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صورة البطل في كتب المقاتل الحسينية : دراسة في ضوء النقد الثقافي == Image Of The Hero In The Books Of The Fighter.. Hosseinieh Study In Light Of Cultural Criticism

Author name: علي محمد عبد الرضا
Supervisor name: ضياء راضي محمد الثامري
General topic: Arabic Language and Literature
Specific topic: Literature
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This message has sought to highlight the perfect picture of the Arab Muslim hero, as drawn by the Arab cultural patterns, represented by Imam Hussein (AS) and his family and his companions in Karbala finest representation, and my studies came in three chapters preceded by a preface, followed by a conclusion. The boot has dealt with the concept of the language and idiomatically hero, the hero image in heritage, then proceeded to kill off the definition of the language and idiomatically, then the definition of books fighter, and the statement of significance between those of the other books of literature, The first chapter was entitled (the image of the hero through the other) in two sections, the first image : ( hero through the other equitable), while the second : ( hero image through the other peer), Chapter II Anonth : ( hero image through dialogue), was visits with human elements, including (sidekick placebo, and real), and the other with elements of non - human, and includes (age, animals and dialogue Gin), to come third chapter titled (Picture hero in hair fighter) and includes poetic purpose (pride praise Lament), to come Conclusion to show what I could stand it results from the praise of God and the virtues of acceptance pleading with him, he responds to pray

الادب الاندلسي بين محاولات القمع وهاجس الابداع من عهد الامارة الى نهاية عهد الموحدين (138هـ - 635هـ) == Andalusian Literature Between Suppresaive Attempts And Creativity Premonition From Era Of Emarate Till The End Of Monothesists Era (138 A.H - 635 A.H)

Author name: نوران جمعة ابراهيم الحجاج
Supervisor name: علي مطشر نعيمة الشريفي
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The creativity is deed the utmost aim for which the literary inspirits to trough it, facing its consequences and problems to adjunct the group of eminent of his pairs ; poets and authors thus we found that he attempts hardly to eternize his name and to document his creative work with all literary brogue and ability enhancing him to complete his way of brightness in the field of art. Thus, we accredited in this research on finding creativity aspects of this Andalusian and what he exposed to the intrigue and conspiracy of the Prince's high structure scarifying on their interests and objectives,plan of study we applied is consisted of three chapters were preceded by introduction, preface and finally a conclusion. preface arguedthe linguistic and terminology concepts for the terms of repression and obsession of creative and the most important constituents exciting literary to be creative and to realize his aim and then detect the obstacles and problems prevent achieving this purpose which occupied the mind of creative AndalusianLiterary. First chapter argues the forms of repression the Andalusian Literary exposed to in the high structure from the slanderers enemies who dedicated their efforts to monitor literates and making traps to repressive them by poetry removing them from high structure. And also express the attitude of some rulers and princes in Andalusia towards poets and literary and their creativity.Second chapter was to show the attitude of registering authority from the Andalusian Creativity individually such as exposure to the poets themselves or massively representing by repression some literary sorts which the Andalusians their unique insight and talents.Third chapter including the Andalusian Art achievement which is the outcome of their mind and creativity to promote the Andalusian Art proving the Andalusian identity forwarding a message including that Andalusians are eligible to reach the summit and be like their pairs if they get opportunity exciting them to render poems and assisting them to present their activity.At conclusion which is deemed the summary of research, we show most important results we concluded.

المرجعيات الثقافية في شعر اديب كمال الدين == Cultural References In Adeep Kamaladeen'S Poetry

Author name: ياس عوض رشيد البصري
Supervisor name: علي مجيد داود البديري
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The cultural references in the poetry of the Iraqi poet "Adeeb Kamaladeen" has formed a significant presence through their abundant frequency. Such references are various in their frequency and difficult in their source. Some of them have had obvious presence while the others are less frequent in his poetic texts. The diversity of cultural references have made the research consisted of four chapters based on six references, Quranic reference is one of them that featured by the most prominent presence in the experience of "Kamaladeen". Such experience has varied in its role into two kinds. One of them has inspired its presence from Quranic story, while the other has derived it from Quranic verse. The second reference is the mystic one, by which the poet has derived the mystic heritage from mystic conditions and stages. He has also employed the prominent figures, such as "Annefery, Alhallaj, and Altawheedi" in his poetry. Whereas the other references are historic and mythological ones which have been included in one chapter, because they are less frequent than the previous two references. Regarding the historic reference, the poet has manipulated "Karbala incident" and "Imam Hussain", who is the the most important person in that incident, Iraq¬¬ - Iran war in 1980 and other wars, which followed. In connection with the mythological reference, the poet has employed several myths, one of them is "Gilgamish myth" which has formed a striking presence in "Kamaladeen's poetry" In addition, the poet has used the artistic and literary reference, that has been combined in one chapter, through which the poet has employed the most famous Iraqi and Arabic singers. He has also used Iraqi and Arabic poets and novelists, as well as foreigners through the literary reference. Hence, all these references have signified variety of the poet's education and his continuous acquaintance with multiculturalism that has consequently served his poetic experience.

حداثة ابي تمام في ضوء النقد العربي القديم حتى نهاية القرن السابع الهجري == Abu Tammam'S Modernism From The Perpective Of Classical Arabic Criticism Till The End Of The Seventh Hijri Century

