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اساليـب الطلب فـــي ديوان الشيخ عبد الحميد السماوي : دراسة دلالية تداولية == Methods Of Request In The Diwan Of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study

Author name: حمد عدل ناصر الغانمي
Supervisor name: وليد شاكر نعاس الرفاعي | محمود عبد اللامي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: وقد اقتضت طبيعة البحث تقسيمه على تمهيد وثلاثة فصول متبوعة بخاتمة, اما : التمهيد فقد خصص لدراسة الكلام والانشاء الطلبي. واما الفصول فقد جاءت مقسمة على ثلاثة فصول, مبتدءة بالفصل الاول الذي تناولت فيه اسلوبي الامر والنهي. واما الفصل الثاني, | (Methods of Request in the Diwan of Sheikh Abdul - Hameed Al - Samawi : Grammatical Semantic Study)In the name of Allah, the most compassionate, the most MercifulThanks to Allah, peace and blessing be upon the master of all mankind and his rightly guided progeny and peace be upon their followers until the Day of Judgment.The nature of the research has necessitated dividing it into a prologue, four chapters followed by a conclusion. The prologue has been allocated to study the poet biography; as this study is the first dealing with his works. The research has been divided into four chapters; the first of which has dealt with three concepts : speech, Composition and request, for two reasons; the first is that the reference of the methods of request are those three concepts, and the other reason is that this research is meant to keep pace with modern linguistic studies, particularly the deliberation theory. The second chapter which has studied the two modes - commands and interdictions - is divided into three sections; the first section has dealt with the command linguistically and idiomatically as well as its indication of time. The second section has addressed the forms referring to the commands which have been dealt with in the diwan. The third section has discussed the necessitating functions of the command mode. Chapter three has been allocated for interrogation methods and divided into two sections beginning with a preface dealing with interrogation linguistically and idiomatically, while the first section has addressed interrogation particles according to their occurrences in the diwan and they are classified as particles and nouns. The third section has studied the necessitating functions of the interrogation mode. The fourth chapter entitled (other methods namely the vocative, optative, hoping, offering and urging cases), has been divided into three sections : the first has dealt with vocative mode (nature, particles, and object). The second section has dealt with the necessitating functions of the vocative. The third chapter has been allocated for (optative, hoping, proposing and urging) cases. The chapters of the research are completed with its conclusion and findings, the most important of which are : 1 - Al - Samawi's diwan includes the main original and necessitating methods of request such as commanding, praying, appealing and etc.2 - The poet took too much care of the feminine addressing in his use of the command mode , which means that he take on this mode for its efficacy in influencing society more than the confrontation mode; also, he used it when sensing pain and bitterness for what he saw of the community situation.3 - The research has proven the need to differentiate between the verb of command as an act of the speaker, which is associated with the present time, and whose significance occurs at its saying, and the compliance phase with which the verb deviates from the command implication.

