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الاستبعاد الاجتماعي وعلاقته بارتباك الدور لدى المراهقين الايتام وغير الايتام == Social Exclusion And Its Relation With Role Confusion Among Adolescents Orphans And Non - Orphans

اسم المؤلف: انيتا دانيل انوية التياري
اسم المشرف: نادية شعبان مصطفى
الموضوع العام: علم النفس
السنة: 2011
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: استهدف البحث الحالي ماياتي : 1) قياس الاستبعاد الاجتماعي لدى الطلبة المراهقين.2) ايجاد الفروق في الاستبعاد الاجتماعي لدى الطلبة المراهقين على وفق المتغيرات الاتية : ا - الجنس ( ذكور، اناث ).‌ب - اليتم (الايتام وغيرالايتام).‌ج - الايتام حسب جنسهم وغ | The current research aimed the following : 1) Measurement of social exclusion among adolescent’s students.2) Find differences in the social exclusion of students of adolescents according to the following variants : a. Sex (male, female).b. Non - orpha
الملخص:
المصادر:

النص في خطاب علي حرب النقدي

اسم المؤلف: هشام يونس جاسم الياسري
اسم المشرف: حسين عبود حميد الهلالي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: / the text in terms of meaning and intention which used to be the text represents an essetial and most important core for modern and post - modem studies and the theories of the new critical scene. It has become a fertile field of knowledge in which critics and linguists indulged. Thus several and different theories and theses emerged, each tackling 'text' in view of its own principles , methodological and epistimological procedures, such as the russian Formalism, Neo - Criticisim, Structuralism, ~ermutics,andTextualism ,etc..These critical theories have produced different and contradictory v1s10ns of 'text' that intersects with the old vision both in its methodological and epistimological field. With the new critical visions, a bouycot has been established between the text and the writer, who used to dominate ultimate concern of critics and scholars. This bouycot eventually led to the announcement of"the writer's death".After this death of the writer, the text began to be associated with the reader, according to the 'Reader Response theory' which inserested itself in the reader and his/her reading and response.The idea of the present research started with my reading of the Lebanese writer Ali Harb's writinigs which, I believe, include an epistimological and methodological approach of the 'text' and its reading that deserves to be chosen for study. When I told my supervisor, I found that he agrees with me in his assessment of the topic's theoretical and epistimological richness embodded in the introduction of of a comprehensive and integrated textual vision enriched by a reading vision that goes along with it in addition torevealing the bases and epistimological principles out of which this vision came and flourished.The philosophical ahievement of post - modernism has become an important source from which this vision took a lot.Furthermore, this vision is an investable and applicable critical approach that can be adopted in text reading.Besides, this topic is a novel one that has not yet been studied before.The first chapter of the thesis falls into three sections. The first one deals with the etmology of the term 'text', covering its linguistic meaning, multiple meanings,and its metaphorical meanings. The second section tackles the concept of 'text' in scholastic circles and its integration into the other intermingled and overlapping concepts and its fluctuation from one specific scholar to another. Section three touches upon the definition of the term, revealing the difficuty faced in this task due to the differences among schools that used the term.Chapter Two deals with the term 'text' in Ali Harb's critical discource.It falls into three sections,too. The first tackles the the theme of textual identity; the structure of the text can be said to have two aspects : the phonological and the reading aspects. The section tries to show the characteristics of both. Section Two studies the text features; it tries to clarify each to open the way to Section Three which is devoted to study the concept of 'text' in Ali Harb's critical discourse.The third chapter studies the types of text and the bases for their differences due to which they are classified into types, showing the features of each text type. ··Chapter Four falls into two sections. The first deals with the critical possiblities for the reader and the possibilty of multi - readings for the same person of the same text. Section Two tacles the the reading of the text showing its nature, requirements, characteristics, and purposes.It, also, tackles the types of readings clarifying the epistimological vision that makes a specific treatment of a text determined by the text type. The chapter concludes with an account of Ali Khattab's reading approach which he uses in his critical endeavours.Lastly, the results of the study are introdused.

اسلوبية اللغة عند نازك الملائكة

اسم المؤلف: جبار اهليل زغير محمد الزيدي المياحي
اسم المشرف: علي ناصر غالب
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: This dissertation is to study stylistic opinions and poetical results of Iraqi wonderful poetess Nazik AL - Mala'ika. The study connects between the old produced and rose to come within the new ones represented by the black - verse that librated the poets from the boundaries of the unique rhythm and two parts of the old verse.The dissertation is divided into an introduction and four chapters. The introduction was just to show preliminary definition of the components of heading of the dissertation and stylistics of the language at Nazik ALMala 'ika.Chapter one concerns with the study of stylistical opinions, entitles "Nazik AL - Mala 'ika and the language of Modern Arabic Poetry", dealing with the deep and surface styles.An indicator of products unique 1 voice, binding with syntactical rule, renewal of language, renovation of utterances, humanity of verb, opposing synonyms in Arabic, refusal foreign utterances in poetry ,objection against Colloquial in poetry. Chapter two deals with linguistic consistency by which the poetess expressed her sadness and pessimism through poetry, like : (Consistency of interrogative, Format of exclamation, format of the appeal and format of repetition) Chapter three names as "Reversed in poetry ofNazik AL - Mala'ika" including sections of deletion, mention, presentation, and delay forming stylistic phenomena ,rising in her poetry like : (deletion of predicate, deletion of subject, mention predicate ,deletion of object , deletion of , preposition, deletion of articles deletion of exclamation instruments ,deletion of distinction.Whereas the sections of presentation and delay were (presenting predicate, presenting subject , presenting object , present clause, presenting adverb, presenting adjective over its noun and presenting the infinitive.).Chapter four studies the linguistic unity at Nazik AL - Mala'ika's poetry among which emerged ; Qur'anic utterances , natural utterances, patterns of irregular plural , patterns of extra verbs, the utter (each) and the verb (return).As for requirements of a stylistic research, the dissertation takes into account the effective factors on Nazik AL - Mala'ika's products particularly the poetic one like : Educational and social living, her influence by other Arab and western poets. I can not help, herein, just to present my great respect and regards to the professors of department of Arabic, in particular, the supervisor professor; Dr. ALI NASIR GHALIB who gave me most of his time, instn1ctions and his great efforts to evaluate this study.

