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مطالع الموشحات الاندلسية : دراسة تحليلية فنية == Andulsian Terza Rimas Technical Analysis

Author name: وفاء عبد الحسين فليح
Supervisor name: خالد لفتة باقر
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Andulsian terza rimas are dominated by subjects of liquor , courtship and nature depiction. This study investigates and analyzes the artistic image in the prelude of the terza rima and the rhetorical types that reflect this image. The study is made of an introduction and three chapters. in the introduction , the researcher reviews the concept of image both in language and in terminology for the traditionalists and the modernists. Chapter one consists of two sections : section one studies the psychological significance in the artistic image where as the second section deals with the social and national Significance of this image. chapter two completed the previous one in that it tackles the elements of the artistic image in the Andulsian terza rima. It is made of two sections , the first section shows the element of place in the artistic image. the second section illustrates the sensual and mental images. Chapter Three is an artistic analysis of the preludes in the terza rimas. It contains three sections. The first section analyzes terza rimas of courtship and liquor , the second analyzes those of nature depiction where as the third one analyzes terza rimas of eulogy and elegy. The study made use of various references of literature , linguistics and rhetorics in addition to biographies in both meghreb and Levant.

شعر مجيد الموسوي : دراسة في المضامين والبنى الجمالية

Author name: هيثم كاظم صالح
Supervisor name: صدام فهد طاهر الاسدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research is dealt with "Poetry Of Majeed Al - Mousawy : A udy In Contexts And Aesthetic Structure". The research focus hile study the contexts on the phenomenon that stem in poetry, ch as (Anxiety, Loss, Duality of Life and Death, and Humanizing kJture). Also it explained in details the study of each henomenon. While the aesthetic structures had consisted on the ost significant structures that stated in the poetry of Majeed Al - ousawy, such as : Structure of Language, Figures/ Symbol, Music, rmation structure. It commenced with a preface which dealt with the biography the poet and his most important cultural fountains. Then the search went on in Its division when it consisted of two parts each consisted of two chapters and also each consisted of two · ctions. The first Is : (The Contexts) it has two chapters. Where the earcher paid attention to the significant phenomenon which med the contexts such as : the First section is the Anxiety and its nches and the second section is Loss and its branches (Loss in ildhood, in Nature, etc... ). The second chapter of the first part is e First section The duality Life and Death : and the second tion is the humanizing Nature.) if explores the spread of anxiety 1 enomenon in huge space In his poetry.The second part is (Aesthetic Structure). started with the first apter which is It also consisted of two chapters. Each chapteronsisted of two section. The first section of the first chapter is : Language). This section is dealt with the most important effects at formed the language of the poet, and his own lexicon. Also it. vealed the phenomenon and language styles that played a role n formation of his lexicon. And the second section is entitled Figure/ Symbol). It dealt with two types of figures of Speech in oetry : they are (Fixed Figure, the Mobile Figure). Explaining their gn in the poem formation. While Symbol. The researcher dealt Ith two types. They are (Religious Symbol, and Heritage Symbol).he research revealed also how the poet exploited the sign of mbol taking it away of its real sign. Research explained how the et success in this taking away. The symbol didn't came in his etry arbitrary or irrelevant, rather it came in harmony and flow hile reading.The second chapter is consisted of two sections. The first is usic ). It dealt with the external music for the poem (Rhythm, eter). When researcher paused at some meters, then moved into e study rhythm and what it included of intruded or unify rhythm.also came across the poems of the poetic sentences and their ns and how the poets exploited the internal elements that riched him and made him pout away the rhythm. The second ction is (Formation). It revealed the components of the Aesthetic cture such as (Texts' Titles, Prologues, Organic Unit, and the Hogue) The researcher has get some conclusions that where indulged 1fhe end of the research under the title of (Epilogue).

