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توظيف الاشكال الفنية الشعبية للتمائم والاحجبة في الفن التشكيلي العراقي المعاصر == Employment of Public Artistic Forms For Amulets And Puzzles In The Iraqi Contemporary Plastic Art

اسم المؤلف: نادية عباس عبد الله نجم الخفاجي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The current research (EMPLOYMENT of PUBLIC ARTISTIC FORMS FOR AMULETS AND PUZZLES IN THE IRAQI CONTEMPORARY PLASTIC ART) aimed to knowing the methods of how to employ the popular artistic shapes of amulets and puzzles in the contemporary Iraqi plastic art , the research includes four chapters, first chapter dealt with showing the problem of the research represented by the question : Do amulets and puzzles pose a cognitive, cultural and religious space in the consensus memory for communities and Iraqi community specifically is one of them andto what extent do the popular artistic shapes represent an aesthetic phenomena has its presence and effect as it needed to be employed in the contemporary plastic arts?In addition to that included also importance and need of the research, the goal of the research was represented by knowing the methods of employing popular artistic shapes for amulets and puzzles in the Iraqi contemporary plastic art. The limits of the research were about studying the works of Iraqi plastic art such as painting , sculpture andceramic in the period ( 1952 - 2010) , then the researcher defined the most important term came into this research.Second chapter concerned about theoretical frame and previous studies, theoretical frame included two sections, the first one is about : investigating historical, cognitive and aesthetic dimensions of amulets and puzzles , while the second section was about : Quotes of employing the folk heritage in the Iraqi contemporary plastic art, then ended the theoretical frame with a punch of indications by showing previous studies and discuss them.Third chapter pertains with procedures of the research included the following : Population of the research included (82) plastic art works (painting, sculpture and ceramics) within the limits of the research, it is been choosing (18) patterns and analyzing them in the shed of imitation of tool pivots.Research's tool : Through the theoretical frame and its indications, the researcher created a content analyzing form to analyze the artistic works through sample of the current research, in the shed of stipulations of pivots of research tool, this form was showed to some experts, the she modified the form after entitling the external truth according to Coper equation, then she created the consistency of the tool using Scott equation.Fourth chapter : included the results, conclusions, recommendations and suggestions, the researcher had come up with some results, most important ones are : - 1 - The public artistic aspects for amulets and puzzle featured with general characteristics of the public heritage like spontaneity, flattening, abstraction, reduction simplicity and differentiation that makes them more closer to modernity and contemporary arts, push the contemporary plastic art Iraqi artist to employ them in his artistic deeds with the features and characteristics and facilitate the employment tools like what we see in the most of the samples of the research's population.2 - The public artistic aspects for amulets and puzzle take constructional employing tools of a formative direction via volunteering in the contemporary Iraqi plastic works in the arts of painting, sculpture, ceramic through its adjacent , abstraction , logic of achieving artistic and organic in the artistic deed and its matching with treatment and techniques that featured with contemporary in the deed like what appears clear in most of techniques of employing these aspects in samples of the research population.3 - The employment's techniques of the artistic public aspects of amulets and puzzle matched with the artistic contemporary Iraqi deed as it described vital expression about the Iraqi environment within color and line units and animal geometric aspects as describing these aspect as products produced from the Iraqi environment itself with its all modifications and variety.. and showed up in most of the samples of research.4 - The employment's techniques of the artistic public aspects of amulets and puzzle are characterized with its designative compositions , unity and adherence of its artistic construction from the shape side, its abstract conductivity and elaboration ability that is able to express.Then the researcher submitted some conclusions as the following : 1 - The public artistic forms of amulets and puzzle are considered as designative constructions able to modify m formation, analyzing, construction, creation, reduction and interaction with other modern conceptive frames and employ them in the contemporary plastic deed.2 - The arts of cultural and public ancient Iraqi heritage (included arts of amulets and puzzle) , their shapes, units and symbols have featured with rude non - reality depictive and then its enrichment that require from the viewer to have the skills of interpretation and explanation.3 - The plastic contemporary attempts that inspire symbols, aspects of cultural and public heritage included amulets and puzzle may lead to let the public identity to international project.4 - What inspires the artistic public for amulets and puzzle that they are considered as results collect between what is subjective and objective, the first one appears clearly through tweaks, treatments and attempts of the artist to show the objective of additive public references for amulets and puzzle.The research was finalized with a list for sources, references, appendixes and an English abstract.