Author name: رنين ناظم يوسف
Supervisor name: مسلم حسب حسين
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This research studies modernism of Abu Tammam on the basis of the theory of classical Arabic criticism which consisted of rules and conditions put by the Arab critics and applied by the poets to make their poetry eloquent and solid with clear and vivid meanings.But Abu Tammam was keen to deviate from all these rules and principles in his poetry. Al - Amidi considered him as a rebel against the common foot of poetry because he played on words in his poems and became fond of rhetorics and figures of speech which he used extremely. Consequently,his poetry was corrupted by the heavy use of antithesis and paronomasia. Thus, he became the target of a strong movement of criticism that represented the conflict between the old and the new.Classical Arabic poetry was a summary of the experiences of the old poets. It directly expressed the social, cultural and intellectual aspects of their life. It was characterized by features of clarity of expression, agility and simplicity of language because it was natural and not superfacial. That was the case in the Arab poetry during the pre - Islamic time, beginning of lslam and the Ummaid era in addition to the majority of the poetry of the Abbasid era during which the way of living of the Arabs changed from nomadism to urbanism. Thus, there appeared a type of new Arab poets who had special knowledge and high education like Bashar Bin Burd, Muslim Bin Al - waleed and the most prominent of them was Abu Tammam.Modernism of Abu Tammam went far beyond the familiar in his illogical and unreasonable similies and metaphors. There was no appropriateness in his metaphor and no approximation in his similies. Besides, he played on words and used too much antithsis and paronomasia. He was good in some of them but not so in the others. That caused the Arab critics to attack him and refused his poetry which they said it deviated from the common foot of the Arabic poetry that was defined by Al - Marzooqi to have seven categories. any studies of criticism were conducted about Abu Tammam and his poetic school. This study is made up of an introduction,three chapters and conclusions. Chapters one and two consist of three sections each. Chapter three contains two sections.The introduction highlights modernism of poetry as viewed by the classical Arabic criticism both literally and as a term. It also reviews the concept of modernism since its appearance till the time of Abu Tammam. Chapter one is interested in the questions of imitation and nnovationin that Arabic criticism. Section one of the chapter shows the attitude of the linguists and narrators of the modern poetry, the position of khalef AL - Ahmar and his experience in criticism and the position of the critics of the classical poetry which they considered as the highest model that Arab poets should imitate and create in their poetry as a product of the individual liking. Section two is devoted to discuss modernism in relation to the theory of the foot of poetry that was represented in the seven categories as introduced by ALMarzooqi in the introduction of his book Commentary on Diwan of Ardor of Abu Tammam. The section also explains the principles of the poetic imagery in similie and metaphor and the role of poetic imagination to bring about new images and novel meanings that reflect beauty and psychological effect.Section one of chapter two discusses modernism in the poetry of Abu Tammam and the rules of the poetic language in the theory of Arabic criticism. The section also shows what was accepted and what was not in his language. The section shows how Abu Tammam, very heavily, used the rhetorical patterns especially antithesis and paronomasia where he was unsuccessful in some of them and good in others. Section three tackles the poetic meaning and the logical and mental characteristics that should be available in these meanings to be correct so that the poetry be undertood. This was agreed upon by the old Arab critics such as Qudama Bin Jaafar, Abi Helal Al - Askari, Abd Al - Qadir Al - Jirjani, Hazim Al - Qirtajinni and others. The section includes description of the meanings and their relation to the levels of description as far as exaggeration and excessiveness are concerned in that Qudama Bin Jaafar considered excessiveness as the best of the two schools of description.Finally, the section discusses ambiguity and complexity as products of corrupted poetic composition. Chapter three deals with modernism in the rhetorical image, modernism and the changes modern poets add to poetry in this concern. Modern poets paid more attertion to the form rather than to the meaning in their poetry. That led to the appearance of a new poem with specific features particulavly concerning the rhetorical image that depended on similie and metaphor. The poets started using these styles in new ways that were unfamiliar to the Arabic liking and taste. The first section of this chapter deals with similie and description and the rules put by the Arab critics to achieve approximation between the two sides of the similie; otherwise the similie would be exotic and not allowed. It was conditioned that the description contained most of the cases being described. The section mentions some samples of the similie and description in the traditional poem which the critics considered as better in comparison to the modern similies and description that deviated from the artistic critera and the common poetic taste. Section two talked about the metaphor and its definition by the Arab critics and availability of the conditions of approximation between the metaphoric expression and what it stood for. However, modern poets, particulary Abu Tammam, did not adhere to these conditions. Thus, Some of their metaphors were controversial. The conclusion presents the results of the study; the most important of which are that the classical Arab critics had a theory of criticism reflected in the opinins they stated in their books and set by Al - Marzooqi in the 5 Hijri century in a systematic approach that was finally shaped in what was later known as the foot of poetry that included seven categories and each of these categories represented a critical measurement of a certain question in poetry.

اسرار التعبير القراني في تفسير تسنيم للعلامة الشيخ عبد الله الجوادي الاملي دام ظله

Author name: ميثم عزيز جبر
Supervisor name: احمد رسن صحن
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This study starts with a preface discussing four points : AlAamily translation, the reason behind calling his book (Tasneem), and his method in Tafsir, the meaning of Secrets according to Al - Aamily, and the meaning of expressions in linguistics and terminology. In the first chapter (the secrets of words in Koran) the researcher discussed the linguistic meaning of the word in three sections : firstly the reason behind choosing a word in particular, secondly the secret of morphological form, thirdly the secret of definiteness and indefiniteness. The second chapter (the secrets of sentence in Koran) studies the meanings of the sentence and it is of two section : the first one is the secret of declarative sentence and its processes as deletion, backward and forward, and restriction. The second section is the secrets of the construction of the sentence as the imperative, negative, interrogative, and proclamation sentences. The third chapter (the secrets of the text and Koran) discusses the meanings and linguistic structures and rhetorical themes in more than a phrase as being intervented and the text title. It is of three sections : the first one is the secret of apostrophe. The second is about conjunction and disjunction. The third is about the secret of agreement in which the researcher mentioned the meanings of agreement and holy Koran. It is of three sections : agreement among Ayat in one Surah, agreement of the title of the Surah with its contents, and the agreement of the beginning and the end of Surah. Research methodology : The researcher’s method in this study is choosing the subject followed by a general overview about it. Then mentioning the most important samples mentioned by A - Aamily in the title and discussing each one respectively after viewing the opinions of the interpreters. After that the study shows the opinion of AlAamily to see what is the new addition. Results : The researcher has ended with recognizing the meaning of the secret according to Al - Aamily in linguistics and the reason behind it. Also the researcher detected the secrets of the word, sentence, and the text and what purposes and meanings they have and connecting all these things with external facts because the interpreter sees that all of these recording words of Koran express universal facts in existence because it is an inspiration from the Almighty Allah. The researcher also tried to expose several rhetorical themes such as clarifying forms of the text like apostrophe, conjunction, and agreement among Ayat by applying the modern textual norms of sentential multiplicity, cohesion and coherence. Then identifying the notion of text and modern linguistics and applying it to rhetorical Arabic heritage.

افعال الحركة للطبيعة في التعبير القراني == Verbs Of Movement For Natural In Qurans Expression

Author name: عبد الحي عبد النبي زيبك العبادي
Supervisor name: فاخر هاشم سعد الياسري
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, Bari creatures wholes, and Mustafa Muhammad, may Allah bless him and his family, and Adam between water and mud, and prayers and peace be upon him and his family a granite blessed, and his companions Almentajabin.After : throughout the ages was a field ground for study and a field plenty of Tnkir in its goals, thanks to its cognitive and aesthetic depth, starting with his own language, which disable all?Koran the book of God immortal, and search of the noblest blessings that can fade researcher and adds to the old his years ago because the word of Allah a statement, and his style flowing senses static move in every place and time, and imagination semantic in the words of the Koran, including an astounding bright minds, with great likeness and beautifully woven and depth of sense, and which of the miracles and the statement allows multiple study which can be added to other Quranic Studies.Among the most prominent reasons that stood behind the choice of subject, because of the reaction of two characteristic distinguish it from is from the words, the two time event, in addition to the importance of the verb in the language, making it the centerpiece of significance, his work in the compositions Whatever his rank, moreover how it connotations sensory and moral , field of study was in the vicinity of the actions of the movement, which radiate out the implications of the central acts and grow in the context of the features of aesthetic and suggestive.Came this study feed into a tributary of the Quranic joists dealing with words, has been classified researcher study into three chapters, the first chapter singled study (the actions of the movement related to living with nature), has been ranked on five sections, according to the living creatures that have been associated with the movement acts, animals and birds, and fish, insects, reptiles, and certainly human does not enter into these categories, as well as the plant.The second chapter under the title (the actions of the movement of nature are silent), has been ranked on five Investigation Also, four of which are classified according to the elements it includes the perceived universe of heaven earth, sun, and the moon, and the fifth section was under other acts title included elements shooting stars and mountains , natural phenomena associated with the elements of Silent nature like a deluge and wind.The third chapter titled (artistic expression of some acts of nature movement in the Koran), this chapter enrolled, according to totals dictated by movement acts related to nature, live and silent and in both, and these acts studied dependent manner artistic taste in the actions of the movement and characteristics expressive in Quranic context links analysis and came five sections, too, and the study followed the conclusion of the most important findings of the researcher, and then followed by a proven sources and references