الظواهر النقدية في رسالتي (التوابع والزوابع) و(الغفران) : دراسة موازن

Author name: حسين ريحان عبد الزوبعي
Supervisor name: شاكر محمود عبد السعدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The discussion can be summarized as follows : Praise be to Allah, and the best pray and peace upon His prophet Mohammed, and upon his followers and companions. My thesis entitled ( Critical Opinions on the Altawabaa Wal Zawabaa and Alghufran theses; Comparable Study ) consist of the search on a subject arousing debate and controversy that is is there an influence between the two writers in these two theses. Some scholars see there is an influence between Almaree and Ibn Shuhayd, and other think the reverse, and the third one stand equitable between the two writer, they say that there is no influence between the two theses. All of this issue with all its reflections and what is aroused about it was a good reason for me to investigate and search about the truth through the search in the opinions and the critical thoughts which is found with in the two theses, then to find if there is an influence between of them or not. This is a new vision about the influence issue but in another hand it became scientific more than being a controversy and supposed issue. Thus I find it is necessary to divide me thesis into a preface and four sections and an end. I have focused on the nature of the criticism at the Third and fourth centuries(Hegira).Through the first part I have talked about the biography of the two writers and about the content of the two theses. In the second part I have talked about the critical opinions in the Altawabaa and Alzawabaa thesis, and at the third part I have displayed the critical opinions in the Alghufran theses, while at the fourth part I have displayed the equality between the two theses and I have centered on four items formed into four parts; at first section I have talked about the main issues that the two writers had participated in their study and this issues are; pronunciation and meaning, mode and artificiality, old and modern and the poetic steals. The second section is about what is Ibn Shuhayd write about, and the third section is about what is Abu Allaa wrote about, while the fourth section was about the equality of the language between the two researchers on there theses, and the style of them in displaying the critical issues within his thesis. After the search and the study for the critical issues which is found in the two theses I have find that there is no influence between the two critics in their critical opinions more over in their language and their style and this mean that the issue of influence and effect is not found because the huge difference between the soul and the mentality of the two writers and between the subject of the two theses. Thus it is acceptable the say of those who say that there is no influence between the two critics in there theses because of the mentioned reasons and we approve the saying which say that there is influence between the two writer in there Islamic point of view through the ( Alesraa Wal Miraaj Story ) and (fairies world ) and ( the last life )and what is mentioned in the Holy Qur'an and Sunah and a description to its people and its views concerning to Paradise and its hellfire concerning to the Hell.

نقد السرد في مجلة الموقف الادبي (2005 - 2015)م == The Narrative Criticism In The Magazine Of Al - Maoqif Al - Adabi 2015 - 2005

Author name: جعفر محمد ونان جاسم
Supervisor name: فائز هاتو الشرع
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This Search Three adoptions : Cultural adoption posed represented by Almoqif Al - Adabi Magazine as it belong to the press and literature at the same time, and critical adoption by virtue of the modeling, critical adoption by virtue of detection and analysis and these three adoption came together to sets up construction structure of research ,the search turn around in the critical text that derived by critical Research, previous and studies that associated by Almoqif Al - Adabi Magazine so we will try to read accurate reading according to the persuasive means and its formative dimensions.Based on the search of the famous snappy repartee stating the following : that there asymmetrical experiences of critics have up to match in visions and consequences in parallel with that there is a difference in the platforms - with mostly - the political aspect.The aim of this research to the disclosure of the monetary values of the narrative in the Studies of the magazine moral position monthly rotating issued by the Arab Writers Union, integration requires research to capture the reins of assets and understated academic research.This attempts to search to answer the questions of banking : What is the relationship between the narrative terminology? How they were able to critics force of the issue of the disorder and after the terms of stability? And the impact of the literary theories in establishing the rules of the narrative which can define the meaning of the narrative indication and enriching the function and do a diversity of critical curricula monetary literacy? On the texts of the critical different application configuration and establishment; and that tended to appropriate evidence as registrars right ,accordingly.The criticism pass through of accomplished narrative Arabic and international levels and stages of development of the task, we will reveal in the body of the search for appropriate studies magazine criticism with this development arose configured, and we wander in view is correct, it was obliged to read carefully the magazine prepared within the framework of the extended time - frame of the number (405) of 2005m and number (523) of 2014; therefore those numbers directly from the Arab Writers Union, and I could not possessing banknote digitally; as well as the knowledge and briefed the preparation of other magazine starting from the first issue.The research ends with a conclusion with the most important findings of the research with the research recommendations, in this regard i don’t miss offer grateful thanks and respect for their modest effort , the head of council and the members, who bore the trouble reading this modest effort, apologized to them; if there are seen any errors and faults including those incumbent upon me gratitude for parents

الشخصية في روايات احمد سعداوي == The Character In Ahmed Sa'Adawy's Novels

Author name: بشرى رياض جوير
Supervisor name: سهير صالح ابو جلود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This thesis which titled (The character in Ahmed Sa'adawy's Novels) aims to study a Narrative term that is (the character in the novel). The study divided in to an introduction, two sections and conclusion.The introduction studied the characters and its transformations in the Iraqi novel after 2003, and Ahmed Sa'adawy as a novelist. The first section is titled (the types as character). Its divided, in turn, in to three chapters : the marginal character, the mythicized character, and cultured character. The second section is titled (The Image of language), which divided, in turn, in to three chapters. The stylization, the dialogue and the intermediate forms, and the Aliens genres.This thesis has come up to a conclusion summarizing the final academic results. I hope that this thesis gives its benefits in the future studies to help researchers concerned with the world of narrative.