شواعر العصر الجاهلي وعصر صدر الاسلام : دراسة ايقاعية == Pre - Islam And Islamic Period Women Poets (Rhythm Study)

اسم المؤلف: محمد يونس صالح الجريسي
اسم المشرف: ذنون يونس مصطفى الاطرقجي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فان الايقاع يعد عنصرا مهما من عناصر الخلق الشعري، ذلك انه يثري النص صوتيا ودلاليا ويمنحه الترابط والانسجام والجمال والانتظام، ولا يقتصر مفهوم الايقاع الواسع سعة تطورات القصيدة العربية، والمتحول تحولات الذات الشاعرة على عنصري الوزن والقافية فحسب، بل م | The ancient and modern Arabic poetry represents an important of the literary arts which relation and belonging with the rhythm in its general concept - internal or external - , there is doubt that rhythm give the poetic text aesthetically and orderliness work on the effect in the reader, as well as it is regard as expressing about poet psychology in the same time.The pre - Islamic and Islam period poetry seems have a rich rhythm texts in the rhythm levels were the most important reasons to make us tend to the rhythm study in poet women's poetry in that two ages. Then we worked on analyzing the rhythm texts in their texts and examining what contain of the senses, we can touch them by texts contexts, and after saw their poetry in the ancient books (resources) I tried to select the texts which agree with the rhythm study, if there is no any text lacking from rhythm in any form.That the rhythm study in three important matters, I tried to follow them in my study that are : reading, statistic, and description, and we must followed an academy method to make the study in arrangement and classified method, so our study as following : The first chapter, including the external rhythm in the poems and the pieces, then we tried in this chapter to citing in texts which poetize on the most common meters in the women poets production. However, the poems were their relation less from the pieces, we cited in less number of the pieces, as we dealt with the relationship of the pieces with the meters according to the modernists' opinion, as we dealing with the rhyme which have absolute and limit pun and effect of each one in the rhythm and sense.But the second chapter, we dealing in it the internal rhythms which are most common, the repetition technology in its all kinds (the beginning repetition, first hemistich repetition, abbreviation repetition, complying repetition, first hemistich repetition), as we dealt the parallel technology which based on the twofold of sense similarity and paradox, in addition to the structural and conjugate parallel and its effect in rhythm and sense, as we dealt with rhetoric parallel which based on the technologies of the inlaying and the harmony.Finally, we dealt in this chapter with the reciting and dialogue rhythm and their effect on the rhythm and sense in general.Our study had benefit from many previous rhythm and style studies was first ( the modern Arabic poem between the rhythm structure and sense structure) for Dr. Mohammed Saber Obied , and the (poetical language) for Mohammed Kanoni and (style characteristics in Omar Bahaa Al - Din Al - Amiri' poetry) for Abdullah Abdul Khaliq Al - Ghanim.Finally, I don’t have any thing except the pray and thank word for my virtuous teacher Dr. Thunnon Al - Atraqchi and for all teachers in the Arabic language department, calling for Allah that I will never forget their favor, and what was right that from Allah, and what was wrong that from myself.

الادماج في القران الكريم == Integration In The Holy Quran

اسم المؤلف: جاسم الياس احمد الجحيشي
اسم المشرف: هناء محمود شهاب احمد الحمو
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This thesis aims at studying integration in the Glorious quran : A Rhetorical study. It is a very important subject, because it sheds light on an essential part of the styles of the Holy Qu’ran.The study comprises an introduction, two chapters, and a conclusion. The introduction is a theatrical one, for it discusses the rise of the term and the proble of its overlapping with other terms. It also deals with the term linguistically and termindogically.Chapter one handles integration in semantics. It discusses it within the context of many styles.Chpter two, entitled "integration in the scienced of bayan and rhetoric, consists of two sections. They tachle interation in relation to many styles such as hyperbole, emphasis, and so on.The thesis ends up with the conclusion that the most important aspect which is indicated integration is conciseness through which it is possible to integrate two meanings in one structure or a single item without causing any difficulty to the receptor, a matter which reflects the rheforic of the holy Qu’ran its aesthetics.

الرؤية في القصائد العشر == Visibility In The Pre - Islamic Arabic Poetry - Pendants Ten A Model

اسم المؤلف: افراح عبد محمود الصباغ
اسم المشرف: مؤيد محمد صالح اليوزبكي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Poetry was a means to detect the human realities of things 'but detection of objects and symbols, and exposing Astmlae. Poet is best able to call things by their proper names, because it is capable of creation and creativity stemming from the inherent ability of self and maturity of the intellectual and artistic and aesthetic and depth of the horizon of knowledge - Find useful in employment macroscopic and significant or realistic to reveal behind the facts related to the experience of the poet life' and poetry with a vision to confer on the objects and a new reality is possible 'which is different from the reality recognized when people who are rust and obsolescence no longer serve, and to build state of the world new better that they want to go Viosaun thought to the people and their world and their presence which Jmdoh and identified' Understanding to carry out the soles of life and reality Spraguar art and swept up the veil for the truth that lies behind the necessities of life. And poetic vision of linking the visual and the invisible between reality and dream as it revealed the strength and energy to create a virtual tool and knowledge, to enrich reality The bypassing of vision as the border meaning lexical beyond the vision of the seeing and the apparent meaning of things to the awareness and briefing Bhakaigaha to be more inclusive and better able to discovery which can not impaired his vision and take Bhakiqth been overtaken incursion into the depths of things and try Astbtanha the finest exposing and preserved in the feelings and concerns and attitudes through incursion in the depths of the unconscious and The dark depths of truth and thus become Bassurah vision and insight together to and identifies the vision and interfere with them in the meaning by trying to creation of new horizons of thinking is not at the level of topics only But in terms of a holistic view of the world that you are working on a creation that is the task of the vision that binds reality dream and graduated Language Baekr working on the Union form to the content so that is no longer the poet but Seeing which is the same and others in that, Vlgosaidp) Revelation) in the sense that they embody the aesthetic / perfect for the transition poet to express the world to see and how to say it is a vision of the interior. The pendants Arabic poetic form in which the body immortal vision and poetic vision of a strong character because she was the product of human experiences and a broad and multifaceted, embodied the rights and issues raised by both communities and the various ages. The effects of that melted the hearts of the recipients in all forms, government had met a matter of creation and regeneration in the Permanent Technical immortality is a feature unique texts and high - end, which has become an aesthetic structure identifies in detail the vision and keep the vision.