وسائل الاقناع في كتاب منة المنان في الدفاع عن القران للسيد محمد محمد صادق الصدر == Persuasion Means In Minat Al - Minan Book For Defending Al - Quran

Author name: فرقد جاسم محينة
Supervisor name: فالح حمد احمد الحمداني
General topic: Arabic Language and Literature
Specific topic: Literature
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Definitely the persuasion is a theory which has been taken deep roots in the western tradition, as Aristotle had written his famous book (Eloquence art) unveiling in it the most distinguished means of persuasion in the persuasion theory such as the eloquent morals (ITOS), and(BATOS), the receiver emotions and (logos) the arguments and evidences. In the Arab tradition, the persuasion theory is appeared clearly and openly, in the rhetoric with Hazim al - Qurtajni as he intermixed between what is poetic (imaginable) and what eloquence (persuadable) according to the varieties in the rates between them, pursuant to the eloquence nature and its purpose. During the twentieth century some western studies has focused light upon this theory. The most important studies of are the book titled (fresh eloquence) which has been written by (Chaim Perelman) with (Olbricht Tetka) as Chaim has given life to the persuasion theory in eloquence in his book, bringing a persuasive function to the rhetoric, plus the aesthetic function.Under the light of what has been mentioned of the summary clarification on the persuasion theory, our study to the book (Minat al - Minan) has been given within the framework of this theory, due to the presenting of the persuasion theory clearly in the book purpose. Therefore, this study has been written in three chapters preceded with introduction and followed by an ending. in the introduction the persuasion concept I have researched the language and the term and the persuasion activity components in its practical dimension and the persuasion rooting in the western and Arab traditions.This study has three chapters; in the first chapter I have researched about the persuasive nature in Minat al - Minan book. In the first research I have studied the initial dimension for the persuasion through its features which have been formed of such as (title suggestive, introduction revelation, withdrawal method). Therefore, its features have been shaped as defined as persuaded means driven for attracting the receiver and push him argumentatively for entering inside the text subject. In the first research, also, I have studied the conversational dimension as defined ad persuasive way, presented the persuasive mode which has been committed by Sayyid al - Sader (God may sanctify his soul) and continued in his book. In the second research I have studied the persuasive method (passages of the persuasion operation) which has been clarified how the persuasion operation may become in the Minat al - Minan book)In the second chapter, I have studied the persuasion communicated means, in the first research I have been researched the continuation in the persuasive eloquence, focusing under its light the speech variety method and the speech conversation and the speech arrangement and the psychology impact in the speech as defined as the most distinguished persuasive means of al - Sader. In the second research I have research the persuasive communication with the receiver. As these levels which are personified with the receiver by the direct model and upon the receiver of the undirected model and the special (assuming) receiver and the (mind) imaginable receiver. In the third chapter, I have studied, the most important language and mind means for the persuasion. I have studied in the research of the language way in argumentatively style and the test effect, and the eloquence in the rhetoric. And I have researched in the mind means of persuasion in the induction conclusion, and the persuasive in the standard conclusion, finally I have ended up the research in the finale, including the most important results which I have researched.In this study the research I have depended on analytic descriptive method done terms as defined as the argument way enlighten in the book (Minat al - Minan) for defending the Quran, then analysing it according to the persuasive dimension in it.

الحكم العطائية لابن عطاء السكندري (ت709هـ) : دراسة اسلوبية == Al - Hakame Al - Attaiah To The Son Of Ataa Alscandary (D. 709 AH) : Stylistic Study

Author name: علي عبد الحسن جاسم ال جليهم
Supervisor name: خالد نعيم الشناوي
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Sufi literature is still tender fecund for study and research, because of its aesthetic attributes and expressed for the cognitive values, was (Al - hakame Al - Attaiah) by Ibn Ataa Allah Alscandary texts the value that was quite popular among the commentators, but it has not received from researchers proper attention, and described these texts as a brief and intense significance of the rule,described strongly foundries and beauty method, and the number is ( 264 ) text , so we chose the stylistic study to enter into their world of knowledge and aesthetic.The stylistic one of extrovert studies, which made its way in a statement properties up. The stylistic set of performance measures that practiced modalities structures linguistic statement relationship analysis and detection of functional and aesthetic characteristic values of the text itself, and it revealed the modalities of speech and description it includes aspects aesthetic, so it was the text of the son of a tender of Alexandria, the focus of the study, as the study came across three chapters, the first we dealt with the vocal stylistics in sections three, the first of the stylistic impressionism, and the second stylistic expressive, to be the end of the chapter by vocal suggestive, where he emerged as sound as an influential element in giving the impressionist aesthetic dimension effect actor in a dynamic text with the time, was the interlocking Semantic present at all levels.The second chapter titled ( stylistic Almorvo synthetic) , divided into four sections , we discussed in the first of the major structures , consisting of the text, and came detective others to look at ( the accumulation junctional parallel , formats nominal and actual sentence, and then formats the methods), respectively , has emerged as a standard text as a selection of suits and cognitive capabilities so as to create the recipient to retrieve assets and roots that provided the text of cognitive his visions , and had the thrill element prominent role in creating the necessary excitement in most word.The last chapter titled ( stylistic textural and contextual ) in two sections , the first of the stylistic formative brought together several themes : ( stylistic title, axis words , stylistic pilgrims and reasoning , brevity , partitioning , text unit) while we checked stylistic contextual in subjects ( simile , metaphor , metonymy , intertextuality , irony ).The study concluded that the most prominent stylistic features in Ibn Ataa text lies in weaving standard formats intense significance interconnected knowledge , taking to each other , it has emerged as vocal stylistics , including added aesthetic aspects that will improve the text, giving dimension impressionist great importance in most word.The isomorphism derived from the similarity and contrast linguistic structures an actor and a distinctive to the Ibn Atta text , as prevailed most of the texts balance, and attended other features indicate the stylistic creative and Albasimologih foundations from which , as evidenced by his choice of title or his penchant for pilgrims and reasoning and other.

