Study ) consist of the search on a subject arousing debate and controversy that is is there an influence between the two writers in these two theses. Some scholars see there is an influence between Almaree and Ibn Shuhayd, and other think the reverse, and the third one stand equitable between the two writer, they say that there is no influence between the two theses. All of this issue with all its reflections and what is aroused about it was a good reason for me to investigate and search about the truth through the search in the opinions and the critical thoughts which is found with in the two theses, then to find if there is an influence between of them or not. This is a new vision about the influence issue but in another hand it became scientific more than being a controversy and supposed issue. Thus I find it is necessary to divide me thesis into a preface and four sections and an end. I have focused on the nature of the criticism at the Third and fourth centuries(Hegira).Through the first part I have talked about the biography of the two writers and about the content of the two theses. In the second part I have talked about the critical opinions in the Altawabaa and Alzawabaa thesis, and at the third part I have displayed the critical opinions in the Alghufran theses, while at the fourth part I have displayed the equality between the two theses and I have centered on four items formed into four parts; at first section I have talked about the main issues that the two writers had participated in their study and this issues are; pronunciation and meaning, mode and artificiality, old and modern and the poetic steals. The second section is about what is Ibn Shuhayd write about, and the third section is about what is Abu Allaa wrote about, while the fourth section was about the equality of the language between the two researchers on there theses, and the style of them in displaying the critical issues within his thesis. After the search and the study for the critical issues which is found in the two theses I have find that there is no influence between the two critics in their critical opinions more over in their language and their style and this mean that the issue of influence and effect is not found because the huge difference between the soul and the mentality of the two writers and between the subject of the two theses. Thus it is acceptable the say of those who say that there is no influence between the two critics in there theses because of the mentioned reasons and we approve the saying which say that there is influence between the two writer in there Islamic point of view through the ( Alesraa Wal Miraaj Story ) and (fairies world ) and ( the last life )and what is mentioned in the Holy Qur'an and Sunah and a description to its people and its views concerning to Paradise and its hellfire concerning to the Hell.
الصفحات الاولى:

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

اسم المؤلف: جعفر محمد ونان جاسم
اسم المشرف: فائز هاتو الشرع
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بغداد
المستخلص: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents
الصفحات الاولى:

الشخصية في روايات احمد سعداوي The Character In Ahmed Sa'Adawy's Novels

اسم المؤلف: بشرى رياض جوير
اسم المشرف: سهير صالح ابو جلود
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بغداد
المستخلص: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.
الصفحات الاولى:

معانـي التسامح في الشعر الاندلسـي من الفتح حتى عصر الموحدين

اسم المؤلف: انتظار عبـد علي محيي عبـد
اسم المشرف: مقداد رحيم خضر
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بغداد
الصفحات الاولى:

الخلود في شعر عبد الحميد السماوي Eternity In The Poetry Of Abdul Hamid Al - Samawi

اسم المؤلف: اساور ناجي حسين صالح الحسناوي
اسم المشرف: محمد فليح حسن الجبوري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: المثنى
المستخلص: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.
الصفحات الاولى:

جهود محيي الدين الدرويش البلاغية في كتابه اعراب القران الكريم وبيانه

اسم المؤلف: ابراهيم منذر عريبي شاطي العزاوي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: صلاح الدين
الصفحات الاولى:

البناء الفني للموشح العراقي The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure
الصفحات الاولى:

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.
الصفحات الاولى:

الصبر في شعر بني الاحمر : دراسة فنية The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

اسم المؤلف: محمد حسين جاسم العيساوي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory
الصفحات الاولى:

النص التاريخي في روايات عبد الخالق الركابي The Historical Text At The Novels of Abdul Khaliq Alrikabi