الدرس النحوي بين ابي علي الفارسي والزجاج في اعراب ما بعد سورة (البقرة) من السبع الطوال : دراسة في كتاب الاغفال == Controversial Grammatical Issues Between Ab? Cali Al - Farisi Al - Zadjadj In Al - Sabc Al - Tiwal (The Longest Seven Quranic S?ras) That Follow S?rat Al - Baqarah (The Cow) : A Study In Al - Ighfal (Inadvertence) Book

اسم المؤلف: نذير محمد امين مهندس الجبوري
اسم المشرف: عبد الوهاب محمد علي العدواني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The present study investigates some controversial grammatical issues in the book of Mac?ni al - Quran wa Icrabuh (The Meaning and Parsing of the Glorious Quran) by al - Zadjadj. Disagreeing with al - Zadjadj's orientation, al - Farisee reviewed these issues in his book al - Ighfal (Inadvertence). The study is restricted to al - Sabc al - Tiwal (the Longest Seven Quranic S?ras). The seventh of these s?ras, however, is also a controversial issue. Some scholars deem both S?rat Al - Anfal (the Spoils of War) and Surat At - Taubah (the Repentence) the seventh of these s?ras, while others consider S?rat Yunus ([Prophet] Jonah) as the seventh s?ra. The researcher has, however, adopted both views as they are both well - established; the first entertains Prophet Muhammad's (peace be upon him) companions’ consensus, while the second hinges upon well - established scientific evidence. The grammatical issues reviewed by al - Farisee from al - Zadjadj's book amount to twenty three issues out of thirty two tackling other linguistic, morphological and semantic aspects. To investigate these grammatical issues, the researcher tends at the very beginning to provide a brief summary of al - Zadjadj's views concerning each issue. He then presents al - Farisee's view and tries to either support or refute this view building on the well - established Quranic and grammatical literature. The researcher has tried to provide a comprehensive grammatical investigation of these issues and use as simple and direct language as possible. There bound, however, to be some pitfalls and shortcomings - as in any humane work - for these the researcher takes full responsibility.

لفظ الرحمة في القران الكريم : دراسة دلالية == Al - Rahma Term In The Holy Quran Sense Studying

اسم المؤلف: محمد شكر محمود
اسم المشرف: هدى طاهر محمد
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: جاء البحث امتدادا للدراسات القرانية متناولا لفظا، مادامت النفوس تستشعره وتصبو اليه الارواح بدراسته، الا وهو (لفظ الرحمة في القران الكريم - دراسة دلالية) وتكمن اهميته في كونه يظهر تناسق الالفاظ وانسجامها في النظم القراني، فهي تشترك جميعها في بيان دلالة | The research comes continuing for the Quranic studies which dealing with term as long as the spirits feeling it and the souls look at it in studying it (Al - Rahma term in the Holy Quran - meaning study), its importance found in it is appear the terms harmony and according in the Quranic regulation which all participate in explaining the term sense which depended on in the research studying.Which make the reader more understanding and thinking with the terms essence , the terms in its stated in vary context and different compounds tell in each time about sense derive from that, it is miracle in its arrangement and essence.Following the linguistic matter of Al - Rahma in the Holy Quran, and after count it I found it occupy 562 position. The stylistic study required that the research structure be divided into two chapters preceding by the preliminary chapter and following by conclusion quoted from the research lights. Showing its marvel in variation of the senses for the one term with beauty of harmony and according of the terms as a collar crowned that harmony in participate all in giving the term sense. I talking in the preliminary about (Al - Rahma in the linguist and legal concept) followed that study by the first chapter studying in it (Al - Rahma in the Quranic using and its relationship with the holy tow terms (Al - rahman and Al - Raheem), dividing it into two themes, the first one, (Al - Rahma in the Quranic using) consist of three axe's : the first one titled ( number of the forms which build on them the matter of RAHMA), and the second one (the apparent cases which the Al - Rahma term mentioned in it), and the third one (Al - Rahma terms' senses in the books of faces and the counterparts).The second theme was titled (Al - Rahma and its relationship with the two holy terms Al - Rahman and Al - Raheem) consist of five axis's, the first one titled (Al - Rahman and Al - Raheem are descriptions not adjectives), the second one , the tow forms of Al - Rahman and Al - Raheem, and their senses and the relationship of Al - Rahman with (Ruhm) and Al - Raheem with (Marhama), and followed by explaining scheme for explain that, and the third one (AL sense in the AL - Rahman and Al - Raheem terms), and the fourth axis ( the sense of cutting and increasing in Al - Rahman and Al - Raheem terms), and the fifth one (Pairing sense between the two holy names Al - Rahman and Al - Raheem), the chapter followed by schemes explaining what we mentioned before, we limit by put name of the chapter (Aya)and the number of the verse (Sura) , dividing it into two themes, the first one is (senses of the mercy of Al - Rahman Al - Raheem) contains 30 senses, and the second theme titled (Al - Rahma sense among the creatures) contains one sense that is the fineness.And the analysis for the Quranic verses shows within the second chapter in the two themes according to the forms which term of Al - Rahma mentioned by it in the one sense, preceding the infinitive form on others , because of the infinitive form is the dominant, taking from the explanation , syntax, conjugate, and the eloquence books.The very important results are : The linguistic and legal concept tell that Al - Rahma has two meanings are compassion and sympathy, and the relationship among Al - Rahma, Al - Rahman and Al - Raheem prove that Al - Rahma in the Holy Quran has two meanings are compassion and the sympathy according to sense both Al - Rahaman and Al - Raheem, and the sense of pairing the holy two terms that its mercy are self actual, comprehensive full, multiplying absolute, non restricted mercy.And the dividing senses of AlRahma recommended within one chapter that Al - Rahma even had two meanings, it is has one origin and make it in two themes confirming to the Al - Ragheb Al - Asfhani speech that Allah focus in the people natures the fineness and He marked by charity.Confirming that and documented it by saying of Allah ((My Mercy broaden everything)) Al - A"Raf chapter / 156. And what came in Albukhary Book in the Messenger Hadith (Allah make the mercy in one hundred parts, catch 99 parts and landing one , from it the creatures be merciful by each other even the mare left its hoof on its child fear of hurt it.Through analyzing for holy verses showed that prefer some senses on others through the Quranic context (charity. Allah order, piety, reward, patience, good, compassion, preservation, rain, perfection, forgiveness, cordiality, ……).Finally, this thesis regards a continuing participation in the knowing of sense of a term in the Quranic context.