الصورة البيانية في نهج البلاغة

Author name: علي فرج نعمة
Supervisor name: جبار عودة بدن الشحماني
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The book of Nahj Al - Balagha (The Way of Eloquence) for Imam Ali is considered one of the remarkable books; it is the words of the most eloquent among the Arab after the Prophet Mohammed. It includes many eloquent parts deserve that the researchers should stand over each part of it to be his or her own field of study, and I as a researcher hoped to have one of these parts to be my field of study to get the master degree in Arabic L4 : 111g.11agc.And in spite of the diflicultics I just encountered to deal with the texts of that holy book which requires both big knowledge and wide culture, in the favor of God and the consultntion and support of my teachers I overcome all of these.This research included five chapters and a conclusion. I discussed in the first chapter resources of the exphmative image in' Nahj Al - Bah1gha such ;1s the religious resources lilw Holy Qunm, the Prophet Sayings, the cultural resources like poetry and proverbs, and environment both natural and social.In the second chapkr I disl·ussctl the simihirily inrngc in lhat book on both sides syntactic and semantic. lu the third chapter I discussed the I urnge of Allegory and I only dealt with the main categories which arc declarative, metaphoric and scenic. Cllaptcr four has been allocated for studying the metaphoric image and I divided it into two parts : the fist is discussing the metaphoric image through the syntactical structure while the second is for studying it through words structure.In drnpl!!r five I discussed the scmanlic functions of lhc explanativc image in the Nahj, such as cxagg;cnition, bi'icfing, IJ" : wiifil : Mion, ;wd uglification. And I concluded this thesis with a summary for the most important results I reached to.The journey of the researcher with Nahj Al - Balagha was interesting an tough in the same time, through which he ma<le a precise in<luction for th resources which <lcalt with that book, but the difficulty in the subject of thi stu<ly comes from the resources which arc not available in our libraries als0 the fact that its material is disseminated in most of the libraries which arf not accessible. IAmi finally, I would like to express my gratitu<le to my teacher, Doct~r Jabb<ll" Auda Bidan who would never have be~n h~sitat~d to read ti1·~ chapters of this thesis and correct its stumbles, may God IJless him. Also I would like to thank Doctor Falih Hamed Ahmed whom I first started o work with this thesis. Also I need to thank everybody who gave me a haild an<l I can nut forget my teachers in the department of Arabic Language /n both E<lucation aml Arts Colleges. J, And conclusion, I do hope that I could succeed to give this subject its o 11 right from study and research, and I <lo not assume completeness for 1 1y work because it is only for Allah whom I always invoke and rely on.

جهود الدكتور محمد احمد الدالي في اللغة والنحو وتحقيق التراث اللغوي == Efforts Of Dr.Mohammed Ahmed Al - Dali In Language, Grammar, And Achieving The Linguistic Heritage

Author name: ضياء جخير كاظم اللامي
Supervisor name: سامي علي جبار المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study tackles the life of one of the outstanding figures in modern period and his Efforts of Dr.Mohammed Ahmed Al - Dali in language, grammar, and achieving the linguistic heritage, since he was well known for his verification. He was a great verifier without doubts. Also, he was a linguistic critic of Arabic language. Therefore, he had a lot of achievements in verification reached to fifteen books. Also has a lot of research papers and articles reached to forty - five various magazines in Arabic homeland. The study falls into introduction, three chapters and a conclusion. The introduction surveys Mohammed Ahmed Al - Dali's life and his works. Chapter one "Al - Dali's linguistic efforts" consists of three sections. The first section tackles morphological phenomena, linguistic aspects studied by Al - Dali. The section shows his opinion of syntax of the language. The third section reveals his linguistics criticism and his opinion of vernacular and dictionaries. Chapter two "His study of syntax" is divided into three sections. The first section is devoted to studying his scientific character. The second section discusses Al - Dali's syntactic representation. The third section is about syntactic criticism. Chapter three analyze verification and its criticism. The study ends with a conclusion, which reveals the findings of the study, reveals his scientific character distinguished his effort, in Arabic language and culture. Dr. Al - Dali is known for his interest in linguistics, syntax, and verification due to his position as a professor at Damascus University and a member in Syrian Arabic academy. His contributions were (varied between linguistics, syntax, text verification and criticism. His studies and research were published in academic scientific magazines. He also had a prominent presence in scientific conferences and seminars.