معانـي التسامح في الشعر الاندلسـي من الفتح حتى عصر الموحدين

Author name: انتظار عبـد علي محيي عبـد
Supervisor name: مقداد رحيم خضر
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

الخلود في شعر عبد الحميد السماوي == Eternity In The Poetry Of Abdul Hamid Al - Samawi

Author name: اساور ناجي حسين صالح الحسناوي
Supervisor name: محمد فليح حسن الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Muthanna
First pages:
Abstract: We have chosen the term "eternity" in the poetry of Abdul Hamid Al - Samawi because of the indications of awareness of eternity it carries and the way of employing it, in addition to the role it plays in engineering the text : a process which is considered one of the most important streams of the poetical experience of the creative person whie it is on the threshold of producing a new text. The nature of the topic has required that it be divided up into a preface and two parts preceded by an introduction and followed by a conclusion containing most of the findings arrived at Finally, a list of references has been added.I have followed in my research the inductive descriptive approach.The preface has been given the title" Eternity between Philosophy and Poetry", while the first part has been devoted to the" Objective Study". As for the second part ,it has been devoted to keeping an eye on the artistic factors by mean of the tools of the aesthetic molding.The research has arrived at the following findings : *It has become clear the Al - Samwi's poetry has mixed between imitation and innovation at the same time. That is to say, his collection of poetry has included the traditional topics and the modernized ones which appeared in modern Arabic poetry. It has become clear that the subject of "eternity" was conspicuous.*It has become clear that the main motive behind composing poetry was the society in general and the Samawa environment in particular. This is considered one of the most important outside attitudes to which the motive responds. The influence of the environment has been apparent in Al - Samawi's poetry as a result of how he viewed it. The influence of religious occasions has been also clear which has made the poet long for contemplating the landmarks of eternity as represented in Ahlul Bayt(AS) lofty edifices.The third motive has been represented in in Al - Samawi's pondering over life and death.Life in all its troubles and pains imposes on him pains and sufferings which makes him criticize its leisure. He has ,therefore, kept a close eye on all its manifestations. As for his pondering over death, the poet launches into mentioning death prolonging contemplating it. He has also expressed his delight upon seeing graves and casted long looks on them. He has also pondered over universe and existence.His existential concern has been clear which was its main motive to think of the other world and the eternal rest.*It has become clear that Al - Samawi's has penetrated the language looking into it as deep as his emotions using its styles in line with what he deems convenient for his psyche and doctrine. He reclines once on the eternity expressions of the heritage while in other times uses simple expressions , but the language of eternity which has taken a distinctive feature is the easy and simple language. His poetic lexicon has been characterized by the domination of the eternity expressions and their derivatives. They are considered the most dominant expressions over the poet's vision. Through these dominating expressions , he has been able to express cases struggling in his mind whether in reality or in imagination.*It has been apparent that Al - Samawi made manifested the linguistic structure in the poetry of eternity in more than one meaning as deemed convenient according to his poetic experience. The poet , therefore, has subjected for this purpose expression and constructions which he thinks they can achieve this objective. These style have varied and they have been controlled by his poetic feelings and emotions.*Al - Samawi has adopted the traditional criteria in the metrical structure of his poem. Examining carefully and employing the Arabic metres , he has revealed to us the intensity of his use to specific metres as used by ancient poets such as the metres of the Kamil, Tawil, Khafif, and Basit. He has intentionally resorted to metres diversity in texts where homogeneous and heterogeneous metres are used for the sake of waving movements among feet. As for rhyme, it looked as though it were a rich multidimensional sonorant action which has contributing to granting the text sobriety and stability.in addition to shedding light on the semantic dimension of texts.*The internal music for the poetry of eternity has reflected in alliteration and bringing the reare to the fore to express what Al - Samawi feels of. it has also been found that he resorts to repetition in its being one of the styles of expression. The poet had recourse to creating his own internal music through repeating a group of sounds which have a specific type of phonetic characteristics. He has repeated letters, utterances and constructions to perfect the meaning and fix it alongside phonetic effects to achieve musical harmony.*Al - Samawi has found in the Glorious Quran an inexhaustible fountain of meanings and utterances which have been absorbed by his mind and filled the depths of his soul. So, he started to drink of this sweet fountain living with the verses of eternity to such an extent that his texts were formation of many texts rephrased to meet his poetic attitude and vision.*The role of the religious symbol in the poetry of eternity has become apparent and the most outstanding symbol has been that of religious and historical heritage. The poet has been in the habit of recalling his immortal religious characters whichreflects his feeling that such characters were of great richness especially when we take into consideration that his look is in accordance with his psyche and poetic experience ; thus he has cared a lot for his doctrinal thought which formed later on a discourse specific to him in order to achieve cohesion between his experience and the symbol of eternity because he has expressed what he has inside himself by means of subjective motives.*The study has revealed the domination of personification in an imaginative context adopted by the poet in more than one poetic image. This personification has emanated from the passion and psyche of the poet. Imagination has extended over a huge space as regards his depictions especially after he has made the inanimate possess the qualities of the human being which has made the recipient understand and grasp the meaning more clearly ; hence the poet has been able to construct a multitude of new unrelated depictions.