ايات السبيل في القران الكريم : دراسة تحليلية == The Verses Of Al Sabeel 'Way' In The Holy Quran : - A Analytic Study

اسم المؤلف: طه محمود احمد العلي
اسم المشرف: زاهدة عبد الله محمد العبيدي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This thesis entitled (the verses of al sabeel 'way' in the holy Quran : a analytic study) was in the first place a title preposed by the super visor , Dr. Zahida Abdullah Muhammad. Then this title became an idea and finally it turhed into an MA research. It tackles the verses of the Holy Quran where the word of Al sabeel (way) were mentioned (167) times.The choice of this topic is due to the importance of the Holy Quoran as asuorce of. All Quoran and linguistic studies for its well coined texts and the accurate choice of words and their uses in the suitable contexts. It is known that the Holy Quoran in its preposition , words , sentences and verses has been massively studied by researchers , there fore ; We preferred to focus in this research on a specific word mentioned in different contexts where the research material was distributed. The research includes a prelude where the word of Al sabeel (way) was defined linguistically and idiomatically and the difference between the word of Al sabeel and the word of Al tareeq (road) and Ah sirrat (straight way) was also mentioned and two chapyres. The first chapter entitled (Al sabeel (way) in the context of verses of the Jihad (the holy war) consist of there parts. part one tackle verses of Al sabeel within the context of the physical Jihad which treats three issues. The first issue focuses on the verses of Al sabeel within the context of the verses of Al Jihad. The second one tackles verses of Al sabeel within the context of the verses of Al Hijra (immigration). While , the third issue discusses the verses of Al sabeel within the context of the verses of fighting in association with the Hijra (immigration) part two is about the verses of Al sabeel (way) within the context of the financial Jihad while which contains two issues. The first is about the general spending. While the second one is about the verses of Al sabeel within the context of the private spending. This chapter ends in part three which discusses the verses of Al sabeel within the context of the physical Jihad in association with the financial Jihad. chapter two is entitled (Al sabeel) within the context of verses of guidance and misleading.It consists of three parts. part one tackles Al sabeel within the context of the verses of guidance. It focuses on two issues. The first issue discusses Al sabeel in the context of the verses of the materialistic guidance. While , the second issue is concerned with Al sabeel within the context of the verses of religious guidance. This issue consists of two items. The first item tackles Al sabeel within the context of the verses concerning the special religious guidance and the second item treats Al sabeel within the context of the verses of the general guidance. As for the second part , Al sabeel is discussed within the verses of the misleading. It includes two issues. The first issue tackles Al sabeel within the context of the verses concerning the misleading and the misleaders. The second issue is about Al sabeel within the context of the verses related to the punishment for misleading while the third part treats Al sabeel within the context of the verses of rejection It comprises three issues. The first is concerned with Al sabeel within the context of the verses of the disbelievers' and the hypocrites' rejection. The second issue is about Al sabeel within the context of the verses of the devils' rejection. In the third issue , Al sabeel is tackled within the context of the verses regarding the people of the verses rejection. At the end of chapter two , three is an appendix including verses mentioned together with those of chapter one. In fact , chapter one is closer to these verses therefore they are attached to it. These verses are concerned with the Islamic laws and rules which if followed, we would be then on the way of guidance ; Otherwise we would be on the way of misleading. The sources used in this research are new and old. They include interpretation books , language books and dictionaries. I would like to express my deepest gratitude and thanks to all friends of mine and the library staff who helped in this research. The findings of this research shows the following : - Most of what is said about Al sabeel (way) cam as religious not materialistic. - The word Al sabeel (way) is used in the Holy Quran to show the religious matters in materialistic way like religion , guidance and misleading. - Al sabeel (way) is mentioned as singular , plural and added , when it is singular , it refers to good and guidance. When it is plural , it refers to misleading and when it is added , it is meant to honour and glorify the word of Al sabeel. When it is added to people , it is meant to honour and glorify them. - To praise Al sabeel (way) is meant to praise its user and to censure Al tareeq (road) means to censure its user. - The word Al sabeel (way) is used more than both the of Al sirrat (the straight way) and Al tareeq (road) due to its easy letters and its form

الطيف في شعر البحتري == Phantom In Al - Bohtri's Poetry

اسم المؤلف: ياسر محمود حسن عواد الحديدي
اسم المشرف: نوار عبد النافع الدباغ
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: This Phantom covered a wide aspect of the Abbasi's poetry in general and Al - Bohtri's poetry in Particular. Al - Bohtri's phantom is restricted in the introductions of his Praises which draws attention to the fact that it is not concerned with a real woman but it was a symbol for what is beautiful and lovable to the poet himself.The facts that contributed to the use of phantom , Social and psychological ones. The poet suffered a lot when he was a way from the Caliph and the minister who loved them and had real friendship and admiration relation ships with them. The happy and nice time , had spent with them , made his life bored and not pleasant when the two characters got killed. These two characters were the central pillar in the phantom of Al - Bohtri's Poetry. The poet was Calliy for thers his old happy and nice days in the Abbasi Calphate Palace. Also , their phantoms were Called whenever he wanted to praise a Caliph or a stateman. The faculty of his poetic imagination helped his link vision with reality and real world with dream. The poet goes back to his memory to get the power from the old happy days. when hard times stand against the poet. He faces the painful present time with the old times.

المصطلح البلاغي في كتاب الكليات للكفوي (1094 هـ) == Rhetorical Term In Al - Kulliyat Book For Al - Kafawi (1094 A.H.)

اسم المؤلف: لمياء حسين حسن حميد الهاشمي
اسم المشرف: محمد سالم سعد الله الشيخ علي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: The terms, being practical and epistemological keys in any area of study, have become an effective tool that helps researchers in a certain discipline to understand them and to trace their true sense. The work on terms has busied a number of scholars in various areas. They exerted great efforts in the cause of illuminating concepts, and defining senses. They compiled dictionaries and encyclopedias which encompassed these terms. One of these books is Abi Al - Baqa Ul - Kafawi's (1094 A.H.) entitled Al - Kulliyat, a dictionary of linguistic differences, which contains a great number of terms that entered different scientific fields. We opted for studying this book for its highlighting of the rhetoric terms. The present thesis comprises four chapters. Chapter One studies the rhetorical term, which had undergone no changes. Chapter Two deals with the overlapping terms. The overlapping terms are those rhetorical terms that were presented by Al - Kafawi as overlapping with such disciplines as grammar, jurisprudence, logic, etc. Chapter Three is devoted to the rhetorical terms that were presented in a rather abridged manner to which we gave the label “condensed rhetorical term”. Chapter Four is dedicated to the rhetorical terms treated by Al - Kafawi away from their rhetorical arena. They were dealt with within grammatical, logical or fundamental frames - or other frames. The findings of the present study are : 1. Al - Kafawi depended on very subtle senses to show the differences among terms.2. Al - Kafawi has deviated from rhetoricians in his coning of some terms especially the term “ tandheem”.3. The obscurity of some terms of Al - Kafawi stems from his adoption of some rhetoricians’ limitations before having matured.4. Al - Kafawi has sometimes cited some concepts in an inaccurate way such as the term “altajnees”5. Al - Kafawi's style was coloured by a philosophical and logical colure, which became one of his distinctive features

