البحث — المستودع الرقمي العراقي

نتائج البحث: 25 من أصل 263

الفوائد المحررة في شرح مسوغات الابتداء بالنكرة اسماعيل بن محمد العجلوني المولد الدمشقي المنشا، ولد سنة (1087)، والمتوفى سنة (1162هـ) : دراسة وتحقيق Shaykh Lsmaeel Bin Muhammed Bin Abdul - Hadi Known As Al - Harahi , Al - Shafii, Al - Ajlooni Born In 1087 H. And Died H62H A Study And Lnterpretation

اسم المؤلف: يحيى خليل اسماعيل حسين الطائي

الجامعة: جامعة ديالى - كلية التربية - قسم اللغة العربية

اسم المشرف: كريم سلمان الحمد

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: اللغة - النحو

الدرجة: ماجستير

اللغة: العربية

السنة: 2003

مكان الجامعة: ديالى

الصفحات الاولى:

المفارقة في مقامات العصر العباسي Irony In Maqamat Of Abbasside Era

اسم المؤلف: تغريد ضياء مشفي الفخري

الجامعة: الجامعة المستنصرية - كلية الاداب

اسم المشرف: سامي مكي العاني

الموضوع العام: اللغة العربية وادابها

الموضوع الدقيق: الادب

الدرجة: دكتوراه

اللغة: العربية

السنة: 2003

مكان الجامعة: بغداد

المستخلص: Most of the Abbaside era Maqamat were based on a bitter irony out of a painful and a tragic reality that is full of contradictions and change of standards and values. Axiomatically they had a lot of instances of irony for it is the most suitable among artistic styles. It was , there fore , adopted by Maqamat writers as the artistic styles through which they expressed their suffering and boredom ; it had been a reflection of the time they lived. For them , irony was a defensive means for facing the cruelty , deprivation and misery in their lives ; a purification means , so to say , that would eliminate the deposits of dreadful ideas and would relieve the strains of poverty and need deep inside them. The irony of the Abbaside Era Maqamat is of three main types : 1. Verbal irony : it includes anti expectation , pedantry equivocation , pun , simile and quotation. 2. Irony of situation : it includes the self uncovering , dramatically and event irony. 3. Narrative irony : it includes spatial and temporal , the narrator - hero and the secondary characters irony. These three main types make up the three chapter of the this study , with each chapter being devoted to one type preceded by an introduction that illuminates the lexical and terminological meanings of "Maqama" and "Irony" and also the nature , importance , motives and aims of each one of them. All that followed by a conclusion that sums up the findings arrived at and most important of which are the following : 1. Maqama is a dramatized story that combines the techniques of both fiction and drama. It both narrates and displays ideas. It is based on a dramatic scene with action and dialogue , a matter which tints it with vitality and excitement that it has been an impressive type of art up to the present time. 2. Linguistic irony is produced by one signifier leading to two or more signified ideas. It , then , enables us to practice a multi - reading criticism because it deepens the text , extends its interpretative limits and widens its horizons. 3. The irony of situation embodied the suffering of the Maqamat writers that their Maqamat seemed to be a reverberation of what they lived and co - lived and what they thought and felt. The irony was their outlet to steam off and express their attitudes towards their surroundings. 4. Time and place in the Abbaside Era Maqamat where open. The characters moved about in absolute time and place. That is to generalize the purpose - idea and indicate that it is likely to happen at any time and place and to implicitly indicate the bad conditions and corruption. 5. The narrator in Abbaside Maqamat is an observer who seldom takes part in the events unlike the hero who undertakes the creation and activation of events and through whom the writer pictures what he wants to deliver. Most likely , the narrator represents the writer , whereas the hero represents the socially , politically and ideologically oppressed class

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