التفكير الدلالي عند ابن هشام الانصاري

Author name: مخلد جبار سلطان
Supervisor name: حسين عودة هاشم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The Semantic subject can be consider as one of the most important subjects in linguistics. With it, grammar earns value. Ibn Husham is one of the famous linguistics. According to Ibn Husham, semantic was a clear and wide subject and it is one of those subjects that I liked a lot during my preliminary studying period. I consulted the specialist and discussed it with my supervisor who encouraged me so I decided and trusted in God to go ahead with this subject. The research comes with three chapters proceeded by a preface and followed by a conclusion. In preface, I meant with the semantic thinking and I simply pointed to the life of Ibn Husham Al - Ansary and then mentioned something about the Arab heritage. Then I discussed the semantic studies of Ibn Husham that can't be inserted in the chapters that followed the preface. The first chapter was of three studies proceeded by foreword that dealt with his criticism spirit, his style and how widely he was in criticism. I specialized the first study to the explainers' criticism, the second to the grammarians' and the third to the jurists'. The second chapter was about semantic interpretation of Ibn Husham and it was - like the first chapter - of three studies. The first study was meant with the inclusion, the second with the deletion and the third with reverse morphology. The third chapter was about the semantic guidance. In the preface of this chapter, I mentioned something about the meaning of the expression in language and terminology and also mentioned something about the its benefit. In the first study - of the third chapter - I specialized it to the guidance of what has a relation to the expression. The second study to the guidance of what doesn't have a relation to expression in which I discussed the resumption and links. After I have finished the the three chapters, I concluded the research with the conclusion that I have got through my inspection and looking for. Then - after the conclusion - I have written down the sources and the references that I used to complete the research. At the end, I have to say that this research is a humanitarian effort done by the researcher with scientific and material potentials that he has got. If what has come through this research deserves praise so thank for God for that and if not, the researcher did his best. I said what I have already said, if my work was right so it is from God and if its not that is because of me and the devil.

منهج التستري في شرح الالفاظ في كتابه بهج الصباغة في شرح نهج البلاغة == Al - Tustery’S Approach Of Utterances’ Explanation In His Book (Bahj Al - Sebagheh At The Explanation Of Nahj Al - Balagheh

Author name: بتول طالب كاظم الحسين
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with the approach of Tustery concerning the explanation of utterances in his book (Bahj Al - Sebaghedat the Explanation of Nahj Al - Balagheh).The current study aims at showing and revealing the approach used by the commentator at his explanation and processing of utterances.The study consists of an introduction stating the general frame of the subject matter in details.Then, the first chapter that consists of two sections, the first section includes the author’s life, his name, descent, birth, scientific development, brought up, scholars, immigration, scientific and religious activities, death, and his printed and hand - written works.The second section deals with the book (Bahj Al - Sebagheh at the Explanation of Nahj Al - Balagheh) in terms of the reason of using such title, reason of authorship, divisions and arrangements, way of explanation, as well as citation of texts from Nahj Al - Balagheh. The second chapter consists of two sections, the first section is dedicated to deal with the Tustery’s Approach concerning the display of utterances, methods of utterances ‘explanation, reasoning meanings and arrangements of utterances, as well as references relied upon. The second section deals with the evidences of Tustery Quranic evidences, Prose evidences, and Poetic evidences, respectively.Finally, Chapter 3 consists of two sections. The first of which is entitled “denotational connections” being dedicated for four issues; verbal common joints, oppositeness, synonymy, and the Arabized. The second section is entitled “denotational change of utterances”. It deals with the change and development of utterances’ denotations in terms of three cases; denotation generalization, denotational specification, and denotational transfer. Having passing through all that account, the conclusion comes last. It displays the most important results of the study. The current study ends with the list of references befitting the researcher during the course of study.Researcher

الدلالة الصوتية في دراسة البيان القراني عند المحدثين == The Acoustic Significance Of The Qur'anic Elucidation Books Of : Modernist Study

Author name: دعاء جواد كاظم
Supervisor name: صيوان خضير خلف المياحي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The aim of this study entitled " The acoustic significance of the Qur'anic elucidation books of : modernist study" to show one side of the elucidation study of the Qur'anic study which is the acoustic side and its significance. The study consists of three chapters proceeded by an introduction that showed the reason behind choosing this research and the outline of the study then a preface explained the definition of the Qur'anic elucidation, its roots, and its main scientist. Chapter one explained in details of the acoustic consonance utterance. It contains three sections entitled; consonance suffusion, consonance deletion, and consonance of acoustic simulation. Chapter two studies the structural acoustic consonance and it also consists of three sections; structural repetition, parallelism, and alliteration. the third chapter deals with the significance of ultra structural acoustic consonance and its three section tackled; the syllable, intonation, and the Qur'anic bar.finally the conclusion showed the main results of this research and ended with the references.