الولاء الاجتماعي واثره في الشعر الاندلسي : دراسة موضوعية فنية من عصر الطوائف حتى سقوط الاندلس 400هـ - 898 هـ == Social Impact Of Loyalty In The Andalusian Poetry - An Objective Study Of Art - From The Era Of Denominations Until The Fall Of Andalusia (400 AH - 898 AH)

Author name: احمد حسون حربي
Supervisor name: محمود شاكر محمود
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

جهود محيي الدين الدرويش البلاغية في كتابه اعراب القران الكريم وبيانه

Author name: ابراهيم منذر عريبي شاطي العزاوي
Supervisor name: فائز طه عمر التكريتي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:

البناء الفني للموشح العراقي == The Technical Structure Of The Iraqi

Author name: رؤى حميد منديل
Supervisor name: فرحان بدري الحربي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري == The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

Author name: علي قيس حمزة الخفاجي
Supervisor name: محمد شاكر ناصر الربيعي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.

الصبر في شعر بني الاحمر : دراسة فنية == The Patience In Bani - Alahmer'S Poetry Gritical And Technical Study

Author name: محمد حسين جاسم العيساوي
Supervisor name: فاضل بنيان محمد الجنابي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: Literature Andalusian, episode of Arabic literature had been adopted, as Anmaz range of technical phenomena of what constitutes an extension morally so that Arab literature integrated whole can not be hashed no matter how different environments, including with joy Andalusian Environment, was that the hair Andalusian shift from the description of the nature and phenomena Joy to describe the phenomena of alienation and grief that has not produced a new phenomenon known Andalusian literature which is patience.I chose the phenomenon (of patience) a field of my studies, as is the link between the Albaiatin Oriental and Moroccan their differences, but they confirmed the link between eras, and showed the power of the Andalusian environment influenced by Arab literature is poetry field has required research topic that the message comes three chapters, preceded by booting , and followed by a finale, it came (boot) under the title ((assets patience in Ahlgrenatih life)), a definition between red, and offer social, political and literary life and a statement of the roots of patience in the Holy Quran and Sunnah and inherited literary, and definition of patient language and idiomatically.The classrooms are the first of which was devoted to the study of (emitters patience), and included two sections, studied in one : (Self - motivation for patience), and in the other (social motives of patience).The second chapter, it was titled (technical study, and included two sections, too, dealt with in one of them : (the study of language and style), and in the other : (internal and external music) represented by the alliteration and repetition and export permit as well as weight and rhyme.The third chapter, has been allocated to study (artistic image), and came on two sections, the first of them in : (means of the formation of the image), represented by analogy and metaphor and metonymy, while the other, came noting (for patterns technical picture) represented in the ways of visual and auditory expression and olfactory and gustatory

النص التاريخي في روايات عبد الخالق الركابي == The Historical Text At The Novels of Abdul Khaliq Alrikabi

Author name: عادل عباس عطية جلو الخالدي
Supervisor name: عبد الله حبيب كاظم التميمي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: Our study entitled (The Historical Text at the Novels of Abdul Khaliq Alrikabi ) has been distributed on three chapters presided by preface , which deal with presenting some terms related to the history with the novel , the first chapter specified with readings of the historical text contents in the novels and its contents details and its objectives , besides to analysis these contents and compositions in three chapters ; the first one for speech of historical references in novels and the second we have analyzed where the political historical contents as being phenomena in the novel , the third chapter we have analyzed the social historical contents , while the second chapter has been specified to readings of functional means of the historical text in the novels , in two topics , the first one to discover the areas of presenting the historical text , the second for the technical of its presenting , the third one specified for to understanding the historical awareness presenting in the novel , the first topic to discover the historical critical awareness , the second for study the historical meditation awareness We can say that the comprehension of historical text in Abdul khaliq Alrikabi novels tackled with many historical sides , and it has own privacies and justifications. Her. we should refer that the novelist invested the historical text successfully , this result comes from the variety of writer's ways and techniques, we concluded to a fruitful results. - We concluded that historical reference point in all novels is specific from one side and shared with others on the other side. the specification comes from writer's concentration on one of historical stages with all its events and historical cases. A selection been from this historical stage from its resent historical and political issues and contemporary issues almost , shed light on it and prepare for it everything needs. To give the reader a massage of contents. sharing process we mentioned means that most novels shared in the process of recording history concerning shared condition these condition dominated with rational existence in novels. it means that historical cases found in this novel and may be found in another one as a part of its text contents. inside novels the writer presents Iraqi history beginning with ottomans age , British colonial age , monarchy age , and republic age till recent age. - We concluded that Abdul Khaliq Al - rikabi novels were full of political contexts paralleled with other novel contents. without any contrasts may found. These novels contents come as historical texts. it seems that political text of history has the widest existence , which tackled with contents of war , political power, revolution , and novels also full of social cases of importance, like historical cases of countryside , poloticovl cases of society and historical cases of civil society , and general cases about society , and social changes. - We concluded that Alrikabi depend on ways and techniques to prepare historical text and indicated that it has two properties inside it : the first about point or bases of preparing history text. The novelist has his own method to make use of history and that process appeared in the three forms. first it comes at the beginning of context, the other one inside it or out of the context besides the presence of history in novel generally according two techniques : the repetition and narrative - image. - Al - Rikabi have presented a critical and meditative realization of history in his works from many points of view, that critical realization reapers ented in the analysis and explanation which done by the anther on history text in his works. The meditative realization represented in the anther connection of historical past with the recent and future days.

صورة المراة في كتب الامثال : مجمع الامثال للميداني انموذجا == The Image of Women In The Books of Proverbs Proverbs For Complex Field Model