الاساطير الاغريقية وتمثلاتها في الرسم الاوربي == Greek Mythology And Their Representations In European Painting

اسم المؤلف: عبد الرحيم مجيد اسماعيل السامرائي
اسم المشرف: عباس نوري خضير الفتلاوي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:
المستخلص: The art as a creative lasting power since legend raising as a literary text , the plastic art was working as a creative alternate for literary texts. With many years , this art has lasted to present human memory , they found the conflict within spiritual , psychological and worldly life with form and styles that are updated frequently. From this permanent desire to inspire the legend especially the Greek legends in European art especially drawing during renaissance to be described as an extension for that Greek cultural root which represents the structure of western artist. The current research interested in studying of Greek legends and their representations with European drawing from the period ( 1400 - 1800 A.D.).The research has included four chapters. The first chapter dealt with the research problem , its importance and aims , moreover ; limitations of specifying the important expressions in it. The second chapter has included the theoretical frame with three topics. The first is the concept of legend , the second included the situation of legend and art in Greek community. The third topic discussed the subject of legend and art in European society. The researcher concluded this chapter by showing previous studies and discuss them bedsides the indications of theoretical frame.Chapter three has discussed the whole research which is ( 71 ) artistic works related to renaissance Barook and Rococo. The sample of the research is ( 15 ) artistic works that have been chosen with intended method taking in consideration that these artistic works have given the researcher a chance to cover the Greek legends representations in European drawing , besides a consultation of a group of experts who have an experience in plastic arts and fine arts education. The chapter has also included the research device ( a form of analyzing a content ) and the stages of its structure besides its authentication and confirmation which was used in analyzing the research sample.Chapter four has included the most important results that the researcher has reached.1 - Greek civilization has basically established on ideological and metaphysical which stands on the idea of existence of holy divine community that behaves the human beings life. So the Greek artist has found formal representations groups for these imaginary gods which gather between their power and the thinking of Greek society where they raised in , reflected by effective artistic remains and the narrationswith imagination through appearing the nature power in shape of gods or extraordinary creatures which are common in use in Greek popular heritage. For this reason , a group of legendry shapes have appeared , divided in its shape structure into telling the realistic shape especially in human legend shapes that represent the god as ( Venus god ) ( Zeus god ) ( Hades god ) ( Apollo god ) ( Athena god ).2 - The revival artist has depended in his artistic drawings of choosing symbol words for Greek legends especially widely spread legends stories such as ( Zeus ) , ( Ifrodeit ) ( Harkel ) ( Bakhoos ) ( kidnapping Zeus god for princess Europe ) ( Apollo rides a sun vehicle )and ( Lida and pelican bird ) assuring their interests in their ancient heritage due to ideological and sociological vision carried their artistic existence an active aesthetic power with pictorial surface in the effects of anxiety and emotions.The conclusions were : ? The Greek legends through their indications , structural elements and indicative displacement in Europe drawing across its stages ( renaissance , Barook and Rococo ) have represented an obvious representation in shape and content and that what the researcher has reached to when analyzing the sample of the research.The researcher finished with a number of recommendations some of them are : 1 - The necessity of taking care from artistic and educational associations such as colleges of fine arts to deepen the artistic and cultural awareness for Greek inheritance and what it has of legends and epics because it represents a human inheritance in general by including studying materials that concern with history of ancient art and philosophy of art and aesthetics with large interest for Greek legends and epics for being an effective and affected cultural ratio with oriental civilizations specifically the civilization of Mesopotamia and Neel land.2 - Directing the students of fourth stages in plastic arts and fine education of necessity of including their artistic projects for legendary topics whether Greek or Babylonian or Egyptian since they represent an global cultural legacy that touches all humanity without exception.