التمثيل السردي في روايات عالية ممدوح == The Narrative Representation In Alia Mamdouh’S Novels

Author name: امجد محمد رضا عودة
Supervisor name: عقيل عبد الحسين خلف
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The first chapter explored how actions are represented in Alia Mamdouh’s novels and consists of three sections. The first section examined transferring of real action (non - fiction) into words by containing real dates and events. The second sections explored biographies which is an account of someone’s life. The third section explores fiction which is nonrealistic events and actions.The second chapter investigates description. This chapter is divided into three sections. The first section studies description of reality. It focuses on the external (physical) description of people and places. The second section looks at character (person) description. The final section explores the description of imaginary characters and events which do not exist in the real world. The third chapter focuses on focalization. The first section of this chapter is internal focalization which is based the narrator. While the second section discuses external focalization which is divided into Palpable and abstract.This thesis is accompanied with a conclusion that summarizes the results of the research. As well as, an appendix which gives an introduction of the novelist (Alia Mamdouh) including her biography and major works that are used in this thesis. It also contains a table listing all the actions, description and focalization within these works. The narrative representation in its different shapes, forms, and patterns is widely present in people’s lives. Thus, it is open to the different requirements of writing and rhetoric through which thoughts and beliefs are conveyed to the reader. It highlights the diverse concepts which shape the way a narrative is written. One of the most prominent concepts that is taken into consideration is The Narrative Representation and how to embody it in novels. Since it is contains the problem, similarity, visualization, conversation, impersonation and embodiment of what is present in the human mind into a narrative format. In other words, how to transform what can be imagined into live words in the form of narrative. This thesis will discuss the narrative in Alia Mamdouh’s novels and is divided into an introduction, three different chapters and an appendix. Each of the first and second chapter contains three sections while the third chapter contains two only. The introduction discusses what representation is in terms of definition and its different concepts. Then it moves on to reveal its origin starting with Plato then Aristotle and ending with the Arab philosophers such as Ibn Rushd, Ibn Sina and al - Farabi. Representation is then discussed by the view of scholars of Arab Rhetoric such as al - Jurani, Al - sakkaki and Hazim Al - Qartajanni. Then it is investigated in the Orientalism study. There is a discussion of the relationship between representation and narrative and finally the development of the narrative representation.

محمود الظاهر : دراسة في فنه القصصي == Mahmood Al - Dhahir : A Study Of His Fiction

Author name: ياسمين كريم عبد الرضا
Supervisor name: جبار عودة بدن الشحماني
General topic: Arabic Language and Literature
Specific topic: Literature
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This study deals with narration and the elements of narration in Mahmood AL - Dhahir's stories. This work falls into a preliminary, three chapters and a conclusion following the analytical procedure. Chapter one, which is entitled "Narration and the Structure of Events in Al Dhahir's Stories", starts with a theoretical introduction explaining the importance of narration and events in the story and the between them. It consists of two sections. Section one is about narration divided into patterns such as objective, subjective and interrelated. The second one is devoted to ways narration such as description and dialogue. Section three is mainly about the patterns of structuring the events such as sequences, overlapping, cycling, composing, reiteration,, and paralleling. Chapter two is entitled "Characters in Al Dhahir's Stories". It starts with an introduction showing the importance of the characters. It includes two sections. The first one is about introducing the characters (telling and showing). Section two is about character types according to traits. Chapter three is entitled " Narrative Space in Al Dhahir's Fiction". It also starts with an introduction and two sections. Section one shows time and its levels (order, duration, and frequency). Section two is devoted to the explanation of place and its relations with the characters, situations, events falls into types such realistic, imaginary, main vs. secondary. The conclusion comes finally to show the most important results.

المحسنات المعنوية في ادعية الصحيفة السجادية == Embellishments In The Prayers Of Alsahifah Alsajjadiyah

Author name: اسعد جساب مغامس محيي
Supervisor name: مرتضى عباس فالح السلمي
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Undoubtedly, the texts of Alsahifah Alsajjadiyah belong to the creative texts whose features are very distinguished. They need to be discovered and stand at, researchers have raced to gain the honor of researching their structures and discovering the secrets of their rhetoric. This study (Figures of Speech in the Prayers of Alsahifah Alsajjadiyah) was a trial to gain this great honor. The study is interested in the semantics of the figures of speech in Alsahifah Alsajjadiyah by Imam Ali Bin AlHussein (Peace be upon him). This depended on the activity of the semantics of the figures of speech in the structures of its texts. Good employment of the figures of speech and the Imam's knowledge of the value of the creativity in literary texts enhanced the vitality of the figures of speech. I believe that he tried to uncover the latent expressive power of these arts that help contribute in enhancing the texts, showing their references, and highlighting their artistic features. The study consists of three chapters preceded by an introduction and a prelude and followed by the conclusion, which summed up the topic and the results, and the list of references. The prelude includes a theoretical preface about the concepts, emergence, and function. It deals with the importance of Alsahifah Alsajjadiyah and its rhetoric, a summary about the emergence of rhetoric, its development stages and its function. Chapter one deals with the (Arts of Harmony) in four sections : (antithesis, analogy, congeries), it is followed by an appendix that tackles (arts of fusion). Chapter two is about (arts of delusion). It contains three sections : (pun, feigning ignorance by the learned, resemblance). It is followed by the art of (abstraction, praising in blame like style, good justification). Chapter three deals with the arts of elaboration and summarization. It includes three sections (epanodos, plurality and division). I added an appendix that deals with the art of (Combining and differentiating, Combining with differentiation and division). I looked at each section from two perspectives : the theoretical perspective and the practical one. Then I draw the conclusion which is the gist of the topic and the results of the study.The most important thing that the study reached at is that the arts of embellishments gain an extra importance for studying them in such creative texts, because their being well employed in the texts gave them a vitality that greatly impacted the text, which met the requirements of coherence and continuity and harmony. The study has also hinted that the use of these embellishments in the text of Alsahifah Alsajjadiyah cannot be considered as rhetorical embellishments only that complete the references, but the Imam had employed them to structure his texts as an expressive and vital tool which has a great impact on the two levels of rhetoric and semantics

الاثر الدلالي للحذف في القصص القراني : دراسة في الجملة == Meaning Of Deletion In The Quranic Stories : The A Study In The Sentence

Author name: سكينة باقر حسون
Supervisor name: عبد الجبار عبد الامير هاني
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The Holy Quran has different methods to attract and convince people towards religion. Telling stories is one of these methods. Stories in the Holy Quran are used to serve the basic human task which is leading people to belief by the styles of looking at the previous nations and learning lessons from their positions towards their prophets. Besides, Mohammad, as the last sent messenger,made use of reference to those stories about the previous prophets and how they patiently stood agains the unbelievers and resisted difficulties to accomplish their missions.Introducing the stories in the texts of the Holy Quran suits the intention behind employing those stories. Linguistically, Quranic stories are not isolated by themselves or separated from the main linguistic structure of the Holy Quran; but they are placed in a very highly rhetorical artistic style with in the miracleous Quranic context. Moreover, the linguistic and rhetorical phenomena and styles used in the Quranic text also make use of the stories. Deletion is one of the styles that syntasts consider as linguistic phenomena whereas rhetoricians consider it as a kind of abbreviation that characterizes the linguistic structure of Arabic. The Holy Quran uses deletion in a rhetorical way fall of indications to convey the meanings and intentions targeted in the text.The purpose and the idea behind deletion in the Holy Quran is in harmony With the linguistic and artistic build up of the story.The approach adopted in this study is the syntactic rhetorical one. Chapter One is devoted to study deletion in the predicate of the sentence and whar is more than the predicate like the object. Chapter two is about deletion of the independent clause and the syndesis sentence in the Suras in addition to deletion in syndesis and conditional sentences. Chapter three studies deletion of many sentences and this move from syntax to the area of rhetorics to achieve the artistic brevity in the story.After full study of the intentions and pragmatics of the story texts in the Holy Quran and identifying places of deletion by the descriptive inductive method and discussing opinions of the syntasts, the interpreters and the commentators and preferring the opinion that agrees with the text of the Quranic story, the researcher concludes that the linguistic structure of the Quranic stories has achieved the rhetorical, semantic and aesthetic purposes That benefit these stories to achieve their purpose of serving the religious objective.