اسم المؤلف: عادل عباس عطية جلو الخالدي
اسم المشرف: عبد الله حبيب كاظم التميمي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: القادسية
المستخلص: Our study entitled (The Historical Text at the Novels of Abdul Khaliq Alrikabi ) has been distributed on three chapters presided by preface , which deal with presenting some terms related to the history with the novel , the first chapter specified with readings of the historical text contents in the novels and its contents details and its objectives , besides to analysis these contents and compositions in three chapters ; the first one for speech of historical references in novels and the second we have analyzed where the political historical contents as being phenomena in the novel , the third chapter we have analyzed the social historical contents , while the second chapter has been specified to readings of functional means of the historical text in the novels , in two topics , the first one to discover the areas of presenting the historical text , the second for the technical of its presenting , the third one specified for to understanding the historical awareness presenting in the novel , the first topic to discover the historical critical awareness , the second for study the historical meditation awareness We can say that the comprehension of historical text in Abdul khaliq Alrikabi novels tackled with many historical sides , and it has own privacies and justifications. Her. we should refer that the novelist invested the historical text successfully , this result comes from the variety of writer's ways and techniques, we concluded to a fruitful results. - We concluded that historical reference point in all novels is specific from one side and shared with others on the other side. the specification comes from writer's concentration on one of historical stages with all its events and historical cases. A selection been from this historical stage from its resent historical and political issues and contemporary issues almost , shed light on it and prepare for it everything needs. To give the reader a massage of contents. sharing process we mentioned means that most novels shared in the process of recording history concerning shared condition these condition dominated with rational existence in novels. it means that historical cases found in this novel and may be found in another one as a part of its text contents. inside novels the writer presents Iraqi history beginning with ottomans age , British colonial age , monarchy age , and republic age till recent age. - We concluded that Abdul Khaliq Al - rikabi novels were full of political contexts paralleled with other novel contents. without any contrasts may found. These novels contents come as historical texts. it seems that political text of history has the widest existence , which tackled with contents of war , political power, revolution , and novels also full of social cases of importance, like historical cases of countryside , poloticovl cases of society and historical cases of civil society , and general cases about society , and social changes. - We concluded that Alrikabi depend on ways and techniques to prepare historical text and indicated that it has two properties inside it : the first about point or bases of preparing history text. The novelist has his own method to make use of history and that process appeared in the three forms. first it comes at the beginning of context, the other one inside it or out of the context besides the presence of history in novel generally according two techniques : the repetition and narrative - image. - Al - Rikabi have presented a critical and meditative realization of history in his works from many points of view, that critical realization reapers ented in the analysis and explanation which done by the anther on history text in his works. The meditative realization represented in the anther connection of historical past with the recent and future days.
الصفحات الاولى:

صورة المراة في كتب الامثال : مجمع الامثال للميداني انموذجا The Image of Women In The Books of Proverbs Proverbs For Complex Field Model

اسم المؤلف: زينب حسين كاظم حسون المحنه
اسم المشرف: سرحان جفات سلمان
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: القادسية
المستخلص: وقد خلص البحث الى ما ياتي : 1 - غلب على الامثال التي ترسم الملامح الحسية الجميلة للمراة النزوع الجمالي الوظيفي حيث تصور تلك الامثال جمال العينين، والفم، والانف او الوجه عموما، واكثر اعضاء الجسد الانثوي تعبيرا عن الجمال، كما تصور ايضا الاشكال المادية ا | . the parables of the sensory profiles of beautiful women's aesthetic tendency career so imagine those parables the beauty of the eyes, mouth, nose, face, and most members of the female body as an expression of beauty, and visualize the physical forms that adorn the female body, making body image as a form drawn by two main elements : some members of the female body and some elements of the decoration of those members on the other hand, the image is drawn forms of entity are Some members of the body and forms borrowed is some means of decoration.2. suggest body image as a form of proverbs a functional rather than a humanitarian or compassionate utilitarian tendency rather than a humanitarian aesthetic purist, and it seems that the reason here is due to the predominance of emotion that wither after owning men for women because there is a sense of emotional need rather than the human value of love between men and women; so dominated by (material love) on (love Louisa).3. revealed parables that depict women as body performs the functions of the instinctive tendency of predominant nationality at the expense of emotional tendency in the human data, so these parables is portrayed as a body (a sexual gratification) to make a positive latthakk on humanitarian data devoted passion of love as much as matthakk in physical data saturation not moment desire to enrich human affection and compassion that God only in a few models did not draw clearly proverbs is remarkable as the platonic love that show up at his door.4. painted parables picture the female body a two - way first temptation : the self and the other : beauty alias means decorations, were proverbs connected to the first direction such as : (the well - being of almnakh innovation) less presence of proverbs painted the second trend as : (not a perfume after the bride). He is captured through the predominance of sensory beauty in the familiar set apart.5. the predominance of sensory data of the parables in the portrayal of women through her body as beautiful or as a form of sexual expression of dominance tendency possession, and yearning to embrace direct, sensual and fun wilt causes fun, legibility, and spiritual implications.6. the mother represents the best image for women in Proverbs women close to the man and one of the broadest and most exciting images and prevalent until the Arabs prove ancestry mother and recognize its boast.7. the dominance of masculinity with a dominant feature in dealing with women and viewed it as a tool for youthful sex and reproduction.8. does not mean a negative image and the process of society and its traditions and customs that are devoid of women women made famous and known by intelligence and business acumen and wisdom and discretion. The image of women because of the calamities and wife traitor of the picture and in Proverbs welioaziha only a vulnerability wematnalh of conquering the community, demonstrating the kind of close association between perception of it being a troublemaker, Banshee and the picture which justify entitlement to punishment and deliberate humiliation.9. graphic image was full of similarly applications of all kinds, cannot overlook the study, since it is possible to read the parables as Intertextuality outer and inner rivers difficult chapter in knowing which is the oldest ideals or other ytenas with text, and note that for the icon to appear in the same order after any character in the story is a symbol of the ideals of then either legend was less visible from the ico
الصفحات الاولى:

الصورة الحسية في شعر السجون الاندلسي The Sensory Image In The Poetry of The Andalusian Prisons

اسم المؤلف: اسماء بدر محمد العوادي
اسم المشرف: قيس حمزة فالح الخفاجي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
المستخلص: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.
الصفحات الاولى:

الصورة اللونية في الشعر الايوبي Chromaticity In Poetry of Al - Ayoubi

اسم المؤلف: نبراس كاظم ابراهيم الدفاعي
اسم المشرف: رباب صالح حسن
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بغداد
المستخلص: This study seeks to statement chromatography impact in shaping the imagination of the poets in the Ayyubid period, an era that interested in literature and poetry, and the most prominent themes of spinning and description of nature, This study was conduct
الصفحات الاولى:

الطفولة في شعر بدر شاكر السياب : دراسة موضوعية فنية The Childhood In The Poetry of Bader Shaker As - Sayyab : An Objectivity Artistic Study

اسم المؤلف: يوسف سعد خليف
اسم المشرف: منذر محمد جاسم الديري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2013
مكان الجامعة: بغداد
المستخلص: الحمد لله رب العالمين والصلاة والسلام على اشرف الانبياء والمرسلين محمد عليه افضل الصلاة واتم التسليم وعلى اله الطيبين الطاهرين وصحابته الغر الميامين ومن تبعهم باحسان الى يوم الدين.اما بعــد : فقد وقع اختياري على الشاعر ق | After this study named the childhood in the poetry of as_sayab and its different subjects, can number result that was the fruitage this study that came before it introduction studied the childhood in the Arab poetry through all age.• The Arab gave the c
الصفحات الاولى:

مكاتبات ابن المعتز النثرية : دراسة موضوعية وفنية A Technical Study of Mukatabat Ibin Al - Muataz Al - Nathreyat

اسم المؤلف: ياسين حمود محمد العجيلي
اسم المشرف: رمضان صالح عباد الجبوري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: صلاح الدين
المستخلص: The thesis has dealt with (A technical study of Mukatabat Ibin - AL - Muataz AL - Nathreyah) which is considered to be an important topic.The study can be divided into : Introduction; theoretical back ground, two chapters and conclusion. Theoretical bac
الصفحات الاولى:

البناء الفني في شعر ابراهيم بن الحاج النميري الاندلسي (ت793هـ)

اسم المؤلف: ياسر فواز احمد سالم الفراجي
اسم المشرف: فاضل بنيان محمد الجنابي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2008
مكان الجامعة: بغداد
الصفحات الاولى:

خاتمة القصيدة الاندلسية في عصر الطوائف : دراسة فنية Epilogue of The Andalusia Poem in Al - Tawa'If Era : A Technical Study

اسم المؤلف: ياسر رشيد حمد البياتي
اسم المشرف: فائز طه عمر التكريتي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: صلاح الدين
المستخلص: The title of the thesis is (The Epilogue of Andalusia Poem in AL - Tawa'if era : a technical study) This study has chosen because it is concerned with a prosperous era in numerous ways, including the cultural side and the poetry is an original art which d
الصفحات الاولى:

بناء السرد القصصي عند تحسين كرمياني - عبد الله طاهر البرزنجي - هيفاء زنكنة Composition of Story Narrationat (Tahsseen Carmyani, Abdullah Tahir Al - Barazanji, And Haifa Zankna)

اسم المؤلف: وسام سعيد فيصل زعفر الحديثي
اسم المشرف: حمد محمود الدوخي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2012
مكان الجامعة: صلاح الدين
المستخلص: The narration text in whole writing sides in story, novel, theatre, and scenario …etc. is text stand on high side of logic in composition comparing by poetry that always tends to free from boundaries as real place, conversation control, sport age, and so
الصفحات الاولى:
1 ... 63 64 65 66 67 ... 122