شعر الغزل بين العباس بن الاحنف وابن زيدون : دراسة موازنة == The Love Poetry Between Al - Abass Bin Al - Ahnaf And Ibn Zydun

Author name: بشرى احمد قاسم محمد ابو حسنة
Supervisor name: حميدة صالح البلداوي
Specific topic: Language
Degree: Master
University: University of Baghdad
Language: Arabic
University location: Baghdad
First pages:
Abstract: The compete between the one period poets or the following periods on the first skillful period in the pervious poem to the fineness in the poem and to be the reason in the comparative and the budget either if this through intention from the poets themselves or from the fond critics bound in this and between them our study “ The love poetry between Al - Abass Bin Al - Ahnaf and Ibn Zaydon budget study “, and we want to reach the agreement and the separation and research about the beautiful and the other in their poetry and this what require to be the study in itroduction three chapters and conclusion. The first chapter devoted for the Poets life, their relationship, their period, their personality and their death, while the second chapter treated love meaning in the two poets. The third chapter depend on study the invention process summary in the two poets with out expected the love on specified on it. The important results which are reached on them this study. - Although the different in their period and the contradiction in the strength of the two state which are they lived in them but the psychology structure for them was a approach one another. - It is clear in the love side for the two poets victory of the virtuous side for AL - Abass bin AL - Ahnaf and victory of the sensible side for Ibn Zaydun. - The language dictionary for AL - Abass was characterized by the emotional side according to the political and social dictionary while the emotional dictionary was competed with the social and political for Ibn Zaydun. - The two poets depended on the language structure approached means but also identical like the interrogative the repeating and the foreign authority. - The Similarity between them reflective in the invention the poem`s meters except AL - Maded Ibn - AL - Ahnaf was invested it and Ibn Zaydun was not.

شعر الثورات السياسية في العراق من بداية الدولة العباسية حتى نهاية ثورة الزنج

Author name: بسام البردان
Supervisor name: سميرة سلامي
Specific topic: Language
Degree: Master
University: University Of Basrah
Language: Arabic
University location: Basrah
First pages:

خطاب التكليف في القران الكريم : دراسة دلالية == Commitment Speech In The Holy Quran

Author name: سجى محمد حنون محمد
Supervisor name: ازهار علي ياسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Grace be upon Allah, the Lord of the Worlds, and Allah’s blessings and peace be upon Mohammed and his holy household…The holy Quran was sent down to our Prophet with its marvelous abundances of sacredness, eloquence, rhetoric, regulations and rules in a remarkable rhetoric stylistics that would amaze recipients. With this great values, Quran is full of various discourses; one of those being the “Assignment Discourse” that occurs with different forms and manners following the kind of recipients and contexts. The title of this study is “Commitment speech in the Holy Quran : Denotative Study”. What forces the researcher to choose this topic is the fact that it combines two sciences; Glottogony and Linguistics, which are important sciences in human life. Among difficulties faced the researcher is the vastness of the subject matter compared to the time limits of the study.As for accredited references, they can be shown as follows : 1 - Linguistic glossaries, like Al - Ain Glossary and the Arab’s Linguistics.2 - Linguistic sources, like Al - Kitab for Sibawayh, and Al - Muqtadhab for Al - Mubarad.3 - Denotative references, like Grammar Meaning for Prof. Dr. Fadhil Salih Al - Sameraee.4 - Interpretation references, like the Al - Bahr Al - Muheet and Fatih Al - Qadeer The academic theses accredited by the researcher include “The denotation of linguistic persuasion and intimidation in the Holy Quran”, as well as “Rules verses of the Holy Quran”.Research outline is formed by a preface and three chapters : - The preface is entitled “The assignment concept in Language, the Holy Quran, and Glottogony” - The first chapter is entitled “Denotative influence for the command and prohibition styles in assignment discourses”. This chapter is made of two sections; the command concept and assignment denotation, and the prohibition concept and assignment denotation. - The second chapter is entitled “the explicit assignment discourse, which includes four sections : * Section 1 : Assignment discourse by explicit command style.* Section 2 : Assignment discourse by explicit prohibition style.* Section 3 : The denotation of combining both command and prohibition styles in a same text.* Section 4 : Influence of some linguistic contexts in the direction of discourse denotation of explicit assignment discourse. - The third chapter deals with “Implicit assignment discourse”. It includes three sections : * Section 1 : Detecting assignment by the reporting style.* Section 2 : Detecting assignment by the structural style.* Section 3 : Detecting assignment by the linguistic and adverbial style.The study ends up with a conclusion showing all results obtained through the study.Hoping Almighty Allah to accept this simple effort. Praise be to Allah, the Lord of the Worlds

كتاب اخبار الزجاجي : دراسة لغوية == Al - Zijaji Akhbaar : A Linguistic Study

Author name: عمر عبد الهادي مطر الزهير
Supervisor name: محمد عبد كاظم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: كتاب اخبار الزجاجي من كتب الامالي الجميلة الذي احتوى على كثير من الفوائد في اللغة العربية، وقد اخذت في دراسته مقسما عملي على تمهيد وثلاثة فصول وخاتمة. تكلمت في التمهيد عن وصف الكتاب وما احتوى بداخله من مواد مختلفة من اللغة. وقد جعلت الفصل الاول من الرسا | Al - Akhbaar is one of the most important books of the famous. Scholars in Arabic language Al - Zijaji who dears in this book with number of famous literary texts. Al - Akhbaar was the subject of the M.A. thesis done in Basra University entiled "Al - Zijaji Akhbaar : A linguistic study". The study falls into an introduction, three chapters and conclusion. The introduction presents a deseription of Al - Akhbaar showing the Syntatic and morphological issues in the book. The first chapter is devoted for the Syntatic issues and their reasons and why Al - Zijaji has chosen the problematic issues in Syntax. The second chapter discusses the Syntatic reason because Al - Zijaji is one of the pioneers in investigating reasons. The third deals with the important linguistic, morphological and Phonological studies in Al - Akhbaar.

دلالة البنية الصرفية في السور القرانية القصار == The Semantics Of The Morphological Structure In The Short Qur 'Anic Suras

Author name: جلال الدين يوسف فيصل العيداني
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: hanks to 1hc 11/mighty God vvhu enabled me to deaf whit the.sp1rzt f the Quranic atmosphere , which is the language that is ·1 honuo ·ed by God i11 being the language of the Holy Quran. Though the Oi ··anic text is a literary text and every text has its own featuresand a ns. still ir is very peculiar in its sounds. The Qur·anic longua e is a supers me model in its use of different forms and sounds.S , God allo1red me to have a share in this blessed route by means of conducting a semantic - morphological Qur,anic study entitle : The Semantics of the Morphological structure in the short Qur.an c Suras. There are many factors that interact in displayingthe motpho!ogica! semantics of the Qur,anic text , such as : the texical j contextud. functional and social ones ; in addition to the cause b~hind the issuing of the Sura or verse , its atmosphere , its locatio , its type and its sounds. Concerning my reliance on theshort Q 1r, anic 1·erses , this is because of their intensified sen1antic.features, H'hich are considered as acharacteristic of almost all short texts. s for the scale of measurement upon which this study is based. ·t is adigitalone. So that , the Sura whose verses are nomore th n twenty is considered as being short, and that wich ranges between lH'enty and eighty is an average one , and the Sura whose verses a e more than eighty is along one. Th study is organized in to three chapters. The first chapter( Jn the Circunference of the Infinitive' Al - Masdar , and the Derived' l - !vfushtaq) treats tow subjects. The first subject is : the i11finitive • al - ,\fasdar , and its t;pes , al - masdar al - mimi , masdar l - marra , masdar al - hay 'a , and ismul - Masdar. Thesecond sz bject is : the derived• al - mushtoq' which includes : the subject - moun. forms of exaggeration , the object - noun , adjective the comparetive - noun , time and place - noun , and the instrumen - 1101111. This chapter is a semantic - morphologicalstudy oft e short Suras , which shows the possibility of replacing fhrms by heir morphological alternatives. he second chapter (In the Circumference of Duality and plural ty) contains tow subject also. The first subject deals with the morpf ological semantics of duality in short Suras ; the second one hand! s rhe morphological semantics of plurality , 1vhich includesall typ s of plural such as : the regular maswline plural. the regular femini e plural. and all types of irregular plurals , especially noun of the lured and noun of the plural gender.he third chapter (In the Circumference of Verbs) comprises fours bject. The first is : the time semantics of verbs (past, present. and. ulure) in short Suras. The second one is : the semantics of additi n and other mise in verbs. The thierd is : its relation withthe s bject and object. As for the fourth subject. it is about emph sizing those verbs occurring in short Suras. A1oreover , I have arried out astatistical study of each of the above mentioned topics.he study ends with some conclusions that are stated in detail, and t nks to the Almighty good.