اسلوب الحذف والتقديم والتاخير والاعراب في سورة النمل : دراسة نحوية == Omission, Inversion And Syntaxes Style In Al - Namil Qur'an Verses A Grammatical Study

Author name: هيثم عبد الزهرة رباط المنصوري
Supervisor name: عبد الحسين المبارك
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: According to the importance of language in general and the grammar in particular in solving the problems of the structure and the clarification of its meaning , I have made up my mind to give my research the " omission, Inversion and syntaxes styles in Al - naml Qur'an verses ( A grammatical study") , getting the advantage of the elements of this Indication in understanding the Quranic verses and discovering their Indications. The research consists of : The introduction , the preface , three chapters and conclusion. In the introduction I defined AI - Naml Quranic Chapters as a noun , an order , a virtue , a content and then as a grammatical indication through the clarification of its meaning Linguistically and terminologically , and determining its importance in the interpretation of the holy Quran.In terms of the three chapters , they are presented as follows.Chapter 1 : In this chapter 1 discussed the phenomenon of deletion 1 and clarified its meaning , its importance , its features , and the efforts of the grammarians in studying it , in addition to its relation with metaphor , preciseness , its purposes , its divisions , its conditions , and its applications in AI - Naml Quranic Chapter.Chapter 2 : I allocated this chapter to show the reversion , so I mentioned its definition and the influence of the word position on it in addition to the argument among the grammarians in some of its kinds. I also showed its types , purposes and its existence in AI - Naml Quranic Chapter.Chapter 3 : I used this chapter to explain the difference in syntax and its influence on the verity of the interpretational meanings and the importance of the syntactic marks and the difference in this importance. Then I showed its divisions, its reasons and its applications.The Conclusion : In the conclusion I clarified the results the I obtained from this research

منهج ابي البقاء العكبري (ت616هـ) في شرح الالفاظ == Abi Albakka' Ala'Kbari'S (Died 616 A.H) Approach For Studying Lexes

Author name: شيماء شاكر غالي محمد
Supervisor name: سليمة جبار غانم
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The study of lexes is the means for every study and every language of the world's languages to reach at the end which is meaning. Lexes, in this study, are our means to reach at the intended end which is standing at this encyclopedic scientist's approach who mastered different fields of knowledge; philology, linguistics, syntax, prosody, arithmetic, and knowledge of sects. He was one of the distinguished Arab linguists in the seventh Hijri century who gained a wide fame. This study aims at investigating his approach for studying lexes which was recognized of its multiplicity of procedures. The study falls into three chapters preceded by an introduction, explaining the motives of this study and other issues, and a prelude that included two sections; the first of which deals with the concept of approach linguistically and idiomatically, the second sections dealt with Abi Albakka' Ala'kbari's biography, his writings, and his impact on the studies of old and contemporary scholars. Chapter one, which is entitled (Lexes : their morphology and meanings). It consists of three sections; section on deals with the morphological structure, here we explained Abi Albakka' Ala'kbari's approach in the study of lexes according to their derivations, meter and rhythm. Section two is devoted to the lexicon meaning. Section three deals with the metaphoric reference.Chapter two is entitled (Semantic development). In this chapter, we explained Abi Albakka' Ala'kbari's references to the development of lexes from different perspectives. It includes two sections; the first of which deals with the concept of semantic development, while the second deals with the aspects of semantic development which go in line with what contemporary linguists believe. Chapter three is entitled (Means of semantic development). We dealt with some of them and neglected some others; either because they were mentioned somewhere else as in the case of (derivation) which was mentioned in first chapter, or because they weren’t considered prominent phenomenon as in the case of Acronymy. Chapter four falls into four sections. The first three of which have dealt with the semantic relations of synonymy, hyponymy and antonymy respectively. Section four was about loan lexes and arabicized ones. The study ends with the results and conclusions then list of references

التناص في شعر دعبل بن علي الخزاعي (148 - 246هــ) : دراسة تحليلية == Intertextuality In The Poetry Daabl Bin Ali Al - Khuzai

Author name: خالد حمد لفتة
Supervisor name: ثائر عبد الزهرة لازم البصير
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This research on the study of intertextuality in poetry Daabl bin Ali al - Khuzai based on descriptive analytical method for monitoring the phenomenon of intertextuality and stand at the roots of the present text by describing the phenomenon and attempt to interpret within the poetic text and the productivity of intertextuality, which represent in two forms : intertextuality direct and indirect and smelting its mechanism and imbibe it by the analysis of poetic texts. The nature of the search warrant to be an introduction and preface,three chapters and a conclusion.The preface consists of two sections , the first included the poet's life and his poetry , the second, is the concept of intertextuality lingual and the terminologically , the views of Western critics, its Arabic roots and display visions Arab critics, old and modern.The first chapter deals with the religious intertextuality through two sections , the first is the intertextuality with the Holy Koran ,the second section focusing on intertextuality with the Hadith and sayings of Ahl al - Bayt. The second chapter was to study the literary intertextuality through two sections, the first intertextuality with poetry and the second intertextuality with prose. The third chapter is considering the historical intertextuality of the three aspects , intertextuality with area and time and intertextuality with historical events.The researcher has approved at the end of the study conclusion explained the summary of research and its findings and a list of sources and references

شعر منصور النمري : دراسة موضوعية فنية == Mansour Al - Nimrys Poertry : A The Matic Artistic Study

Author name: وسن علي كاصد
Supervisor name: نضال ابراهيم ياسين
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - Faculty Of Education - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The Abbasid era had witnessed the emergence of an inspiring poet who represented a unique phenomenon in its vagueness and clarity towards the conflicting poetic streams at that time. Taking this as a standpoint, we found that the thrill to discover the secrets of this vagueness in this poet would make his poetry closer to the hearer to understand his meanings, references and causes. Our study which is entitled as (The Poetry of Mansour Al - Nimry : A Thematic Artistic Study) shed lights on the hidden and revealed attitudes in his poetry. He is a distinctively problematic poet who perplexed old and modern researchers to reach the depths of the essence of his poetry. Vagueness had accompanied him all the period he spent in the palace of Haroun Al - Rasheed. The study fell into two chapters preceded by an introduction and preliminary and followed by a conclusion : The preliminary is entitled (Mansour Al - Nimry and the trends of the Abbasid poetry), in which we dealt with the trends poetry in the Abbasid era and the poet's position towards them. We highlighted Al - Nimry's poetic status and critics and researchers' opinions in his poetry. Chapter one is entitled (Thematic Structures in Mansour Al - Nimry's Poetry). It included a prelude followed by the most important themes of poetry that in his poems collection like; political praise that the poet devoted to praise the Caliph Haroun Al - Rasheed and the ruling personnel of the Abbasid State; shiism for the progeny of prophet Mohammed (Peace be Upon his and his progeny); elegizing and old age complain; description and pride; in addition to other themes like; flirtation; satire and wisdom. Chapter two is entitled as (Artistic Structures in Mansour Al - Nimry's Poetry), it consists of three sections : section one is devoted to study poetic language and poetic lexicon. It also deals with the stylistic patterns like; interrogation, vocation, command and inhibition. Then, we talked about the linguistic patterns that occupied a space in Al - Nimry's poetry. Section two studied the poetic music in its two axes; the inner and outer. Section three is devoted to the study of the poetic image and the styles of artistic imagery that the poet followed like; the figurative image and the declarative one. Depending on what was previously stated, we see the poet's employment of a variety of poetic themes, his high ability to compose the words, in addition to the wideness of his poetic lexicon, rhythmic variety, strength of artistic imagery. All these indicate the poet's culture and his openness on the cultural demands of the Abbasid era. Finally, I pray to Almighty Allah to guide me to what He loves and satisfies with. He listens and responds to the call of whoever calls unto Him.

تجليات البداوة والحضارة في شعر ابن خاتمة الانصاري وموشحاته (700هـ - 770هـ) == Manifestations Of Nomadic Civilization In The Poetry Of Ibn Al - Ansari Conclusion

Author name: نرجس سالم كاظم الصيمري
Supervisor name: علي مطشر نعيمة الشريفي
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, prayer and peace envoy mercy to the worlds and The God of the good and virtuousAfterThe reading of the Court of Ibn al - Ansari finale attracted by the nostalgic poet to nomadism sticking out even though he lives a reality culturally vibrant, hence rushed researcher behind the monitor to the reasons for the return of the poet and the extent of nomadism represents civilization in his hairThe study (manifestations of nomadic civilization in poetry bin finale Ansari addressed) to give a clear picture Anhoudor nomadic civilization in the poetry of Ibn al - Ansari finale and the extent of overlap and conflict between themHas teamed message in a preface, three chapters preceded the introduction and caused a conclusion, addressed a researcher at the boot concepts of nomadic civilization in the language and the term as well as shed light on the life of poet son finale and talk about his poetry and writings.The first chapter titled : manifestations of nomadism as manifestations dealt with in the hair son finale in four axes : specialize first axis Baltall Bedouin studied second axis flags Bedouin on the various types and their presence in his hair, and touched the third axis to the statement of beauty standards, which was favored by the Bedouin appeared with son finale, either a fourth axis which has touched a statement nomadism poet that has emerged through the meanings of modesty, chastity and complaining of AlamalIn the second chapter researcher touched upon the statement of the manifestations of civilization in three axes dealt with in the first such manifestations of civilization in spinning, which was as important, and in the second axis manifestations of civilization dealt with in nature, and the third axis has it studied the manifestations of cultural life Ka such as ethics and congratulations and others.The third chapter specialize study overlap and conflict in the hair son finale Ansari stood at the poetic texts which forms overlap between nomadic civilization and sacrificed in the first axis and in a second axis revealed forms of conflict between nomadic civilization in the hair son conclusionThe study adopted a descriptive analytical approach in dealing with the poetic texts by Ibn al - Badawi finale nature and civilization, revealing where the most important technical features without a single out a special chapter.The study found a range of results, highlighted byNomadism has manifested itself in the hair son finale in the presence Tll Badawi in his poetry indicative of longing to the fount and origin of Arabism and Islam, and the presence of flags Bedouin women as names, places and animals constitute Lexicon those flagsThe beauty scale Bedouin witness to the presence of nomadism in the hair son finale represented fuller buttocks black hair and black eyesAnd civilization manifested itself in the hair son Conclusion In describing the manifestations of nature in Andalusia as a description of Riyadh, gardens and birds appeared a glossary of terms that a civilized civilization represented by such (Alglail, and Almqana)Technically civilization was embodied in the poetry of Ibn finale employed in science to arts Budaiya Todava exaggerated Kganas and counterpoint and Budget and otherokan There is considerable overlap in the hair son finale has appeared in poems Kin spinning stanzas and was less present in other sectionsI've reversed the conflict between nomadic civilization in the hair son finale contradictory figures : Personal son finale realism is sedate and FakihPersonal and son in the finale spun sensuous

شعر مصطفى جمال الدين : دراسة ايقاعية == Mustaffa Jamal Aldeen'S Poetry : A Rhythmic Study

Author name: حسين عبد النبي خير الله نجم السوادي
Supervisor name: علي عبد رمضان
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Rhythm is one of the important pillars upon which the poetic text depends, for it justifies part of the emotional impacts which relates - by nature - tightly to the ideas and expresses them phonetically. Rhythm is a basic axis in the poetic aesthetic; it gives it the power to affect vitally. It involves a special artistic and expressive value by means of resemblance, parallelism, contradiction and differences between the different levels of the text.The effectiveness of rhythm is not confined to the two elements of meter and rhyme, but it depends on the musical rhythm of the words. Rhythm is the spirit of music and its beating heart which expresses feelings and it is a realistic translation of the poet's feelings, passions and wishes. This thesis tries to uncover the inner and outer rhythms in the poetry of Mustaffa Jamal Aldeen in terms of phonetic balances and eloquence arts which involves resemblance, parallelism, contradiction and differences. It also uncovers the extent to which the music of his poems was activated to create special rhythmic atmosphere that harmonizes with the topics of the poems. The poet, Mustaffa Jamal Aldeen, has a profound and conscious vision of the reality that he lives in, and the community to which he belongs. He rejects humiliation and submission that the nation reached at. He urges the nation to change this reality by employing all his artistic and poetic tools. He believes in the inspiring role of art in life. While forming his poetic text, he creates a poetic melody springs from the depths of his passion and feelings towards crucial issues. For that reason the poetic word has borne expressive powers and phonetic values that showed the inner feelings and passions of the poet.

الشخصية في روايات ميسلون هادي

Author name: ابتهال نوري احمد
Supervisor name: عقيل عبد الحسين خلف
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: A fiction character is highly important in making events, formatting dialogues, and taking up space. In addition, it has other functions that differ from a character to another. This study addresses the novel character as a narrative entity in post - change Maysloon Hadi's novels. In the introduction, the researcher starts defining the novel character and its importance, and then (the character and the narrations) is studied where the character takes the role of the narrator to convey subjective and other narratives.After that, (Maysaloon's style of characterization in her novels) is studied where one can find that the writer adopts two ways : telling (pictorial) and revealing (dramatic). In the telling style, she uses the omniscient voice once and the character voice at another time. In the latter, she uses the implications of verbs, dialogues, and monologues. Furthermore, she uses the implications of nouns to present her characters.Then, this study examines (the character narrated to) where we get the character narrated to by a second side. It was dominant in Maysaloon's novels. Sometimes, the narrated - to character can be a main one, which is less used. Consequently, this study concludes that the fiction character is highly important in the post - change Iraqi novel, particularly in Maysaloon's novels.This study arrived at several results. The most important of these results is the inclination of the character to narrate the other narratives more than the subjective narratives in that a character tries to reveal man more than revealing itself. A character is revealed either through telling or through revealing style to suspend the reader and make him know the characteristics of each character alone

انماط تركيبية في الحوار القراني : قصة موسى انموذجا == Structural Samples Inthe Qur’an Dialogue : Moses Story Asa Sample