حذف المرفوع من الاسماء في الحديث الشريف : دراسة في كتب اعرابه من العكبري الى السيوطي == Omission Of Raised Nouns In Prophet's Says Study Of The Books Of Its Syntax From Al - Uqburi To Al - Syuti

اسم المؤلف: وليد خضر عمر الحماوي
اسم المشرف: عبد الوهاب محمد علي العدواني
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

قصيدة الحياة اليومية في شعر عدنان الصائغ == Every - Day Life Poem In Adnan Al - Sa'Igh Poetry

اسم المؤلف: احمد محمد علي حمو الطائي
اسم المشرف: احمد جار الله ياسين
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: حظيت الحياة بتفاصيلها اليومية باهتمام في الشعر الحديث، اقتناعا من الشعراء بما تحمله الحياة من مناطق شعرية غنية مضمرة في اعماقها قادرة على منافسة هيمنة الموضوعات التقليدية، عبر المراهنة على جاذبية اليومي البسيط في خلق الشعرية الحديثة، وذلك ياتي استجابة | Life with its minor details captures the attention of modern poetry. It is, as modern poets think, so rich with inherent poetic fields that it can get rid of the grip of traditional themes. Modern poets stress the ability of the simple daily life attraction to dominate modern poetry. They develop this conviction to follow the up - to - date progress and express the concerns of wide walks of life used to be neglected by traditional poetry. The study consists of an introduction and four chapters. The introduction deals with the concept of daily life poem linguistically and idiomatically. It discusses as well the numerous terms used to refer to this concept. It presents a critical historical overview discussing some modern and traditional poems in the light of Arabic and western critical views.The first chapter of the study tackles the patterns of daily life poem structuring. It falls into two sections. The first studies the simple patterns (represented in stanzas, imagery poems and thoughts). The second, however, deals with compound patterns (i.e. narrative structures and dramatic structures). The second chapter studies the techniques of daily life poem. It is also of two sections. The first is concerned with the linguistic techniques of daily life poem. It is tackled at three levels : the dictionary of daily life poetry, unusual collocations and prose performance. The second, however, is concerned with imagery techniques. It concentrates on the techniques of intertextuality, informativity and production.The third chapter is dedicated, however, in its two sections to the themes of daily life poem. The first tackles individualistic themes like woman, family and fear; while the second studies social themes like war, daily affairs and class conflict.Finally, the fourth chapter is concerned with the musical structure of daily life poem. It studies in its first section the cadence of rhymed poem and some of the prominent rhyming features like rhythmic shift, rounding, and rhyming. The second section is concerned, however, with the rhythm of blank verse. It tries to highlight some rhythmic feature through studying the phenomena of repetition, parallelism and sight rhythm. The study ends up with a list of the most important conclusions it comes up with.

سورة هود : دراسة في مستويات البناء == Surat Houd A Study In Syntax Levels

اسم المؤلف: منى زيدان ذياب صالح المشهداني
اسم المشرف: عبد الله محمود طه المولى
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: ان الدراسات التي تناولت القران الكريم كثيرة ولا تحصى، لكونه نصا فريدا، وبناؤه محكم متلاحم الاجزاء واسلوبه معجز، مثل بناؤه جانبا مهما من جوانب اعجازه، سواء اكان باستعمال اللغة وتوظيفها توظيفا يبهر فحول البلاغة، ام بقصصه التي ضمت بنيات متنوعة جاءت بكل | Studies that dealt with the Holy Quran are much and countless, for It is a unique text, coherently constructed and with miraculous style. Since It has represented an important side of its inimitability, either through using the language and employing it to daze the eloquence laureates, or with its stories which contained different constructions with wonderful things which remained forever by the Holy Quran, so that to be as a lesson or an example. I were deeply interested in studying a subject deals with the Holy Quran and relates to one of Its secrets, so I chose (Surat Houd - A study in Syntax Levels), and I have realized from the beginning the importance of this subject, and the accuracy in determining the remarkable criterion, which have formed a distinguished stylistic remark in the text of sura. Another reason made me to keep searching, is that the term construction represents the most distinguished features of the Holy Quran, and it is one of the terms that got a wide dispute in the critical and literary studies which have dealt with the Quranic text with studying and analysis. After I have finished selecting this subject, I decided to analyze the Quranic verses, that represented practical examples of the stylistic criterion related to the research's subject, depending mainly on the critical curricula, and guiding by the rhetorical analysis. It is worthy mentioning to refer to the most important books which I have used in my research practically and theoretically : The Holy Quran Interpretations, the old and modern Arabic dictionaries, as well as the rhetorical and stylistic books, especially the poetic stylistic books - a reading in Mahmood Hassan Ismaeel's poetry, Dr. Ashtar Dawood Mohammad. Also I have to refer to the most important Quranic academic studies which preceded me in this regard and which I have made use of them in my research : * Surat Al - kahif - A stylistic study - Master thesis, Wasan Abdul Ghani * Speech levels in the Quranic story - Ph.D. thesis - Faiza Mohammad. Regarding the most important problems I have faced in this research, most of them are related to the dispute about the construction term, as well as, the difficulty in getting the modern sources in the modern Quranic studies, especially the ones which have dealt with time in the Holy Quran, where they are little and rare, where the researcher has spent more effort to get them.After relying on Allah, and completing the general form of the subject, I have found the necessity of settling a suitable plan for the applied procedure in this study, so I have chosen the following plan : The research consists of an introduction, a preface, four chapters, a conclusion, an index of resources and contents, and an abstract in English language. The preface has been divided into two axes, the first one deals with Surat Houd, where I have explained its revealing order, numbers of verses, aim and reasons of revelation. The second axis deals with the concept of construction in the Holy Quran due to the ancients and modernists. The first chapter has dealt with studying the phonetic level, it has been divided into three parts : * The first part deals with comas harmony and its effect on the phonetic construction.* The second part deals with the phonetic equivalence.* The third part deals with the phonetic assemblies. The second chapter has dealt with the dictionary level, it has been divided into two parts : * The first part deals with studying the dictionary function of the title's construction.* The second part deals with studying the dictionary function of the great figures constructions. The third chapter has dealt with time sign of the structural constructions, it has been divided into two axes : * Verbs constructions.* Negative and interrogative constructions The fourth chapter has dealt with the semantic level, it has been divided into two parts : * The first part deals with the semantic similarity order.* The second part deals with the semantic adjacent order. At the end of this trip, the researcher thanks the Prof. Dr. (Abdullah Mahmood Al - Moula) who have the honor to supervise this thesis, where he has taken the responsibility of this long trip with his guidance and advice. My thanks are also go to my teaching staff in Department of Arabic Language / College of Arts, and for everyone who guided me and helped me in this research, may Allah accepts from me, thank for Him at the beginning and at the end.

