البحث — المستودع الرقمي العراقي

نتائج البحث: 7 من أصل 7

الخطاب الجمالي في تلوين النحت المعاصر == Aesthetic Speech To Coloring Contemporary Sculpture

اسم المؤلف: علي رسن منصور

اسم المشرف: مرتضى عبود شهاب حداد

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

مرجعيات التشكيل النحتي للعمارة المعاصرة == References of Sculptural Forming For The Contemporary Architectural

اسم المؤلف: علي جبر حسين

اسم المشرف: جبار محمود حسين العبيدي

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

التكوين ثنائي الشكل في النحت العراقي المعاصر : دراسة تحليلية == Formation of Duet Shape In The Contemporary Iraqi Sculpture : Analytical Study

اسم المؤلف: علي عاشور سلمان

اسم المشرف: ازهر داخل محسن

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: فن النحت من الفنون الاكثر تماسا بالحضارات الانسانية لانه فن يمكن ان يطلق عليه الباحث انه فن بيئي المادة والموضوع، بمعنى ان الخامة المستخدمة في النحت متوافرة لاتحتاج الى عناء لاحضارها كالطين والخشب والحجر، فضلا عن استقصائه في متابعة مضامين اجتماعية، ه | Sculpture is of the most fine arts ad hoc with the human civilization as it is the art may the researcher called environmental arty in regards to the subject and material; i.e., the raw material used in sculpture is available getting easily such as clay, wood and stone, in addition to his search for social implications from a side and that fine arts in general and plastic arts in particular are constructive arts depending upon beautification constructive elements ( artistic formation) and one of such that elements is the presence of the man or animal shape so that the sculptor may form singular, duet or more shapes in one artistic work for beautification and ideological aims. The researchers studied one of such this types ( Duet Shape formation) in the contemporary Iraqi Sculpture detecting the building relation within the constructive subject as its importance is merged by attributing it with technical and ideological implications embodied by the ancient man in his artistic work making a substantiation for his persuasion and ceremonies through many raw materials and situations they lived with. Modern sculpture attempts to memorize his ideas , ego and vision through sculpture formations including that of duet forms as outlined as well as that some of which represented dramatically the activity of the scene filled with movement, embodied by divergent modes and ideas having traits and semantics of formative relations reflecting the concepts and ideas of the sculptor towards his environment while it is varied in its formative treatment in spite of the presence of common relations among its elements and then realizing new forms for these relations by which duet shape is formed. It is necessitated to identify this relation analyzing it scientifically within study empiric focusing on the constructive relations realized from shape distribution for the elements, thus the researcher studied and analyzed these elements through its relations of developed formative within the reaction of formative elements. The researchers divided his study into four chapters. The first chapter ( mainframe of the research) concerned with explanation the problem of the research , its importance and the need for which , aiming to outline by analytical study the duet formation of the shape in the contemporary Iraqi sculpture and argued the limits of the research determining the ideological terms through which the researcher derivate a procedural in compliance with the seclusion of the matter and to realize the objective. Second chapter ( Theoretical Study) consisted of three section the first one argued the duet formation in the ancient sculpture ( Iraq, Egypt, Greece and Rome) while the second section argued the due formation of the sculpture shape in the reviviscence era while third one is dedicated to study duet formations of the shape for the international contemporary sculpture. Third chapter ( Methods and Materials) includes the mechanisms of research community , electing its pattern in addition to diagnose the methodology of the analysis , tools of the researches making analytical study for this pattern. Fourth chapter is dedicated for results , discussion, conclusions and recommendations. The most important results are : 1) The Iraqi Contemporary Sculptor insists on the ideological aspect of duet relations never insisted on the shape appearance so that most duet formations appeared with shapes needs for diagnostic traits due to the exorbitance in simplification and reduction.2) It is shown the difficulty of distinguishing between the shape of woman and the shape of man as a constructive relations for duet shape but in some formations through which the femininity traits are appeared for example the conglomerate of the chest by outgoing outshoot resulted from the conglomeration in abstraction and reduction in the formation structure. 3) Creating gaps inside bodies of the formations of the similar relations for both shapes within the formation embodied by the Iraqi contemporary sculptor by areas may take half of formation evidencing the effects of European art in general and Henri Moor ;the English Sculptor in particular. 4) Number of Iraqi Contemporary sculptors used to abstracted man body from arms in addition elongation of the shapes and its meager reduction the skull making it just outgoing merge free from formation traits of the man face so that these formations are referred to the works of Swiss sculptor Alberto Chiakomitti. 5) Stylistic divergence of the Iraqi contemporary sculptor through tracing international works considering the contemporary international empiric and to benefit from in using his elements within self Singularity of real; effects detecting the continuous and developed looking at new styles of formative relations enrichment the artistic movement and the rendezvous culture.6) Sign through its derivatives in the symbol and icon appeared intensively in all samples ( pattern of the research) especially iconic sign representing the real situation but symbolic signs appeared lesser than it relatively while the denotation sign is disappeared slightly. Which confirms that samples of the research are expressive and reductive artistic achievements approaching to the abstraction.7) As the art is deemed the supreme community value in conveying the behaviors of the community trustfully in addition to that the surrounding and the community are the source effecting on the artistic achieved work , thus, their ad hoc with the behavioral values of the community is the truth imagination for these behaviors and the achieved work and the circumstance are related deeply in embodying the folklore surrounding the artistic achieved work especially the sculpture.

سينوغرافيا التشكيل النحتي لما بعد الحداثة : دراسة تحليلية == Scenography of The Sculpture Formation For Post - Modernism (Analytical Studies)

اسم المؤلف: قاسم مرشد ذرب

اسم المشرف: نجم عبد حيدر الجنديل

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: النحت

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: تعد السينوغرافيا ظاهرة فنية حداثوية تالقت على نحو واسع بعد الحرب العالمية الثانية وانتسبت الى ما بعد الحداثة حتى ان الكثير من الباحثين في فنون ما بعد الحداثة يعدون هذه الفنون فنونا سينوغرافية تعتمد مركبات متفاعلة متداخلة في الية الاظهار وفي نظم التاويل ال | Scenography is a modern phenomena which has been remarkable after WWII and is attributed to post - modernism, that many post - modernism researchers regard this art as a scenographic art which depend on interrelated in the mechanism of showing and in the systems of interpretation which move opening between the artists, as the producer and the first reader and the masses of receivers as readers effecting the level of intervention. Scenography is a system of aesthetic to itself to the action of performance in manifesting in its techniques even if its interlinked with the system of its connection to the artistic work as the idea and the concept and emitting of meaning and the mechanism of connection. When the researcher was aware of the scenography in sculpting and looked for it. He found that subject is worth studying for master degree in addition to the increasing of the problem. The researcher tried hard to end that or at least to reduce. Thus, the researcher preferred with all effort to investigate and excavate the prospect in the formal structure for the shape in the post - modernism.This study did not aim at employing post - modernism scenography as a mechanism of description and analysis of the sculpting art only. It also confides it into narrow limits and applications realized and or supposed on the display and applied levels.The researcher managed to shed light through the basis and point of the scientific research and mechanism in its theoretical frame. In the second Chapter his study, the researcher shed light on searching for the concept of scenography and the origin and the hisotricla background for it and the environment as one of the milestones and elements of the scenographic structure in the first theme, and to reveal the history of scenography in the academic and critical references and the points of occupation and the points of agreement and disagreement in language and the application. And to reveal the historical root of the concept and the history of its development and mechanisms in addition to investigating the relationship between it and the other plastic arts and the art of sculpting specifically. In the second theme of studying the basic concept and the philosophical of post - modernism art and the connecting relationship the idea of post - modernism as a philosophy and post - modernism as an application that requires scenography and its reaction in that artistic performance on the level of analysis in the scenography thinking in addition to its stylistic references.The third theme is to reveal the bases and point and trends of post - modernism and its references and the relationship connecting it with the scenography as a mechanism and structure and the showing and display. Then the fourth theme the researcher reveals the institutions of analysis. He introduced a summary of what resulted in the First and second chapters which would achieve to the researcher of the samples which would achieve the result, objectives and the requirements of the scientific research.After completing the procedural, cognitive and intellectual requirements, the researcher then moves to the third chapter represented in procedure as the description and choosing a purpose sample out of the community of study according to the models.Finally, the results and conclusions which the researcher has arrived to and recommendations in the fourth chapter of the study