Author name: زينب حسين كاظم حسون المحنه
Supervisor name: سرحان جفات سلمان
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:
Abstract: وقد خلص البحث الى ما ياتي : 1 - غلب على الامثال التي ترسم الملامح الحسية الجميلة للمراة النزوع الجمالي الوظيفي حيث تصور تلك الامثال جمال العينين، والفم، والانف او الوجه عموما، واكثر اعضاء الجسد الانثوي تعبيرا عن الجمال، كما تصور ايضا الاشكال المادية ا | . the parables of the sensory profiles of beautiful women's aesthetic tendency career so imagine those parables the beauty of the eyes, mouth, nose, face, and most members of the female body as an expression of beauty, and visualize the physical forms that adorn the female body, making body image as a form drawn by two main elements : some members of the female body and some elements of the decoration of those members on the other hand, the image is drawn forms of entity are Some members of the body and forms borrowed is some means of decoration.2. suggest body image as a form of proverbs a functional rather than a humanitarian or compassionate utilitarian tendency rather than a humanitarian aesthetic purist, and it seems that the reason here is due to the predominance of emotion that wither after owning men for women because there is a sense of emotional need rather than the human value of love between men and women; so dominated by (material love) on (love Louisa).3. revealed parables that depict women as body performs the functions of the instinctive tendency of predominant nationality at the expense of emotional tendency in the human data, so these parables is portrayed as a body (a sexual gratification) to make a positive latthakk on humanitarian data devoted passion of love as much as matthakk in physical data saturation not moment desire to enrich human affection and compassion that God only in a few models did not draw clearly proverbs is remarkable as the platonic love that show up at his door.4. painted parables picture the female body a two - way first temptation : the self and the other : beauty alias means decorations, were proverbs connected to the first direction such as : (the well - being of almnakh innovation) less presence of proverbs painted the second trend as : (not a perfume after the bride). He is captured through the predominance of sensory beauty in the familiar set apart.5. the predominance of sensory data of the parables in the portrayal of women through her body as beautiful or as a form of sexual expression of dominance tendency possession, and yearning to embrace direct, sensual and fun wilt causes fun, legibility, and spiritual implications.6. the mother represents the best image for women in Proverbs women close to the man and one of the broadest and most exciting images and prevalent until the Arabs prove ancestry mother and recognize its boast.7. the dominance of masculinity with a dominant feature in dealing with women and viewed it as a tool for youthful sex and reproduction.8. does not mean a negative image and the process of society and its traditions and customs that are devoid of women women made famous and known by intelligence and business acumen and wisdom and discretion. The image of women because of the calamities and wife traitor of the picture and in Proverbs welioaziha only a vulnerability wematnalh of conquering the community, demonstrating the kind of close association between perception of it being a troublemaker, Banshee and the picture which justify entitlement to punishment and deliberate humiliation.9. graphic image was full of similarly applications of all kinds, cannot overlook the study, since it is possible to read the parables as Intertextuality outer and inner rivers difficult chapter in knowing which is the oldest ideals or other ytenas with text, and note that for the icon to appear in the same order after any character in the story is a symbol of the ideals of then either legend was less visible from the ico

الصورة الحسية في شعر السجون الاندلسي == The Sensory Image In The Poetry of The Andalusian Prisons

Author name: اسماء بدر محمد العوادي
Supervisor name: قيس حمزة فالح الخفاجي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Babylon
First pages:
Abstract: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.

الصورة اللونية في الشعر الايوبي == Chromaticity In Poetry of Al - Ayoubi

Author name: نبراس كاظم ابراهيم الدفاعي
Supervisor name: رباب صالح حسن
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: This study seeks to statement chromatography impact in shaping the imagination of the poets in the Ayyubid period, an era that interested in literature and poetry, and the most prominent themes of spinning and description of nature, This study was conduct

الطفولة في شعر بدر شاكر السياب : دراسة موضوعية فنية == The Childhood In The Poetry of Bader Shaker As - Sayyab : An Objectivity Artistic Study

Author name: يوسف سعد خليف
Supervisor name: منذر محمد جاسم الديري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: الحمد لله رب العالمين والصلاة والسلام على اشرف الانبياء والمرسلين محمد عليه افضل الصلاة واتم التسليم وعلى اله الطيبين الطاهرين وصحابته الغر الميامين ومن تبعهم باحسان الى يوم الدين.اما بعــد : فقد وقع اختياري على الشاعر ق | After this study named the childhood in the poetry of as_sayab and its different subjects, can number result that was the fruitage this study that came before it introduction studied the childhood in the Arab poetry through all age.• The Arab gave the c

مكاتبات ابن المعتز النثرية : دراسة موضوعية وفنية == A Technical Study of Mukatabat Ibin Al - Muataz Al - Nathreyat

Author name: ياسين حمود محمد العجيلي
Supervisor name: رمضان صالح عباد الجبوري
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:
Abstract: The thesis has dealt with (A technical study of Mukatabat Ibin - AL - Muataz AL - Nathreyah) which is considered to be an important topic.The study can be divided into : Introduction; theoretical back ground, two chapters and conclusion. Theoretical bac

البناء الفني في شعر ابراهيم بن الحاج النميري الاندلسي (ت793هـ)

Author name: ياسر فواز احمد سالم الفراجي
Supervisor name: فاضل بنيان محمد الجنابي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:

خاتمة القصيدة الاندلسية في عصر الطوائف : دراسة فنية == Epilogue of The Andalusia Poem In Al - Tawa'If Era : A Technical Study

Author name: ياسر رشيد حمد البياتي
Supervisor name: فائز طه عمر التكريتي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:
Abstract: The title of the thesis is (The Epilogue of Andalusia Poem in AL - Tawa'if era : a technical study) This study has chosen because it is concerned with a prosperous era in numerous ways, including the cultural side and the poetry is an original art which d

بناء السرد القصصي عند تحسين كرمياني - عبد الله طاهر البرزنجي - هيفاء زنكنة == Composition of Story Narrationat (Tahsseen Carmyani, Abdullah Tahir Al - Barazanji, And Haifa Zankna)

Author name: وسام سعيد فيصل زعفر الحديثي
Supervisor name: حمد محمود الدوخي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Salahaddin
First pages:
Abstract: The narration text in whole writing sides in story, novel, theatre, and scenario …etc. is text stand on high side of logic in composition comparing by poetry that always tends to free from boundaries as real place, conversation control, sport age, and so

الزمان والمكان في روايات نجيب الكيلاني == The Time And Space In The Novels of Najeeb Algailani

Author name: وجدان يعكوب محمود
Supervisor name: جبير صالح حمادي القرغولي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: The novel is a type of literature, characterized by strong relationship between its constituent elements, both the time and space which they are an elements of the novel can not be separated from each other. We can not imagine a time without a space or a

الخطاب النقدي عند محمد حسين الاعرجي

Author name: هيام عواد راشد
Supervisor name: رحمن غركان عبادي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Qadisiyah
First pages:

التسامح في الشعر العباسي حتى نهاية القرن الثالث الهجري : دراسة موضوعية فنية == Tolerance In The Poetry Until The End of The Abbasid Third Century A.H : Objective Study of Art

Author name: هند حميد شاوي سعد الذهيباوي
Supervisor name: نجم عبد علي رئيس
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Wasit
First pages:
Abstract: درست في بحثي مفهوم التسلامح في الشعر العباسي, وقبل ان ابدا بكتابة مباحث البحث كتبت تمهيدا درست فيه المعنى اللغوي والاصطلاحي للتسلامح, ثم تطرقت لمفهوم التسلامح في الفكر الديني اليهودي والمسيحي والاسلامي, ومن ثم انتقلت لدراسته في التراث الشعري العربي, | I studied in my research the concept of tolerance in the Abbasid poetry, and before I begin typing detectives search started as a prelude studied the linguistic meaning and idiomatic for tolerance, then touched on the concept of tolerance in Jewish religi

الصورة الفنية عند الشعراء العميان في القرنين الثالث والرابع الهجريين == Artistic Picture At The Blind Poets (In The Third And Fourth Centuries)

Author name: هبة محمد سلمان الجميلي
Supervisor name: سوسن صائب سلمان المعاضيدي
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: بعد الرحلة التي قطعتها على صفحات هذه الرسالة، ابد لي من ذكر اهم النتائج المستخلصة منها، والتي يمكن ان يحصل عليها الباحث وهو يدخل في عالم بعيد بعض الشيء عن المفاهيم التي تناولها الشعر من الحب والحياة والغزل والدخول الى عالم المكفوفين، على انني حاولت في | This theses consist of a very deep study of the blind poets and the effect of their blindness on their psychology and relationship with other poets in the Islamic society at their time, and how did the complexity of blindness developed and reflected negat

الالوان ودلالاتها في شعر ابن زيدون وابن خفاجة الاندلسيين : دراسة موازنة == Significance of The Colors In The Poetry of Ibn Zaidoun And Ibn Khafajah Andalusians : Study Budget

Author name: هبة عامر فاضل
Supervisor name: علاء طالب عبد الله العاني
Specific topic: Literature
Degree: Master
Language: Arabic
University location: Baghdad
First pages:
Abstract: After moving in this research must summarize the highlights presented the issues and findings are : 1 - The color of great importance in Arabic poetry in general and poetry of Ibn Zaidoun and I'm Khafajah private.2 - The color of important phenomena ass
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