البنية المصدرية في نهج البلاغة : دراسة في دلالة البنية الصرفية

اسم المؤلف: وسام جمعة لفتة المالكي
اسم المشرف: سليمة جبار غانم
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This research studies the structures of qerund whih area part of linquistic Morphological studies and their practicality in Nahjul Balaqhah of Imam Ali ( p. b. U. h). The research has three sections. The first is entitled "structures Without affixes. This section is divided in to three parts.It depend on the phonetic classification.The second section of the thesis is entitled "Structures with affixes ".It has six parts. The third Section is entitled "Tri - structure with addition and the quarto "The research Was attached with a Conclnsion explain1ing the most important results of the study. Italso attached With Statistic tables for each structure

تحول الخطاب الروائي في العراق : دراسة في الشكل == Change ( Shift, Turn Alteration ) Of The Novel Speech In Iraq (Study Of Morphology )

اسم المؤلف: مشتاق سالم عبد الرزاق
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Thanksfullness of God of all God 's Pray on the prophet Mohammed the last sender and prophet of God. As well as his family members and his colleague. All human studies surrounded by the human mind and thinking and its descended which give different sort of vision of all fields of science and knowledge of humanity especially the literary side of it. This form and shape the creativity and criticism of mankind. which was and still has the completion stickled and connected to it from the time of until the Hanz Robert saying through which the researcher built this thesis.The Hnze Robert saying describes the relationship between production and recipient as the legend ( enemy brothers) and he has gone further to see the descendant of the legend from the beginning of Marks and finishing with italo Calvino the author of the well - known Novel ( If I was Travelling through a rainy Night ) which Hanz benefit from going through the Novel a lot to explain and declare ) a lot of his thoughts and ideas about the production and the receiving. And from his going through the whole of this Novel and their heroes and stars ( flanrry ) he was able to see the close relationship between time of writing and time of reading without worry of emptiness.The search in the scope of the Novel was compressive as comprehensive of literature that can contain all subjects as the psycharistics Doctor Fruid when he practice his theory on the novels of Dystoviscky and other novels. Many studies appeared later shared to in rich this field of knowledge such as Romantics studies and classical studies and many other studies showing pioneer attempts to discover the nature and essence of the world and followed by many literals ( verbal ) schools according to suggestions of the critics Pectin and Tudororoff as well as the formality schools which they take it as the starting point of their mythology. many other subjects in rich this world upon his fullness of human crisis and human cognitive.This did not stop at this point of those intellectual thinkers and critical but expanded to contain more cognitive and phenomenon as the occupancy echo phenomenon in the novel field of which was suggested by Julia Christina in the literature field or the ideas suggested by Foco which he publicized and employed by other critics and learners of Noval on cognitive basics evaluated for the human mind and his ability to understand those basics.We choose the formality phenomenon as away to study which has the ability upon other phenominons as the linguistic phenomenon or the litriture phenomenon upon studying in which The research depend upon unformal way as in Novel setting up by LizaKasim and Novel formality setting up by Hassan Bahrawee and The noval text lay down by hamid Al - Hamdany and the Arabic Noval art (technical ) setting up in Iraq by Shujaa Muslim Al - Any and many others that in rich this side of the branch of those studies.The first chapter This research depend on the way to connect between all approaches and phenomenon and ideologies to enable the critical mind to penetrate these formal ideology to employ these theories and ideologies on bases thinking according to the principle of those theories and help showing these theories in new look which is great different from its classical look. In another word, the research will study the formal content of in each stage of the critical phenomenon stages as vertical study and tosee how these ideology work in which will make it clear to see the difference from the speech in the two big stages; the recentness speech and the after recentness speech , as well as showing the speech befote recentness ( actual speech ) which look to the novel speech as real and horizontally. that is the speech will look to a community or group of community The second

شعرية النثر العباسي

اسم المؤلف: هالة فتحي كاظم السعد
اسم المشرف: مزهر عبد موزان السوداني | فهد محسن فرحان
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

نظرية النحو العربي ومناهج الدرس اللغوي الحديث

اسم المؤلف: عبد علي صبيح خلف
اسم المشرف: سامي علي جبار المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Language is the tool for expressing and understanding in the societies. By the language, we can express about our needs and our desires and can show others our feelings and our senses. Language is the basic element in society and we can consider it as the active tool for developing and growing the society.At any period of the time, the language is the clear mirror of society which reflects the life of this society. The 20th century had the distinguished action on in linguistic and structural fields, and it considers on these studies to produce the different methods. The grammarians' studies took two different attitudes in the grammar field, include : The traditional attitude and the modern one ( deals with grammar in English methods).It is clear, the researchers had the different situations towards this matter. A number of them depended on ancient inherited and neglected one. And another party of them saw that the Arabic grammar should have modern view.We should mention that the material of research in located on the reported descriptive system for the linguistic phenomena.This thesis includes four chapters and conclusion.Chapter one, includes the establishing and completing period, reasons for establishment of grammar, its history and its developments and grammatical schools.Chapter two deals with the linguistic methods and their impact in building the Arabic grammar (comparative historical methods)These methods show the ways in Arabic grammatical studies and clarify the development of the studies which consider on its base, then offers the same answers for solving the problems which relate with parsing, sentence and its references with times, the descriptive methods and its position from the problems and components.This chapter show many sides of Chomsky's theory, its stages and the transformational rules which used for transforming the sentences, also it deals with function according to Prague school and functional attitudes which have offered by Firth.The third chapter offers the restrictions in grammar : parts of speech which presented the dispute point among the classical and modern grammarians.The fourth chapter deals with sides of Arabic application attempts which aim to describe the Arabic grammar on transformational grammar rules.The conclusion includes the important results for the research

البحث الدلالي في تفسير التحرير والتنوير لابن عاشور ت 1393هـ

اسم المؤلف: حامد عبد الرضا جبار الشويلي
اسم المشرف: تراث حاكم مالك الزيادي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: القادسية
الصفحات الاولى:

انما في القران الكريم : دراسة نحوية دلالية == Innama In The Holly Qur'an; A Grammatical And Semantic Study

اسم المؤلف: محسن صالح قادر
اسم المشرف: عادل شحاذة علي الخزرجي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة - النحو
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Praise be to Allah, Lord of the Worlds, and prayers and peace be upon Prophet Mohammad, and on his family and his companions, prayers and permanent peace to the Day of Judgment.Then : The Quranic studies are regarded as an important tributary to enrich the library of Arabic language as covering all areas of the language in sounds, morphology, grammar, semantics and rhetoric or style. The aim of all of them is to show the issue of Quranic miracle and confirm it, and indicate the firm precision which is the characteristic of the God's speech, and try to understand the purposes and provisions contained therein accurately and clearly.In this research, one of the articles of the Arabic language is dealt with in the Book of Allah which is (Innama). The thesis title is («Innama» in the holly Qur'an; a Grammatical and Semantic study).The reasons that made me choose this subject go back to my desire to study a topic related to the Qur'an.The nature of the study requires dividing it into three chapters followed by the abstract of the study.Chapter one deals with the study of the articles in language and the position of (Inna) in them. It also deals with the term and concept of the article in terms of simplicity and structure and its impact on the sentence. Meanwhile, Chapter two covers the possibilities of (ma - what) in (innama) with a practical study to these possibilities in the Qur’an.Chapter three deals with the usages of (innama) and its benefits with a practical study of these usages in the Qur’an.The study ends with a conclusion summarizing the findings of this moderate study. The most important of these findings are : 1. What is settled in our minds is that the term (article) is a Kofi term. It was not known before being used by Kofis as an issue that needs revision, since its use was not confined to them. Also, we find that the Basrians used it before them, but the fact that they expanded its use does not mean that the term is special to them.2. The grammarians are different in dealing with (Innama) in terms of its formation and some of them see it as a simple letter not compound, while the majority of the grammarians, linguists, interpreters and fundamentalists believe that (Innama) is compound and formed of (Inna - indeed) that looks like verb and (Ma - what) which is used as having the meaning of the whole or arranger in the view of some of them and (Ma - what) negates the function of (Inna - indeed). So, the noun that comes after it is nominated and makes it intervene with what was not intervened with it and is a verbal sentence.3. (Innama) is not mention in the books of language, meaning and distinctive articles only rarely. It is strange that when they divide the articles according to their construction, they do not mention (Innama) among the words consisting of five consonants, but when they turn to another division according to working and neglect, simple and compound, or special to noun and verb or both we see that they mention them.4. The attached (Ma - what) to (Inna - indeed) carries more than one face in the Holy Qur’an. It might be (all) which is one of its most potential possibilities. Then, it is often useful for limitation as it also occurs in the Holy Qur’an and carries (connective, infinitive and descriptive) even if its occurrence is few.5. The usages of (Innama) for the benefit of limitation in the Qur’an is much more and wider in its usages in the other fields. Perhaps, this is the reason that made the grammarians, explainers and rhetoricians failed in dealing with (Innama) in limitation, as an article that is only used in limitation and its other usages are not mentioned except a few of them. Also, it does not occur except in a few verses of the holy Qur’an which is used for brevity, exaggeration in emphasis, insulting and reduction, returning something to its reality, exposure, and explanation.These were the most prominent conclusions of the study I presented after two years of work. I think I have done a great effort to master my work. I thank everyone who helped me in my career. I ask God to reward them the best reward.I ask God acceptance, guidance and wisdom. He is the Hearing and the respondent.

تداخل الانواع الادبية والفنية في شعر الجيل التسعيني العراقي == Overlap Of Literary And Art Genres In The Verse Of 1990s Generation Of Iraqi Poets

اسم المؤلف: كريم عجيل صاحي الهاشمي
اسم المشرف: طالب عويد نايف الشمري
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: لا يخفى على المختصين بالادب والنقد ان النص المتداخل يمثل وحدة نصية تتسم بالاشكالية الادبية والفنية معا، الامر الذي يؤسس مطلبا لكشفها ورصدها في النصوص الابداعية من هذا النوع، التي تعد مجالا رحبا للدراسة والبحث، لما ينطوي عليه من كثافة لغوية تعبر عن خفاي | The 1990s Iraqi poets generation isconsidered as one of the important generations of Iraqi poets in the field of culture and literary criticism due to the fact that its poets have acquainted themselves with the achievement of the former generations and attempted to comprehend it within adeep artistic vision in order to establish a trend guided by awareness of these visions and broad enough to embrace their different orientations and aspirations on the level of vision and art. This achievement was flexible thanks to its transformational structuralism from the lyrical poetic patterns to the dramatic narrative ones that came as a response to the requirements of denotation through anew formulation springing from the creativity co - occurring with the multiple literary genres. Overlap means that a single genre enters into various interrelations rendering it acceptable by the receiver through utilizing its formative elements and using them as new elements and tools of this new generated art (poetry) in order to create the aesthetic pleasure and to bring verse into the domain of the open text that can embrace fine arts.The verse 1990s generation of Iraqi poets overlapped via a series of stylistic and artistic techniques that consist with the textual content of their poetic texts due to the structural peculiarity of the course of poetic structure in spite of the confusion and looseness inflicted by modernism approaches that seek to remove boundaries separating literary genres, even though they did not cancel the delicate internal characteristics between them. So the approaches mentioned remain in bad need of them and their existence is necessary to identify the amount of displacement that ensues or the new deviation in their generalities that tend by their overlap to formulate and merge with other genres through the flexibility that the 1990s poem providesThe overlap between the poetic and the narrative has become clear. The dissertation came across many details that indicate the kind of this overlap, its methods and styles and these were studied according to the predominant ones of which. It has also become clear that the poem of the 1990s Iraqi generation of poets is a flexible one in terms of its theme and style and embraces the fields of modernism and consequently embraces the ideas and visions of their composers in the midst of hard circumstances surrounding their lives yet the broadness of vision entertained by this generation poets made them overtake the epic without isolating themselves from its painful details.These mechanisms that cope with verse came to be one of its aesthetic foundations that distinguish it and made it a text open to overlap with the other genres in their interaction and communication with each other let alone their consistency with the allegorical poetic discourse structures which represent a concomitant feature of the verse genre. The narrative techniques have become predominant in the text components, for verse represents a pure creative field but it infiltrates to all other fields able to put up with its effectiveness in infiltration and its ability to create a montage that renders the poetic production of images and others consistent with its delicate details through different axes as illustrated in the textual corpora.The 1990s text entails that time is not fixed because it represents a frame of the text and is involved in the crux of the textual structure and its organization.Reading the poetic achievement of the 1990s Iraqi generation of poets, we may conclude the presence of a great interactive recognition in the patterns of setting structure formulation and its prominent presence in their poetic texts on both the single structure and the total structure of H - setting a matter which shrouded their texts with aesthetic and technical features that the receiver can feel in their verse, for its well - known that man by nature deeply related with place. Undoubtedly, the poet, therefore pays special attention to it and his relationship with the place is exceptional and his recognition of its effect is tremendous and this results in a peculiar relation between the poet and the place with an interactive dynamism that generates different meanings. The poets of this generation made use of the interpretive level and its broad scope to embody the theme of event in a concomitant way that combines both the real and the imagined. It may also show the dynamism of the event and highlight it by the role that the characters play in the narrative poetic text and their unity in a relationship that reveals the nature of the event and its type when it relies on different religious and folkloric references.It has also become clear that the 1990s generation of Iraqi poets wanted to introduce a poetic achievement far from adherence to boundaries that separate it from the other artistic and literary genres, their achievement, therefore, was rich with overlap with these arts in a way that opens a large scope of stylistic and technical exchange a matter which characterized it with the feature of interaction through the employment of contextual structure techniques and textual structure styles. It is obvious that the poet was deeply concerned with the overlap between cinema and poetry and it is easy to conclude that the 1990s verse in Iraqi overlapped with cinema art and the fields of imagery that it employs follows the rules and techniques of this art to the extent that its well - known procedural tools allow both on the level of acting and direction. Cinema was one of the most important arts that overlapped with verse and through this overlap, it enables the poet to express his views and ideas in accordance with the features that characterize cinema. It is clear for all those concerned with cinema now important are the audio and the visual effects in the production of the cinematic picture, for these effects play an auxiliary role in the completion of the picture and making it easy to comprehend on the part of the receiver in order to emulate the real life that the cinema clips is tackling.It was revealed that this overlap was based in accordance with apattern of diverse and multiple structure in which poets resort once to following a traditional system of cinematic art and portraying things as they are in real life, and another follows the new trend of this art and avoid the exact imitation of real life in the pictured narrative material. It is not hard, anymore for the literary text receiver to observe that literary arts of various types are overlapping to the extent that it's now possible that they meet and introduce a single creative discourse for they all seek to perform an aesthetic effect on receives via expressive diversification and indication that crystalize the vision of its producer. Literature attempted to make use of painting effects through the diversification that overlap between verse and other arts permits and tried to paint with words. The employment of painting in 1990s verse was not confined to sketching the picture and embodying its dimensions via words alone but the increase in this employment in most their poetic texts so it overtook it in a manner that make it a participant in the acts of characters when they imitate a certain scene

اوجه الصراع في شعر الصعاليك والفتاك الى نهاية العصر الاموي == Aspects of Conflict in Al - Sa'Alik's Poetry Till The End of The Umayad Age

اسم المؤلف: رؤى جاسم محمد محمود الحديثي
اسم المشرف: علي حسن جاسم الجنابي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:
المستخلص: Poetry was one of the most important arts of the Arabs because they employed it in all the fields of their life since ancient times till the present. It was their record; full of the tales of their lives, their joys and sadness, their victories and defeats and their habits, conventions and morals … etc. till it became their sacred which kept all the aspects of their life. Conflict was one of the aspects of their Life which characterized their poems‚ especially AL - Sa'alik's (vagabonds') poems where conflict was the dominant feature in their poetry. It attracts the attention of the reader to the extent of this conflict which pervades every aspect of their life.The thesis is divided into an introduction and two chapters. The Introduction tries to explain the meaning of "conflict" linguistically and idiomatically and its types as well as the meaning of sa'laka (vagabondage) linguistically and idiomatically. The chapter, then, tries to explore the reasons of vagabondage and the factors behind its appearance in the lives of al - Sa'alik. These reasons are economic, geographical and psychological as well as some other factors which participated in some way or another in the emergence of these phenomena.Chapter One is devoted to the conflict for survival and it is divided into two sections. The first section is entitled "The Conflict with Natural Forces" and it includes the conflict with the still and the mobile forces‚ the conflict with the unknown (death, aging, time and poverty). The second deals with the conflict with the other individual such as (the threatening killer, the miser, the vagabond and woman) and the conflict with the collective "other" such as (the poet's tribe and the other tribes).Chapter Two is devoted to the study of the self as the focus of the conflict and is divided into two sections. The first one "The Internal Conflict" tackles the conflict within the self, the self - conflict with alienation and the conflict with prison. The second deals with the self's conflict with thoughts and beliefs and is subdivided into sub - sections : the conflict with kings and walis, conflict with jinn and monsters and the conflict with other things such as religion, myth and beliefs. The last part of the thesis is the Conclusion which sums up the findings of the study which can be summed up as follows : the Sa'alik's conflict was diverse and severe which pervaded their psychological, social and political lives and it included even the conflict with natural environment. This had an evident impact on their selves till they were abandoned and neglected by their tribes and by the others and this increased the tension and the internal conflict within their selves which was reflected on their personalities and their way of dealing with every thing round them till their lives became continuous conflict.

التوجيه النحوي للقراءات العشر في كتاب المستنير لابن سوار البغدادي المتوفى سنة 496هـ

اسم المؤلف: رنا ماجد حميد
اسم المشرف: محمد سامي احمد
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

اثر سيبويه في كتب معاني القران

اسم المؤلف: ابراهيم احمد عميري علي اللهيبي
اسم المشرف: شهاب احمد ابراهيم
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: صلاح الدين
الصفحات الاولى:

الزمان والمكان في روايات نجيب الكيلاني == The Time And Space In The Novels of Najeeb Algailani

اسم المؤلف: وجدان يعكوب محمود
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2011
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The novel is a type of literature, characterized by strong relationship between its constituent elements, both the time and space which they are an elements of the novel can not be separated from each other. We can not imagine a time without a space or a
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