Author name: مقداد عبد العظيم فاضل
Supervisor name: عبد الجبار عبد الامير هاني
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: تتناول هذه الدراسة الانماط التركيبية للجمل الواردة في خطاب المحاورة في قصة النبي موسى، فقد كان الحوار في القصة ميدانا تطبيقيا لهذه الدراسة، ولابد من الاشارة الى ان المقصود بالانماط التركيبية للجمل، هي تلك التراكيب المستقلة التي ترد بعد فعل ( القول ) | This research deal with types of sentences structures for sentences that occurred in the dialogue of Moses story. Moses tory got great deal of different teachers in different studies like( literature ,Artistic, metaphorical, linguistic ,and negotiation )But the dialogue structure in the story I can't find any synonym for it ,so the Researches Title (Structural Samples In AL - Quraan Dialogue( Moses Story as Sample).Structural Samples In AL - Quraan Dialogue( Moses Story as Sample )This subject suggested by my teacher supervisor Ph. AbdualjabarAbdualamir Hani, and I was interested to know about AL Quran Secrets.This subject relay on verses in Quran and this give priority among other studies.I have to explain that this study doesn’t cover all structure types occurred ,for its multi numbers and short time for writing in one year.so the researcher study just common dialogue structures.The study included in three chapters preceded by preface ended by the conclusion including the result of the research so the preface referred to the two terms (Dialogue and structure) in language and in term and also structural sample ,and the verb of saying because dialogue depends on verb of saying.In the first chapter is (Simple structure and compound structure ) It was taught : un restricted simple structure ,restricted, confirmed, ,negative (verbal and nominal)and also referred to conditional structure which is the condition and swear that compose of two parts the original and the branch.While in the second chapter it occur under the title (Enlarged structures) we studied the enlarge (large compound sentence) enlarge by number, enlarge by articles and some enlarged structure by dialogue.And the third chapter under the title (Omitted Structures)and it deals with reduce vocabulary or sentence.This study depends on the Arab grammarians(the old and modern)and the explicit people says, and these says and opinions that issued from them can be consider as solution for analysis.The analysis weight between the two factions semantic and pragmatic ,the first one concerns with grammar and its explanation while the second function focus on the functions of these structure and the partial points of these in general. In all these I depend on deceptive analysis for structures and its types that I use to study and I got big benefit from group of books like(AlTanweer, AlKashaf ,Albaher ,AlmohidandAlmizan) and other booksand also some scientific books of Al Quran and Metaphor ,in adittions to some books of modern like ph. Mohammed Hamasa,Ph.SaeedHsaanBahiry,ph.FadilSalihAlsamaraei and others.My study results some conclusions : Dialogues is cooperative operation going between different parts ,and can't be found unless there is differences in research ways and spoken languages comes occur after the saying verb because after he says a speech and this verb always refers to past simple picture and mostly occur masculine and it clear why it occur like that. Because the confirmation is on Moses character ,and some verbs occurred like (inspired and call).It is cleared that the dialogue of the prophet Moses be considered the longest and the largest as his dialogues with the lord (Allah) may that belong to the nature of context of prophetic message that require explanation andpersuasion.Dialogue Structures expressed significant these structures like the following : 1.Simple structure : that compose from predicable and predicative. 2.Compound structure : that compose two predicative that includes condition and conclusion and swear.3.Enlarged structures : which occurs in different shapes and different pictures, the enlargement achieved by in simple sentence by the big sentence ,numerical and other articles.4.Omitted sentences : that compos all deleted from articles ,nouns ,sentences, says,.Finally this research paper is just humble work that I did all my best from energy and effort for AlQuran Language and for Arabic language and its immortal structures ,I ask my God (Allah)to guide me to the knowledge and prevent me from mistakes ,No one will be neighboring to me more than (Allah),and Finally My great thanks to (Allah )

تداولية الخطاب التفسيري في كشاف الزمخشري (ت538هـ) : السور المكية انموذجا == Pragmatics Of The Explicatory Discourse In Al - Zamakhshri?S Kashaaf : The Example Of Mecca?S Verses

Author name: سارة عودة جابر
Supervisor name: عامر عبد محسن السعد
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: Praise be to Allah, who has been humiliated for his ability and caused merciful(kindness) reasons. The prayer on the messenger of the best religions. The honourable of the whole creation of God. Mohammed and his virtuous household family and companions. The pragmatics is accounted as one of linguistics branches. It appeared recently for the purpose of studying the semantic (meaning) and makes it more accurate in usage. And in its methodical described the whole complete and comprehensive curriculum in the studied language for teaching the speech in its positions and its different forms according to the intention of the speaker and the conditions of the audience who receive it. If the linguistics has focused(concentrated) on internal performance and levels in studying language and interested in both issues structural and traditional, so that the pragmatics is more accurate because it is interested in the poles of the communicative process to ensure communication. The importance of the topic dealt with the significance of the speech within the light of the context and the surrounding positions. Since the prospector(Alkashaaf) is an interpretation oration (speech). So that the curriculum pragmatics approach will allow that speech to track the language properties of interpretation at all levels especially the indication that is necessary to interact with the oration language thus the interpretation concentrate on semantic (meaning) since the meaning is the core of the communicative process in the pragmatics, so there are bridges between interpretation curriculum represented in (Alkashaaf) and the lingual approach represented in the pragmatics and this issue gives the research a great significance because it will end to a definite result that in our heritage (tradition) aspects (remarks) or theory of pragmatics.The researcher tries to answer on the following questions;1 - Why did Al - zamakhshri write his interpretation ?2 - Who is the beneficiary from the interpretation?3 - How could he influence the recipients?4 - How was the language of interpretation with him? The aim of the research is studying the interpretation completely ( comprehensively) far away from the silence of the text connecting it with the different positions and searching for both goals productive and untold (silent) with stating (expressing) the influence which happened on recipient himself. All this through approaching the traditional text with modern linguistics analysis to find common denominators between deliberative linguistics and our linguistics heritage especially the rhetorical lesson. In the nature of the research divided into preface and three chapters followed by a conclusion with the most important result.The preface includes determination the deliberative term and its relation with the religious oration (speech) especially interpretation.Chapter one applies (speech Acts in interpretation oration for Al - zamakhshri) and divided into two topics : The first in the direct speech Acts. And the second in the indirect speech Acts. Chapter two applies (Argumentation in interpretation speech for Al - zamakhshri) and divided into three topics : 1 - The concept of Argumentation 2 - The features of Argumentation curriculum.3 - The Argumentation scale and its devices.Chapter three is about Deixis and divided into three topics after an introduction about the concept of Deixis and their topics as the followings : 1 - Personal deictics.2 - Timeporal deictics.3 - spatial deictics. And finally we ask praise be to Allah, Lord of the world

وصف المعارك والقتال في شعر الفرزدق == The Description Of The Battles And Fights In Al - Farazdaq Pootry

Author name: بهجت مهجر حبش الطعمة
Supervisor name: مصطفى عبد اللطيف جياووك
General topic: Arabic Language and Literature
Specific topic: Literature
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The description of the Battles and fights in Al - Farazdaq Poetry : Al - Farazdaq is one of the greater Arabic poets who had a great attention from old and modern researchers, the researchers had study his poetry from many sides by criticism and analysis, but all those studies - as I Know - have been omit an important side of his poetry, that is the description of Battles and fights. Which I will show in this research by mentioning many of this long and short poems wich describe the Battles and fights from his Poetical works.The research shows that the poet's description for Battles devided into tow part’s, the first is a special description to the old and modren tribes Fights, and the second was his description to Al - umawia state Battles wich he has expanded on it. Because of the praising of Al Khulafa and princes and army leaders so he was one of the first's poets who opened the door to the next poets like ABI Tamam and Al - Mutanaby to describe the Battles of the Kings and princes in future.The research also shows the description of Armies and Weapons in Al - Farazdaq Poetry, Explaining the Way's that Armies was organized by in this age. And how does it moved and attacked. And he mentioned the description of the Weapons and the high skills of the fighters.And the research shows the focusing of the poet on some parts of the Battle, specially the movement of the Knight's during the fight, and the Picture of the enemy wich represent the courage of the heroes. The research didn’t stop at the general adjectives of Al - Farazdaq poetry, but it is try to focus on Battles and Fights describtion. Wich the poet used the resembling to drow the pictures of this Battles, Al - Farazdaq poetry was a multi purposes poetry but the main purpose was the Fight events and the description of the fighters hi skills

شعر ابن المعلم الواسطي : دراسة موضوعية وفنية == The Poetry Of Ibn Al - Mu'Alim Al - Wasiti : A Study Of Topics And Style

Author name: ثائر عبد الزهرة لازم المياحي
Supervisor name: فالح كامل اسكندر المنصوري
General topic: Arabic Language and Literature
Specific topic: Literature
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: This thesis is a study of an unknown poet who lived in the late era. The Poet concerned is Mohammed bin Ali bin Abdullah bin Al - Hussein bin Al - Qasim, who was called as Al - Harathi - Wasiti,Ibn Al - Mu’alim (Teacher) and referred to as Najim Al - Deen with the family name "Abu Al - Ghana’im”. The study tries to uncover the aspects of seriousness and innovation in his poetry in one hand, and to set the part to serve the whole so as to use the poet as a witness of his time. Thus the group of creative poets, among whom Ibn Al - Mu'alim lived, constitutes a strong evidence of the value and the level of literature at that time. This study tries to present a full vivid picture of the Artistic style of the poetry of Ibn Al - Mu’alim; a question which was very rarely tackled in details by the researchers before. There were only some hints and some quick remarks that were not adequate to provide a sufficient picture of the position and role of this poet at his time.The study starts with an introduction followed by two books. Book one deal with the political, social, religious, cultural, and literary aspects of his time. Book two is devoted to a biography of the poet concerning his name, family name, and year of birth, career and opinion of the critics of his time and the modern ones of his poetry, education and his death.Then, the study contains two parts consisting of nine chapters. Part one is a study of the topics tackled in his poetry such as those of courtship, praise, elegy, correspondence among brothers,…etc. Part two is concerned with the artistic style which includes the language, the rhyme, and the poetic image in Ibn - Al - Mu’alim's poems.The study ends with a conclusion that introduces the most important findings arrived at by the researcher

المطابقة في النحو العربي وتطبيقاتها في القران الكريم == Concord In Arabic Grammar And Its Applications In The Glorious Quran

Author name: فراس عصام شهاب السامرائي
Supervisor name: عدنان عبد الكريم جمعة السالم
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Literature - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: The present thesis consists of an introduction, three chapters, and a preface explaining the nature of “concord” according to Arabic linguists. Chapter one contains two sections. Section one is entitled “concord between subject and predicate”. Section two is entitled “concord between verb and subject”. Concord deals in this section with number and genre. This type is applied to the Glorious Quran. Chapter two consists of four sections. The first section deals with concord between noun and adjective. Adjective here is of two types : real adjective as in number, genre and definiteness and indefiniteness, and causal adjective. It deals with definiteness and indefiniteness. All Quranic examples are applied to this. Chapter two focuses on “concord and conjunctions”. Conjunction is in turn of two types. All Quranic examples in this domain are given. Section three deals with concord and apposition. Apposition has four types. Chapter three deals with “concord between pronoun and its referent”. This chapter has four sections. The first one is “concord between the singular pronoun and its referent”. It has two sections : when the pronoun is masculine singular or feminine singular. Examples are given from the Glorious Quran. Section two deals with “concord between Dual Pronoun and its Referent”. Quranic examples are given here. Section three discusses “Concord between plural pronoun and its referent”. It has two subsections : when the pronoun is masculine plural and when the pronoun is feminine plural. Examples are given from the Glorious Quran. Section four deals with “concord between partition pronoun. The thesis ends up with conclusions and references

الدكتور كامل حسن ا لبصير ودراساته البلاغيـة والقرانيـة == Dr. Kamil Hassan Al Baseer And Has Rhetorical And Critical Studies

Author name: محمد رحيم غريب
Supervisor name: حامد ناصر عبود الظالمي
General topic: Arabic Language and Literature
Specific topic: Language
Degree: Master
University: University Of Basrah - College Of Education For Human Sciences - Department Of Arabic Language
Language: Arabic
University location: Basrah
First pages:
Abstract: It is my pleasure that my studying of master's stage deals with one of the Iraqi scientists of Arabic language ,he is the Prof. Dr Kamil Hassan AlBaseer who suggested by Prof. Dr Hamid AlDalimi to the subject of my studying. the reason behind his suggestion is that most of the Iraqi scientists are far away from the eye in spite of their good views in the sciences of Arabic language. Dr. kamil AlBaseer is one of the prominent Iraqi scientists who enriched the circle of rhetorical and critical researches with his great ideas and views. He also has a significant role in the defense of the authenticity of the Arab heritage on the rhetorical and critical level.As well as a lot of opinions who criticize and refute the opinions of the Arab researchers and orientalists that believe the effect of the Arabic rhetoric in foreigner.He adopted in his criticism in a lot of cases on the verses of the holy Quran thoroughbreds text.From hence the tittle is”Dr Kamil Hasan LBaseer and his rhetorical and critical studies. The aim behind this studying is that to appear the importance of his Quranic rhetorical studies. According to nature of this research ,we divided it into three chapters. Every one include many searches.this preceded by an introduction then a conclusion escorted which include the key finding of the research results.This follow by a list of references and sources that the research took its article from.The first chapter contains six sections ,the first include his autobiography and his scientific.the second topic handled his views on the development of Arabic language in the autonomous region (Kurdistan now). The third is on his contribution to the solution of the Kurdish problem with most important statement dialects of their language. The forth topic includes the opinions of the Ray Academy linguistic issues as what AlBaseer believe. the fifth topic is about the issues of technical interdependence between Arabs and Kurds in the cases of brotherhood and peace. The last one deals with the call of commitment in the contemporary felt between the views of Plato and Quranic standards. The second chapter include three sections ,first one is about the authenticity of Arab statement and his criticism to those who denied the authenticity of Arab statement and its influenced with foreigners especially Greek. The second part focuses on the concepts of technical image and its divisions.The third section is on his criticism Dr.Nusrat Abdel Rahman and Dr. Ali AlBatalon the subject of technical image. The third chapter has three sections ,the first is on his studies for the development of the wordy indication in the use of Quranic words according to four methodology and technical foundations : psychological foundation, sensory foundation, environmental foundation, vital foundation. The study of the second topic is to root method of the scientific researches in the light of the verses of holy Quran. The third section include his study of artistic Quranic metaphor in two of social issues.first is the technical Quranic metaphor in the verses of family and the second is the technical Quranic metaphor in the verses of Jews.
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