البحث — المستودع الرقمي العراقي

نتائج البحث: 4 من أصل 4

وظيفة الدراما تورج في المسرح العراقي المعاصر : دراسة تحليلية

اسم المؤلف: مثال غازي سلمان التميمي

اسم المشرف: يوسف رشيد جبر

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يقف البحث عند اهم اشكالية وظيفية في عمل الدراما تورج وتمفصلاته ما بين النص والعرض. وهي اشكالية يعاني منها المسرح العالمي والعربي والعراقي المعاصر، حول شخصنة الوظيفة او دمجها بالمنجز الابداعي مع باقي الوظائف الاخرى.في حين استطاع الالمان التاكيد على استقلا | The research tackles the most important issue in function of (dramaturge ) and its problems between text and the show. it is an issue in which Arab and global theater is suffering about the personification of the dramaturgical and merge with the innovative achievement and the theatrical functions. While the Germans were able to stress the independence of the dramaturge as a function that lies between the function of the author and that of the director, as a third sensitive eye that is concerned with the aesthetic and intellectual observation for the work to create a balance between the text and the show without the occurrence of unbalances here or there. The research tackled the stage of development of this function passing through the author - dramaturge relation to the director - dramaturge relation reaching to the independence diagnosis of the dramaturgical function and its tasks and duties within the mechanism of dramatic show. Chapter One approaches the problem, importance, the need for, objectives and the limitations of the study, until we arrived at the detertminaiton of the dramaturge concept with some clarifications of the main terms which distinguish between the dramaturge as a concept and a s function. Chapter two tracked the stages of the emergence ad development of the makers of this and the technical and literary condition they posses combining the practical and scientific mind in practice, whether the dramaturge practice outside the dramatic or inside it. The first inquiry included the (author - dramaturge) stage, which is the state that effect the dramaturge action of the literary authorship of the author ((dramaturge)). This stage is as a preface to the way of the emergence of the director - maker of the show. This stage also effect the dramaturge practice which the critical effort has assumed in founding the base of dramatically writings.The second inquiry included the effort of Brecht, technical and ideological, in founding and fixing the stage of (director - dramaturge), with this experiment include of the application effort and theoretical impact. Brecht managed to destabilize and refute many rules which Aristotle had managed. The Brecht experiment is an advanced step forward.The third inquiry included what the Arab experiment has come up to in dramaturge practices for the first Arab pioneers in theatre arriving at the Iraqi theatrical experiment for Qassim Mohammed and Aqeel mahdi. The fourth inquiry tackled in some of reminding of the duties and tasks of the dramaturge tasks inside the team since the experiment of Gotschid, arriving at the dramaturge experiment of Helmut Schiffer. The chapter ends with the posing of the which enriched the procedural chapter. The third chapter which depended on that on samples of the Iraqi samples , which differed in their functional dimensions and limitations which resulted in the fourth chapter. The chapter included the results in details the dramaturge functions of the development and growth, the chapter ends up with a group of conclusions, in addition to the recommendations and suggestions that were imposed to rise the dramaturge reality inside the theatrical experiment in Iraq.

الاساليب الشعرية في النص المسرحي == Styles Poetics In The Theatrical Text

اسم المؤلف: عبلة عباس خضير

اسم المشرف: عبد المرسل فليح الزيدي

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: This research deals with the conceptions of poeticalness as they are considered significant ingredients for the formation and construction of contemporary dramatic texts. Because the dramatic text can provide suspense, tension and curiosity for the recipient throughout the dramatic structure molded with the poetic components and techniques, poetry forms an action factor in the formation of the discourse of the contemporary dramatic text which makes use at the poetic structure and methods, so that new spaces are made available for the recipient to mark a scenario between the essence of the text and the essence of the recipient to produce the meaning contained in the dramatic text in a form that is like a chemical equation with different results according to the nature of the mixed materials which represent in this connection the text and the recipient, and thus poetry opens wide directions and lines for their entrance into the domain of meaning. Therefore, the researcher finds it important to study the conceptions of poeticalness and how they work with in the dramatic text, and their aesthetic values. The study is made an analytical one for the sake of finding out the components of the dramatic text, as seen throughout this perspective, which plays, at a high level, its role in the contemporary textual discourses as a whole. The researcher has set a plan for achieving this aim. The plan is summed up as follows : The researcher presents the first chapter which consists of the problem of the research, its significance and aims. Chapter Two is divided in to the following sections : Section one : The concept of poetical nessSection Two : Techniques of poeticalness and the systems of the dramatic conflict. It consists of : First : The poeticalness of rhythm in the dramatic text. A. RepetitionB. ContrastC. Juxtapontions and parallelsSecondly : poetical ness of the structural phenomena : A. Brevity B. Violations of the rulesC. Role transformationD. Emphasis and EllipsisThirdly : The poeticalness of meaning : metaphorical meaning Section Three deal with the aesthetic poetic levels in the dramatic text.Chapter Three presents an analysis of the samples according to the theoretical references. The samples are chosen from effective and typical specimens according to the level the dramatic writings and compositions in Iraq. The Plays chosen are : 1 - Speak o Stone, by Muhaiy AL_Dean Zangana2 - A City Full of Knives, by Jaleel Al_Qaisi3 - The Nights, by Dr. AKeel Mahdi4 - The Door, by Yousif AL_Saig. 5 - Heaven opens lately, Falah shakir Chapter Four consists of the findings reached at by the researcher throughout analyzing the chosen samples conducive to the results, recommendations and suggestion, which contribute to shedding more light on the conception of poetical ness. Then The researcher has attached this research with a bibliography, which shows the reference books the researcher has adopted during the course of this research and study. The researcher has also made an outline of this study in the English language.

المعالجة الدرامية لشخصية المراة في مسرحيات هنريك ابسن - واوجست سترنبرغ الواقعية : دراسة مقارنة == The Dramatic Treatment For The Women Personlality In The Plays of Henrick Ebson And Ugost Strendbergh

اسم المؤلف: شيماء علي لعيبي

اسم المشرف: عبد المرسل فليح الزيدي

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

التحولات الاسلوبية في بنية النص المسرحي العراقي المعاصر

اسم المؤلف: منتهى طارق حسين جبار المهناوي

اسم المشرف: عقيل مهدي يوسف

الموضوع العام: الفنون الجميلة

السنة: 2011

الموضوع الدقيق: الفنون المسرحية - ادب ونقد

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: هناك تحولات واضحة جرت على مستوى الاسلوب واللغة التي انتجها العصر نتيجة حاجات وبواعث اجتماعية وسياسية واقتصادية...الخ. هذه التحولات جرت عبرة سلسلة متواصلة لقرون عدة وصولا الى القرن العشرين الذي احدث انقلابا كبيرا ضد الميتافيزيقيا وصولا الى الحداثة وما بعد | Hare is obvious changes happened on the levees of mode and language that the age produce motive… act. These changes occurred ty continuous series of hundred years access to the twentieth century which make a big revolution against metaphysic get to modernity and what comes after : these changes impact on literature and language which was locked up metaphysic, in view of the fact that language is the agent in embodiment and conduction the literary message and through it, it can be veach to solve the code which represented meaning and symantic levec. Its style tosad on surface meaning on text, so it must be diving in depth to produce style and woven fabril corresponding to what required by modern consciousness. So it must be taking an altions and difterent means in expressing and discovering the meaning of language which elevated power through compatibility of precent and atsent that was established to build advanced language Whig invade the mind of world by his thoughts and realities through several interpretations of a relative expression and interpretation via reading of unlocked text. From here the researcher has an examine glance to observe and chase ( stylistic transfer in framework of modern theater text) it contains four chapters to study that is : The first chapter companies the chief address (systematic frame) which contains a problem of research, targets and its borders, to get finish it by definition of trans fers term and procedure challenge. The it comes the second chapter which reveals to us five subjects, the first one is talking about the style and its historical changes after that it comes the second modifier to be integral and complementary to the first modifier in the address mode of modern text, then it comes the third research which explains, the mode of poetic text and the mode of prosaic text in the forth subject to be the final cheater in the fifth subject which comes with the address of stylistic changes and dramatic speech poetry. Then the research comes out with assigns to establish it her procedures within the third chapter which attributes by the address procedure frame which has analyzed fire samples are respectively : 1 - drama : opera snmar.2 - drama : the clock.3 - drama : the gate.4 - drama : the clown.5 - drama : sedra.6 - drama : republicanism of al jwahery Finally it comes the forth chapter which discover the most important thing by the researcher who discovers the consequences, deduction and recommendation… to complete hev series research by a source of lists which way established on it theoretical frome, to be the final summary of English language out come of research tour.