مظاهر العنف في الفن التشكيلي المعاصر == Aspects of Violence In The Contemporary Plastic Art

اسم المؤلف: نشوان علي مهدي
اسم المشرف: علي شناوة وادي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The current research (Aspects of violence in the contemporary plastic art) described as events and behaviors dominate the whole joints of life in the western society, notably the afflictions of politics, wars , dangers of mass destruction weapon, dominance of the capitalism economy and market monopoly, the matter that reflects on the cultural and social life and stigmatized it with violence, so the plastic art was a major and vital joint reified the whole burdens and haunches of the contemporary western world including the violence, through stylish and technical treatments that resulted in a unique modification ever been familiar in the previous experiments.Therefore the problem of the research came with the query of reasons behind violence and its aspects through artistic treatments and how much did the violence aspects deal with the system of psychological, social and morale relations.We found through first chapter the target of the research that aimed to knowing the aspects of violence in the contemporary plastic art within the boundaries of contemporary art in Europe and USA in the period (1972 - 2012). Also terms were defined in this chapter.While the second chapter included the theoretical frame and previous studies , the theoretical frame included three sections, first one dealt with the violence and its approaches in the contemporary intellect , while in the second section showing the psychological and social appearances of violence. The third section showed the appearances of violence in the art. The frame was ended with indications , then showing two of previous studies related with the current study and discuss it.The third chapter dealt with the procedures of research represented by the society of the research whose population was (19)sample and the nature of constructing the tool in its primary and finally form and how to use the appropriate statistical means to show up the truth and stability of that tool and then analyzing the research's population.The fourth chapter included results of the research, conclusions, recommendations and suggestions.Results of the research : 1 - The human being is the most expressional space for appearance of violence and abuse of human in the contemporary art, one of the works who express violence by using real bodies. Or through the evidential expression by drawing or sculpture and by variant formal treatments.2 - Appearances of violence were unique in the contemporary plastic art, by depending technical treatments and materials included human and animal bloods , bodies of human and animals and real materials and stuff implemented in combination method, that opened new spaces for expression for violence that exceed capability of the classic portrait.3 - The pictures of violence and its appearances in the contemporary art were described with tendency to the formal treatments has instinct, primary and brutal opposite to the civilized cultural false life, and the afflictions of all that by tendency toward the defacing and breach the system and harmony.The conclusions : 1 - Beside the belief that violence is old and exist in every era , but appearances of the violence in the contemporary art is different in its applications and references with an extraordinary style that it was considered as a breach for the previous contexts and traditions with all kinds on the level of concepts , styles and techniques.2 - Directions of the contemporary arts reflected in its dealing with the subject of violence the social and economic side, by expression of conflicting the wars and the psychological and social effects so the acts were as a reaction against the evil in the world , invalidity of the wisdom of the civilization and express that with sadism motives.Finally the research ended with references, appendixes and an English

جدلية الحرب والسلام في الفن العراقي القديم == THE DIALECTIC OF WAR AND PEACE IN ANCIENT MESOPOTAMIAN ART

اسم المؤلف: رياض كريم هاشم
اسم المشرف: عامر خليل ناصر الشجيري
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

بنية التكرار في المنمنمات المسيحية والاسلامية : دراسة مقارنة == Structure Repetition in Islamic and Christian Miniature

اسم المؤلف: رفيف موسى عباس
اسم المشرف: صفا لطفي عبد الامير
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

جماليات التناص بين مدارس التصوير الاسلامي == Aesthetics intertextuality between schools Islamic imaging

اسم المؤلف: حسن هادي عبد الكاظم الغزالي
اسم المشرف: محمد علي علوان عباس القره غولي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

المرتكزات الفكرية في الفن المفاهيمي == Intellectual foundations in conceptual art

اسم المؤلف: توفيق نعيم ساهي فرحان
اسم المشرف: صباح احمد حسين الشايع
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

الية انفتاح العرض البصري في تشكيل ما بعد الحداثة == Mechanism of visual display openness in the post modernism formation

اسم المؤلف: اسامة حمدي ضيدان وادي
اسم المشرف: جنان محمد احمد
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

القيم الفاوستية واثرها في فن عصر التنوير == Alfaustih values and their impact on the art of the Enlightenment

اسم المؤلف: منى ماجد مكي
اسم المشرف: محمد عودة سبتي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

الخصائص التشكيلية في الفن والعمارة : عمارة زها حديد انموذجا

اسم المؤلف: عقيل صالح فيصل ال شاروح
اسم المشرف: مكي عمران راجي الخفاجي
الموضوع العام: الفنون الجميلة
السنة: 2014
الموضوع الدقيق: الفنون التشكيلية
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى: