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المركز والهامش في القصيدة النسوية العراقية (2003 - 2013) The Centre And The Margin In The Iraqi Feminist Poem (2003 - 2013)

اسم المؤلف: شهد سلام عبد حسون
اسم المشرف: ايمان عبد دخيل
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: Praise be to God, the creator of the universe, including, inclusive and people for the day no doubt, prayer and peace of God's creation Mohammed bin Abdullah, and his family, his companions, believers him elected, and afterCultural studies focused on post modernism (center\ margin) to break the idea of dominant center focus on crushed categories, it don’t specify a particular direction, but reflected on the joints of all life.Thus, this dualism either case conflict between them or need each other, then came the feminist movements (emanating from cultural studies) focus on feminist product, who put the margin position for long phases of monetary studies, as it remained stationed around the male and speech output from text, exceeding what you write women to express themselves or their surroundings. And it was our attention more the accomplished creative Iraqi women, especially issued after 2003 until 2013 (study period) and that this selection does not necessarily mean that we dealt poets careers of poetry began in this period specifically, but our intention hair who wrote and published after the war, both whether the poet calculated on this generation or the previous one. The attempt to stand at (center/ margin) at the thought of women and product creative take directions several, but openly in this work we have tried to knowledge of more than one side, as is the study of topics and try to develop dual - core and the margin by which the first chapter, to try to stand on these bilateral Using verses followed in writing Alharafa the second quarter, leading to alpges about feminism and identity of the center and the margin in the final chapter. During our study of the poem women in this stage we have reached awide range of names and count the larger aggregates, to allow the field of study to cover them all, so we have tried in our choices to diversify the forms, to show an overall vision , and a clearer picture of the poem women at thatPoint, not limit ourselves to the names of famous or high - value experiments only.
الصفحات الاولى:

البناء الفني للموشح العراقي The Technical Structure Of The Iraqi

اسم المؤلف: رؤى حميد منديل
اسم المشرف: فرحان بدري الحربي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: The Technical Structure of Al - muashah Rema is one of the intellectual its home Al - Andulis or its range in Eastern part of Arab home land , especially in Iraq which gave Al - muashah its luster. Iraqi poets regain Al - muashah's atmosphere and regave it life after a long slumber. This study has come out with some results which confirm the aims of this Thesis. Among these results are The secrets of the beauty of Al - muashah lies in its music and since I study the aesthetic of Al - muashah comes from music. Thus , one of the results is that , Al - Ramal stanza was dominating and it was more popular in Al - Muashah than its use in Arabic poetry in general Iraqi poets of Al - Muashah made use of collocation of some rhyme types and added an aesthetic feature which enable them to achieve deviation in poetic rhyme and this gave it creativity. As far , internal music of Al - Muashah was full of explicitness , repetition and alliteration. I have found that the image sources of Iraqi Muashah did not depart from the earlier sources of Andulsim. Nature dominated the image which has a great verity. This made it easier to understand and carrying more aesthetic and artistic hints indicate to their culture. I also found that their aims were not different from poetic aims such as praise , love and prond. They achieved their intention in shortest and deepest ways. It was void of strang vocabulary , this has mad their rhymes so much related to reality and close to the readers. It has the ability to touch our feelings. The introductions of most Remas were traditional in their start with love and flirt besides using famous characters. All these these features made Al - Muashah poems liable to interpretation which raised the aesthetic value of Al - Muashah. The style of Iraqi poets was full of linguistic structures such as Topicalization , ellipsis and vocation which gave Al - Muashah some aesthetic features which serve to affirm meaning and give more poetic poer to Al - Muashah through using unfamiliar structure
الصفحات الاولى:

ادب الامام زيد بن علي عليهما السلام : دراسة موضوعية فنية

اسم المؤلف: اسراء محسن حديد حسن
اسم المشرف: مثنى عبد الرسول مغير الشكري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: Praise be to God, peace and blessings be upon theprophet, and his household divine good and followed them until the Day of religion, prayers forever, and cut off their number. After.. The idea started for the study of literature Imam Zaid bin Ali, "peace be upon them" from the perspectives settled upon conviction researcher, in the forefront of my admiration Islamic literature and fields and figures, and themes, and issues, and my desire to study a media Al al - Bayt pure, reviving the memory of them by standing on the great heritage, which worthy of study, and the care and attention it, according to find out it from studies, and found that the literature Imam Zaid "peace be upon him" has not been studied academic study means it literature, and his themes, and his criticism, has increased my admiration for the high level of literary shown by the literary heritage of Imam Zaid "peace be upon him "The prose in particular. This is making it one of the no doubt Imam Zaid "peace be upon him" a descendant of the house that they know every thing about the science.I have the desire to find the ways this topic for the reasons that I mentioned.The literature Imam Zaid "peace be upon him" was over the package of studies, and it was mostly revolving around the jihadist side of the revolution, Imam against the tyranny of the Umawy, as well as other research, and articles urged express side of the Imam, in particular is an ally of the Koran, and therefore these studies did not stand impediment to study Academy means the substantive aspects of monetary and technical literature Imam Zaid "peace be upon him."I have derived the message elements and its components from the nature of the literature of the Imam, and his exact extrapolation (prose and poetry), as it appeared on highlighting the substantive and technical aspects, and reservoirs creativity, literary group on type literary at ImamIt has dictated the nature of the research that divide by three chapters preceded by a preface, followed by the finale, proven sources and references.The preface determines the validity of literature documenting Imam Zaid and investigation of literature without mentioning the obligations for it, as well as some sources were not inclusive of all literary offspring, came preface examiners and critic it.The first chapter discusses the genre when the Imam and I mean (poetry and prose), was recorded last significant presence at the Imam Zaid "peace be upon him." The six sections, namely, (public speaking, and praying, and debate, letters, wills, and poetry).And the holding of the second chapter on the issue of the subject, divided in three sections, the first I dressed politician, religious II, and the latter social.The final chapter handled the technical study, which included three sections, the first linguistic structure, and the second where she studied architecture and graphic departments, came last, highlighting the rhythm and its impact on that express intended meaning.Then this study concluded conclusion embodied the most important results reached by this study, and try hard research explored and presented to the space of literary study, which means the study of the heritage of the people of the house, "peace be upon them."The study is based on an inductive approach descriptive, politely Imam foremost text is lost along the reference line, which was based on research it, and informed by some external information, but he had not reckoned, but soon it was back to the text and simulated.It studies that have reported such research is the study of Dr. (Mussa Aboud Khabt) tagged (Literature of Imam Hussein, "peace be upon him," the technical and moral his issues), as reported them in many places in this search. Conclusion : the confession thanks to my teachers at the College of Quranic Studies, University of Babylon honor meditate on something openly, and secretly and openly, and committed him myself as long as I live.As my teacher supervisor Prof. Dr. Muthanna Abdul Rasul Shukri, was the first of this research has great interest and care for no addition of thanks or recognition thanks acknowledged by the injury, so he pointed me choose. r this blessed subject, He refers to choose the good subject
الصفحات الاولى:

تعدد الاوجه النحوية في شروح الصحيفة السجادية The Several Grammatical Possibilities In The Explainings Of Al Saheefa Al Sajjadia

اسم المؤلف: زياد قاسم دريس الطائي
اسم المشرف: شعلان عبد علي سلطان
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: This research deals with a very important subject in the Arabic grammar , which is the several grammatical possibilities. This research reveals the relation between the grammatical meaning and contextual meaning in the text. Out of the kind of Almighty God , He makes Alsaheefa Alsajjadia the place of study. Because of the importance of this holy work and the holy statue ,It contains the most eloquent words , meanings and the greatest content. Certainly it is a great miracle professed by Imam Zain Al a'abedeen , Ali Ben Alhussein , ( peace be upon him ). This study tries to go deep in the text of Imam Alsajjad to depict the different grammatical possibilities and its discussion that are presented by the explainers of Alsaheefa that's why the title becomes the several grammatical possibilities. This study contains three chapters that preceded by a preface , an abstract in the end and a section for the resources. In the preface , I presented the explainers of blessed Al Saheefa on whom I depended on in the study with a reflection of their policy of explaining for each of them. The first chapter dealt with the reason behind the differentiation in the explaining o f Al saheefa. In the second chapter we have a study to the manners of the different grammatical possibilities in the explainings of Al saheefa for that it contained three sections ; the first is the manners of differentiation in directing the word , the second is the manners of differentiation in directing the sentence and third is the manners of differentiation in directing the semi sentence. Studying the critics that declared by explainers on the grammatical possibilities is in the third chapter which is divided into two sections ; the first is the manners of criticism and second is the basis of criticism. After all , I spent a lot of time to manage this work and if I succeed it will be out of generosity of Allah ( to whom all be ascribed ) and it will be the cause of the instructions of Dr. Sha'alan Abd Ali Sultan. If I don’t succeed it will be the cause of my little experience but I think it is enough that I tried.
الصفحات الاولى:

تلاحق الاساليب الانشائية في نهج البلاغة : دراسة دلالية Sequence Of Composition Styles In Nahj Al Balagha Semantic Study

اسم المؤلف: دعاء شاكر كاظم
اسم المشرف: عدوية عبد الجبار كريم الشرع
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
المستخلص: Praise to ALLAH with him the whole praise is started, with him the speech is concluded, and peace be upon the best creation Muhammed AL Mustafa and his immaculate house holders and his comrades.the subject of the thesis is about the composition styles ,What related to the previous studies an important study had proceeded me for the researcher Faten Fadhel.the study was titled (the sequences in Nahj AL balagha its levels, functions and features) the sequences of composition styles was mentioned in her study which is immature form as phenomena in a chapter under the title ( the structural features as it was meant for sequences of styles and it is a new study in its subject.in my study, I depended on the investigation approach to the style sequences in nahj AL balaga so the study chapters should be divided because of the plenty of styles in it. That resulted imbalance of thesis chapters.the subject and its scope of knowledge should go within a plan which consists of three chapters , conclusion , index ,sources and references so the preface is a definition of sequences and its concept.the first chapter was titled (the sequences of similar styles ) and it was divided for seven sections : so the first section consisted of order sequence , the second section included interrogative sequence , the third section included negation sequence ,the fourth section included vow sequence ,the fifth section include : exclamation sequence, the sixth section include appeal sequence , the seventh section include invocation sequence.the second chapter which was under the title the different sequence included two sections : the first section sequence of two different styles ,the second section sequence of three different styles.the third chapter was under the title ( the interpolated styles) and it was divided in to two sections : interpolated of different styles , and the second section include the interpolating of similar styles respectively.The thesis went within one approach in its text. According to the plenty in everything mentioned in it. I used the book (explanation of Nahj AL balagha for aben abe al Hadeed wich in vestgated by Muhamed abo AL fadhl Ibraheem.The thesis had depended by its cybernetic on different sources and references.my final prayer : - praise to ALLAH the lord of the world , peace and prayer on Muahammed and his immaculate house holders.
الصفحات الاولى:

الابعاد التداولية في معاني القران لـ (الفراء ت 207هـ) Pragmatic Dimensions Of The Meanings Of The Qur'an According To Al - Farrah 207 Ah

اسم المؤلف: زينب عادل محمود الشمري
اسم المشرف: رحيم كريم علي الشريفي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2017
مكان الجامعة: بابل
الصفحات الاولى:

الحذف والتقدير في كتاب : كشف المشكلات وايضاح المعضلات لجامع العلوم الباقول ت : 345 هـ : دراسة نقدية Omission And Prediction In The Book Of “Kashf Al - Mushikilat Wa Eedhah Al Mu’Athilat” For Jama’ Al U’Lum Al - Baquly (543 A.H.) Critical Study