الجملة في ديوان المعبد الغريق للسياب البناء والدلالة == The Sentence In Collection (Temple Drowning ) For Sayyab Syntax And Semantics

Author name: مهند احمد ابراهيم
Supervisor name: عدنان عبد الكريم جمعة السالم
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The study is a wholesale basis in the understanding of the text , You may enter the world of the poet and reveal the meaning and connotations Thus, it opens the doors of the textTelly can be important in this letter the following : 1 - Sayyab did not come out too much about grammar originally syntax LittleThe impact of poetic weight in the formation of wholesale sometimes.2 - Linguistic context and the impact on the feelings of the poet syntax Since carrying a poet of conditions inside the poem.3 - Sayyab used two types of sentences which do not depart from the actual nominal and it is characterized by the palace and height. 4 - Find among the reasons for being in the Palace Wholesale literary position summary. 5 - Find between the delete of the sentence and the reasons for it. 6 - Find among the reasons for sentence length and the elements that led to the complete length in the poetic image. 7 - Sayyab ties linking his sentences moral and verbal. 8 - The most important contextual relations in linguistic cohesion sentence in the poetry collection. 9 - The temple is drowning ( customization , situational , ratio, dependency ). 10 - Sayyab adopted wholesale methods clearly , namely : A - It came a private Alastvhambesaagh style , in charge of your feet and often the last tool Interrogative. B - Call style came in and out of some compositions from the original for the purposes of rhetorical. C - This style came in different formats and different connotations. D - Exclamation style came in different formats , exclamation Balastvham , and the appeal , and so on.E - Came wishful thinking style (Leigh , though ).F - Apply condition method and delay came , and overlapping methods with him , as occurred Answer condition.G - Diversity among temporary exile and life imprisonment , according to entering the tool on the nominal and actual sentence.

البنية الايقاعية في شعر احمد مطر == The Rhythmic Structure In Ahmed Mater'S Poetry

Author name: زهراء عبد الكاظم محمد المظفر
Supervisor name: عبد الواحد زيارة اسكندر المنصوري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Ahmed Matar is known for his own peculiar style, in particular his Lafitat, i.e. ‘Banners’, that has made him a well - known poet in the Arab world filled with anger against their political systems and governments. His poems are characterized by a sarcastic style. Therefore, some like to call him ‘the king of poets’. His poems have studies from different perspectives by a number of researchers. While some researchers, such Ahmed Ghuneim who has dealt with the elements of creation in his poetry and Abulkareem Al - Saeedi who has focused on the poetic narration in his poetry, some others, such as Khalid Jaffal Lafta and Tahsin Hasan Jasim have studied the stylistic aspects of his poetry concentrated and the techniques of the poetic formation in his poetry respectively. However, none of them has spell out the rhythm in his poetry. After having consulted my supervisor, I have come up with this title : THE RHYTHMIC STRUCTURE IN AHMED MATER’S POETRY This study adopts two approaches, viz. historical and descriptive; it is divided into three main chapters preceded by a foreword and an introduction and followed by a conclusion. Chapter one which is titled ‘The Structure of the Prosodic Rhythm’ spells out the poetic meters along with their contexts and the types of rhymes in Ahmed Matar’s poems.Chapter two, for its turn, which is titled ‘The Structure of the Phonic Rhythm’ confines itself to different types of rhyme, such as that of lexical items, lines, texts, rhyme.As for the third chapter titled ‘The Structure of Musical Rhythm’, it focuses on the most important factors that contribute to enriching his poems’ rhythm, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and so forth.The rhythmic structure in Ahmed Mater’s poetry has been studied by means of identifying the most important elements of such a structure and the main factors that influences and enriches the rhythm in Ahmed Mater’s full collocations of poems. Having carefully examined the poems, I have discovered that the Ramal Meter is the most dominant one in his poems, followed by the Rajis Meter, and then the rest of meters.In his poems, the rhyme has played a significant role in enriching the rhythmic structure of his text. The study shows that the poet, Ahmed Matar, banking on his linguistic and stylistic ability, has utilized a great number of stylistic features, such as repetition, foregrounding, back grounding, paronomasia, antithesis, and the like in an attempt to add artistic touches to his poems. To sum up, this study has focused on one of the most famous poets in the Arab world filled with anger against their political systems and governments. I hope that this study could provide the reader with an explanation to the most important elements of the rhythmic structure utilized successfully by the poet.

ثورات العلويين ومواليهم في شعر العصر الاموي : دراسة في الموضوع والفن

Author name: كريم حميد منشد سحيب الخلف
Supervisor name: احمد حياوي السعد
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:

ايات الاصحاب في القران الكريم - دراسة دلالية == The Verses Of "As - Haab / Companions" In The Holy Quraan : A Semantic Study

Author name: صفاء حميد ضيوف
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The present thesis aims at studying the verses that explicitly use the term "As - haab/ companions" and its derivatives within the specified context and the context of other verses related to it so as to show its semantic value , know its deep details, show the contents of its expressive ways , show the hiddens and psychological impulses in every type of companionship which reveal the true nature of their deeds , actions and behaviours. It also aims at portraying their present and future circumstances. This study depends on describing the linguistic phenomenon in the Quranic usage and analyzing it through pursuing the Quranic verses related to the subject. The nature of the subject has necessitated that the study of its verses be divided into three chapters starting with an introduction and preface and rounded up with the main conclusions followed by a list of the sources and references cited in the study and used by the researcher.The preface deals with the concept of "as - haab" by studying both the linguistic and idiomatic meanings and its expression in the Quranic usage. The first chapter is devoted to studying the companions of the earthly place. The researcher is interested in studying the place to which the term "as - haab" was attributed in accordance with the partnership of the general meaning to which theses places refer. This part was studied in two sections : The first is about the companions of the place enjoying heavenly care.The second is about companions of the place enjoying heavenly punishment. Chapter Two is about the afterlife companions and falls into two sections : The first involves companions of symbolic place.The second is about companions of the other life.Chapter Three is dedicated to studying the other meanings of companionship mentioned by the Holy Quraan; the words attributed or added to "as - haab" or one of its derivatives. The attempt has been to give a complete picture of the verses of "as - haab" in the Quraan to show the semantic features of the various companions and to what they lead in the context they come in and the meaning they came up with in the light of studying meanings of the linguistic styles of the verses. The chapter is in two sections : The first is studying man to man companionshipThe second is about studying other attributed companionships

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) == Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

Author name: نوران جمعة ابراهيم الحجاج
Supervisor name: علي مطشر نعيمة الشريفي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري
Supervisor name: علي مجيد داود البديري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

Author name: رنين ناظم يوسف
Supervisor name: مسلم حسب حسين
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

Author name: ميثم عزيز جبر
Supervisor name: احمد رسن صحن
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

افعال الحركة للطبيعة في التعبير القراني == Verbs Of Movement For Natural In Qurans Expression

Author name: عبد الحي عبد النبي زيبك العبادي
Supervisor name: فاخر هاشم سعد الياسري
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

Author name: علي عبد الحسن جاسم ال جليهم
Supervisor name: خالد نعيم الشناوي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

السياسات اللغوية واثرها في التنمية البشرية == The Linguistic Policies And Their Impact On Human Development

Author name: عذاب مطير عذافه الخزعلي
Supervisor name: حسن عبد الغني الاسدي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Karbala
First pages:
Abstract: This study is considered an attempt to have a link between the Arabic language and its influence in the field of human development in the countries where Arabic language is used in that development.This matter is easy for the nations moving in the procession of human development; for it has been proved academically and practically and in view of the findings of the international organizations and others, that the countries having clear progress in human development uses their native language in teaching all the stages at schools. As for the nations which have no progress in human development, they don’t use their native language in teaching at school.This study is an attempt to make standard Arabic a language of life, promotion and civilization by showing the particular of the Arabic language which might help in the progress of its speakers and their development.For this reason, and according to the developmental point of view, this study defines the linguistic policies as the final outcome of the efforts exerted by the linguistic planner, which evaluate and assess, and authorize the linguistic scene by using the legislative authority. By using this authority, a progress and development is seen in the linguistic scene, which leads to high degrees of human development, and the government is committed to fulfill the items according to a specific timetable.Human development is seen as the result of an alert will which is fully conscious of what is going around it, its past and its future. This will is to be training and being trained in a liberal society ruled by an independent and willing authority, one having genuine democracy not copied ; its democracy stems from the roots of that society, and it should have a developmental ideology which both planning and fulfilling at the same time.The society of knowledge should have an access point to sources and information and its trading, generalization and expressing ideas and creativity. According to the outcomes of the linguistic policies, the access point is the language; the human development experts and sociolinguists notice that once the language is unified, strong, and committed to the procedures of linguistic planning, and the linguistic policies are in line with the requirements of human development, the process of thinking and creativity will be easy and simple, and the process of transferring information faster and better.The conclusion of this study is that according to the procedures of linguistic planning, development is the end of the unified linguistic instrument, and the end of this development is Man himself.

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

Author name: امجد محمد رضا عودة
Supervisor name: عقيل عبد الحسين خلف
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

المحسنات المعنوية في ادعية الصحيفة السجادية == Embellishments In The Prayers Of Alsahifah Alsajjadiyah

Author name: اسعد جساب مغامس محيي
Supervisor name: مرتضى عباس فالح السلمي
Specific topic: Language
Degree: Master
Language: Arabic
University location: Basrah
First pages:
Abstract: Undoubtedly, the texts of Alsahifah Alsajjadiyah belong to the creative texts whose features are very distinguished. They need to be discovered and stand at, researchers have raced to gain the honor of researching their structures and discovering the secrets of their rhetoric. This study (Figures of Speech in the Prayers of Alsahifah Alsajjadiyah) was a trial to gain this great honor. The study is interested in the semantics of the figures of speech in Alsahifah Alsajjadiyah by Imam Ali Bin AlHussein (Peace be upon him). This depended on the activity of the semantics of the figures of speech in the structures of its texts. Good employment of the figures of speech and the Imam's knowledge of the value of the creativity in literary texts enhanced the vitality of the figures of speech. I believe that he tried to uncover the latent expressive power of these arts that help contribute in enhancing the texts, showing their references, and highlighting their artistic features. The study consists of three chapters preceded by an introduction and a prelude and followed by the conclusion, which summed up the topic and the results, and the list of references. The prelude includes a theoretical preface about the concepts, emergence, and function. It deals with the importance of Alsahifah Alsajjadiyah and its rhetoric, a summary about the emergence of rhetoric, its development stages and its function. Chapter one deals with the (Arts of Harmony) in four sections : (antithesis, analogy, congeries), it is followed by an appendix that tackles (arts of fusion). Chapter two is about (arts of delusion). It contains three sections : (pun, feigning ignorance by the learned, resemblance). It is followed by the art of (abstraction, praising in blame like style, good justification). Chapter three deals with the arts of elaboration and summarization. It includes three sections (epanodos, plurality and division). I added an appendix that deals with the art of (Combining and differentiating, Combining with differentiation and division). I looked at each section from two perspectives : the theoretical perspective and the practical one. Then I draw the conclusion which is the gist of the topic and the results of the study.The most important thing that the study reached at is that the arts of embellishments gain an extra importance for studying them in such creative texts, because their being well employed in the texts gave them a vitality that greatly impacted the text, which met the requirements of coherence and continuity and harmony. The study has also hinted that the use of these embellishments in the text of Alsahifah Alsajjadiyah cannot be considered as rhetorical embellishments only that complete the references, but the Imam had employed them to structure his texts as an expressive and vital tool which has a great impact on the two levels of rhetoric and semantics
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