اسم المؤلف: هند مناضل عباس
اسم المشرف: حسن عبيد المعموري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: Omission is a vast topic in the study of Arabic. Arabic is a language of terseness. Omission is one of the two methods of terseness in Arabic. These two methods are : terseness of limitation and terseness of omission. Arabic native speakers averted from complicated structures; they were more inclined to use simple and easy structures. Quran was revealed in Arabic; it is, however, a heavenly book, miraculous in its lexical, semantic, and stylistic systems. Each word in Quran serves a purpose and is accurately placed, not arbitrarily. Therefore, the statement : there is omission of a particle, word, phrase or sentence is unsettled argument amongst classical and modern scholars. Hence, grammarians adopted the approach of omission and prediction in Quran since their purpose is to parse, to teach the grammar of Arabic, and to find out the abrogators and abrogated. Nonetheless, this approach does not necessarily befit Quran since it is imperative to understand Allah's speech without omission - dropping words - or prediction - adding non - existent words which are not mentioned in the original text to refer to certain meaning. Accordingly, there would be deviation the intended meaning (referent) to which utterances - particles, verbs, phrases, and sentences - are used. Essentially, in Quran, each particle, word, and Sura is connected to one another in meaning and reference as if they are connected rings that should not be separated which, in turn, shows one secrete of the Quranic miraculousness.The reason of choosing this topic is basically motivated by the suggestion of my supervisor. After having read Keshif Al Musshkilat (Revealing Conundrums), I found it, for the most part, basing the analysis of the Quranic text on omission. Almost all the pages contain a parsing possibility or a grammatical explanation that is based on omission. Accordingly, I came to the realization that this topic is of critical importance and worthy of investigation and study. Therefore, seeking the help of Allah, I entitled my topic of inquiry as : Omission and Prediction in the book of “Kashf al - mushikilat wa Eedhah al Mu’athilat” for Jama’ Al U’lum Al - Baquly (543 A.H.) - Critical Study.The study is divided into three chapters prefaced by a prologue entitled “The concepts of omission and prediction and Al Baquly's approach” and followed by epilogue contains the findings of the investigation. The three chapters are as follows : chapter one, omitting particles, includes the discussion of omitting prepositions, the interrogative “hamzah”, “in” of infinity, “fa’a” of the result clause, and “waw”. Chapter two, omitting nouns, focuses on omitting “Mubtada, khabar, object, the praised, the disrepute, and tamee’z, mudaf, and matu’uf, and a’aid. Chapter three, omitting sentences and clauses, includes omitting the result clause in the conditional sentence, the answer of the oath, the sentence of qaul, the sentence modified by an adverb, and the clause of a preposition.
الصفحات الاولى:

مقبولية الانسجام في النقد الادبي العربي حتى نهاية القرن الخامس الهجري The Acceptability Of Coherence In Arabic Criticism Till The End Of The Fifth Century Of Hegira

اسم المؤلف: علي قيس حمزة الخفاجي
اسم المشرف: محمد شاكر ناصر الربيعي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: The Title of this thesis has been based on two important technical terms taken from text linguistics : (acceptability) and (coherence), in order to coin a new term, i.e. the acceptability of coherence. The aim of doing so is to investigate the critical conceptions and applications written by ancient Arab critics which might be congruent with the intended significance of this new critical term. This is especially true according to the fact that the significance of the acceptability of coherence has gained important attention by the ancient Arab critics as this research has shown. The Arabic literary and critical movements had depended on what could be called (acceptability) in accepting the literary products or in putting them in hierarchical ranks since the acceptability was declared by (very well qualified persons) according to the most important criterion of the seven textual criteria of the text linguistics, i.e. coherence. Yet, the researcher will try to extend the concept of the coherence and make it more congruent with the topic of this study. The non scholarly treatment has been very helpful in this respect; moreover, making use of this concept has enabled in shedding light on the topic of this research.The topic has been based on a plan of three chapters preceded by an introduction and followed by a conclusion which included the most important and salient results. Then, a full bibliography of reference and consulted books has been supplied.The first chapter, entitled (The Acceptability of Coherence in the External Rhythmic Dimension) which is divided into two subsections : the first, (The Acceptability of Coherence in the Prosodic Dimension); and the second (The Acceptability of Coherence in the rhyming Dimension). The second section deals with (The Acceptability of Coherence in the Internal Rhythmic Dimension). The second chapter is devoted to discuss (The Acceptability of Coherence in the Syntactic Dimension). It includes two sections : the first studies (The Acceptability of Coherence in the Syntagmatic Axis), and the second investigates (The Acceptability of Coherence in the Poetic Necessity). The third chapter, which is entitled (The Acceptability of Coherence in the Semantic Dimension), also includes two sections : (The Acceptability of Coherence in the Semantic Correlation) and (The Acceptability of Coherence in the Reproduction Dimension). All these chapters have been dealt with two critical points of view : the theoretical critical conceptualization and the application efforts concerning central the concept of the acceptability of coherence.Investigating the data of the ancient Arabic criticism has shown that the referential concept of almost all critical judgments is coherence. As a result, it is noticed that whenever this criterion is available, the acceptability will be achieved. Since coherence focuses on the semantic aspect of the ideas and thoughts found in the text, then the process of judging the consistency in the syntactic aspect will be, according to the theoretical point of view adopted in this research, either through the coherence of the semantic concordance of all the elements of a given text, or through several texts. The same is true in case of information and whether it is based on the semantic factors or on the contextual factors. This point can be achieved according to whether it tries to join the situation & the intended significance and the intentionality as the relational link between intention and the given semantic significance in the text. Accordingly, intertextuality, i.e. the inevitable relationships between literary texts, is just the semantic linkage of the syntactic components of several diverse texts on one hand and the components of the new text on the other hand. This means that coherence is linking thread between these elements which necessitates that acceptability of the coherence can be achieved whether this coherence is semantic, consistent, informative, contextual, intentional, or contextual. Using the techniques and terminology of the text linguistics in studying the Arabic critical texts covering the period of pre - Islamic decades till the end of the fifth century of Hegira has shown that every critical behaviour or speech can be rendered to only one specific foundation the acceptability. This term be very useful in pinpointing the main characteristics of the Arabic unified critical conceptualization of literature and poetry. Subsequently, this type of conceptualization can present a comprehensive account of its issues, solve its problems, and reveal its diverse attitudes. It also shows that modern criticism is able to get deep insights in the ancient Arabic criticism and make use of its vivid and active features. It also reveals the type of coherence, its examples, and throws light on the area of acceptability and its activeness in the ancient Arabic criticism.
الصفحات الاولى:

اثر الاستعمال اللغوي لاسلوبي الاستفهام والنفي في الدلالة القرانية

اسم المؤلف: زاهد جميل هاشم الحسيني
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2016
مكان الجامعة: بابل
المستخلص: The topic of the research is "The Effect of Lingual Usage of interrogative and negative in The Quran's connotation" , and it has great importance at the field of indicative studies, because it shows or (for showing) the type of negation or (denial), and interrogative as lingual and typecast. As well as modern connotation rely on the type of lingual way and its connotation' s Indicatives and through this kind of study could understand the development In the public field of life for all people relying on the depiction of the lingual type, and what it produces of semantics with regard to target audience (addressee). The Thesis included introduction , and it has research summary and flatten (pave) the language of "Quran" , and its knowledge mysteries, and the first chapter deals with the grammatical effects towards connotation. On the other hand the second chapter ; the effect 'of interrogative type in connotation. Finally, the third chapter deals with the effect of negation on connotation, at the end of it we find the results of the research as well as resources and references
الصفحات الاولى:

نظم الحوار في سورتي (الكهف) و(مريم) : دراسة في الدلالة النحوية Dialogue Coordinate In Two Surats (Al - Kahf And Maryam) A Study In Grammatical Significance

اسم المؤلف: نبا حميد بكيع المسافري
اسم المشرف: علي عبد الفتاح محيي الحاج فرهود الشمري
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
السنة: 2015
مكان الجامعة: بابل
المستخلص: Koran is miraculous, as the highest speech, it cannot keep up with it or get close to it. It is still outrigger for scholars. So, it is the wider field and the sufficient spring from which scholars water their topics in all ages. This study attempts to show the significance of dialogue coordinate in both surats (Al - Kahf) and (Maryam), how the dialogue coordinate has been built in both surats, the arrangement of its linguistic structure (fronting, delaying, repetition, elision, and mention) and the styles on which this coordinate has been built. This study comprises three chapters, in front of them, there is introduction, named (the significance of the dialogue coordinate) deals with the concept of the dialogue in the language and in the convention as well as its figures and styles. The first chapter, (structural styles), presents two sections : the first section ( the request or demand styles) such as : interrogative, imperative, inhibition, prayer, call, please, show, customize), the second section includes the unrequested styles that are not found in both surats except the style of ( Al - Qassam). The second chapter, ( the predicate styles), shows the concept of the predicate, language and convention, the predicate purposes, and its styles : ( the primary predicate, the requested predicate, and the denial predicate).The third chapter, (the dialogue structure), has three sections : The first section deals with the fronting delaying style and significances and intimations that belong to this style. The second section presents the repetition style such as the repetition of some sounds, some words, and sentences. The third section shows the phenomenon of elision and mention , the scientists' opinions about it and what its significances are. Finally, there is the conclusion that includes the most important results arrived at this study, as follows : 1 - The composition styles, as in : interrogative, imperative, inhibition, prayer, call, please, show, customize. They are considered as one of the contents the principal dialogue and they are found highly in the two surats (Al - Kahf) and (Maryam). 2 - Most of the interrogatives that found in the Quran dialogue in both surats (Al - Kahf) and (Maryam) are interrogatives about events that have happened or will happen which refer to something that is movable and renewed and this suited with the verb that refers to the occurrence. 3 - The repetition records the distinctive structural style in the Quran dialogue especially in the surat of (Maryam). 4 - The dialogue coordinate in both surats has more than one significance, some related to the vocal side, and other related to the abstract side.
الصفحات الاولى:

الصورة الحسية في شعر السجون الاندلسي The Sensory Image In The Poetry of The Andalusian Prisons

اسم المؤلف: اسماء بدر محمد العوادي
اسم المشرف: قيس حمزة فالح الخفاجي
الموضوع العام: اللغة العربية وادابها
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
السنة: 2014
مكان الجامعة: بابل
المستخلص: The scope of the Islamic state expanded in Andalusia, and there were many poetry where topics of sync with the breadth of the different forms of life, knowledge and literature in the country, and has the effect of nature and the way of life on the poetic image in that country and the style of building poetic image and appearance among poets emerged, and it was this appearance coincided with the evolution rapid and remarkable style building poem Andalusian and those buildings that formed them.The first search in any poetic phenomenon requires research in general hair objective and initial and direction of research in these poetic phenomenon, and this was the reason for the emergence of a comprehensive monitoring case that prerogative the research, and monitoring that has been directed towards poetry Andalusian general then about the image it is Special, and then more particularly sensual image.The appearance of the sensory image in the poetry of Andalusia was not a new invention of them, but was depending on the style of the whole Arab poetry extensions and building in the world in general, only to find the face of his energies towards monitoring sensory image as represented by the patterns and structures and methods of the appearance and the terms of reference and fantasies, in the poetry of the prisoner Andalusian. It is known that the poet has slender sense, susceptible, toward any experience going through, how if that experience is the prison?!Search imprisoned Andalusian poetry faces two important issues, namely the issue of prison concept and de facto and the nature of life in prison and manifestations of creativity in prison, and the other issue is the image of sensory modalities appearance and levels, and is the biggest issue in the monitoring and the pairing between the prison and the whole consequences process, and the sensory image with all its difficulties on the level of poetry and scope researched for.Revealed the scope of the search through the buildings that have been handled through with search terms, has appeared find divided pave the four chapters and a conclusion, and preceded by the introduction represents the threshold for entry into placed research has dealt with in the boot concept prison in language and terminology plus poets imprisoned in Andalusia and the definition of their names and places of imprisonment, and extended incarceration, and the reason for their imprisonment, and his imprisonment.The first chapter was titled areas sensual image has this title included titles subsidiary, addressed the optical image, image, audio and image taste and image touch and image olfactory and mentioned poetry which was told one of these types of images, has required research division of the visual image on the partial sections : a visual image kinetic visual image of light and optical image color, image and audio on a hostile voice and the voice of a pet, and the image on the touch sensation seeking, pressure and sensation of pain and burning sensation and cold. It has also reminded the senses and the two exchanged noon meeting in poetry imprisoned in Andalusia.And included the second chapter on the terms of reference of the sensory image was able poet imprisoned Andalusian be employed to serve the poetic text Andalusian a religious references (the Koran and the Hadith religious ritual), or references realistic represents the fact that lives by the poet prisoner Andalusian or memories that lived outside the prison, or literary references include verses of poetry before the era of the Andalusian poet which included in his verses cited in prison to give a poetic text, and there is no poet did not come from other poetry which represents has another life. Include (Proverbs), or historical references include the total historical facts which came to us from previous eras, the amount represented by the well - known historical figures and important cities and centers of civilization, or social resources, including social customs and traditions of the names.The third chapter in which we dealt with the other's sensory came on two topics included the first part, the counter persons particular, represents the other anti - Andalusian poet imprisoned Minister Prince and the jailer and prisoner - associated.The second topic studied the continuers who intercedes for relevant includes parents, friend and beloved, resorts Andalusian poet imprisoned them for decreasing what it joins it from the torment and darkness inside the prison or to be intercessors at him from his imprisonment.The fourth chapter includes graphic patterns of sensory image and dealt with image simulations and allegoricalness image to the fact that those picture a source of the poetic image formation.Finally, it is necessary to point out the difficulty I faced in the search, on the process of getting collections of poets imprisoned in Andalusia.If I had a word of thanks and gratitude I extend it to my teacher Dr. Qays Hamzah al - Khafajy, what I found him the world who does not spare his knowledge and when hit by the study and researcher of guidance and ask God to prolong his life, and bless him with health and wellness, and Praise be to Allah, the Lord of the Worlds.
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