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جماليات تحولات المنظر في عروض المونودراما العراقية == The Aesthetics of Scene Transformations At Iraqi'S Monodrama Plays

اسم المؤلف: فرزدق قاسم كاظم عبد الله
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: شكلت عناصر بنية التشكيل الجمالي لتصميم المنظر المسرحي في عروض المونودراما نقطة ارتكاز مهمه في بيان صياغة تحولاته التي تفرض سيطرتها على المتلقي، مما يدفع به الى ان يتفاعل معها ليستقرا دلالاتها وفق دائرة الاحداث والتي تاخذه بعيدا في عوالم الروح الامتناهيه ح | The sequences of elements of scene structure transformations at the monodrama plays play an important role to demonstrate its aesthetics that impose its control upon the audience, which push them to react with these transformations to recall their signs in accordance to the events and take them so far to infinite soul worlds, where sensitive and ideological enjoyment are generated; thus, this thesis titles (The Aesthetics of Scene Changes at Iraqi Melodrama Shows) came into being. The researcher determined its scientific paths at four chapters. They are : The First Chapter : it included the syllabus framework and contained the problem of the research and its need. The problem is determined by the following question : How did the designer deal with the Play Structure Elements changes of the scene till showing them to the aesthetic reading at the melodrama play? The activating the aesthetic of play scene form structure elements via their changes during the melodrama play leads to enrich the mental and sensitive realization of the audience; as there is no similar study specialized in this theme, the need for this study raised. It also contained the importance, aims, limits and terminology (Aesthetic - transformations - Play Scene - Monodrama). The Second Chapter : its included the theoretical framework that contained four parts. They are : a - Part One : The Aesthetic Concept at The Western Philosophy.b - Part Second : The Scene at the Modern Play Trends c - Part Third : The Scene transformations and their signs at the Play. d - Part Four : Elements Visual Occupation at the Monodrama Play. This chapter contained as well a list of previous studies that dealt with monodrama as main theme, such as : 1 - Hussein Ali Haref’s Study (The Technical Features of Monodrama). It as a literary study related to the melodramatic text. 2 - Nuha Abbas Jawad Sheweleiah’s study (Alienation at Iraqi Monodramatic text). She interested with Alienation concept at the monodramatic text. Then she reached the indications that resulted from theoretical framework. These indications are : a) The elements of aesthetic form structure of the play and its features of the audience sensitive reactions and motivate them to react to recall its expressive signs that grant them metal and sensitive enjoyment. b) The mechanism of aesthetic scene transformations move into two directions; the first : Iconic Aesthetic transformations and The second : Symbolic Aesthetic transformations. The Third Chapter : it represented the Methodology Framework. It contained the community, syllabus, tools and methods of selection and analyzing the samples of the research. The sample contained the following plays : 1. (The Hunchback) monodrama, the scene is designed by Falah Ibrahim 2. (Achilles Return) monodrama, the scene is designed by Emad Mohammed 3. (I at the dark research) monodrama, the scene is designed by Awatif Naem4. (The Gone Days) monodrama, the scene is designed by Sami Al Hesnawi5. (Alienation) monodrama, the scene is designed by Suhail Al Bayati. The Fourth Chapter : it included the results, discussions, conclusions and suggestions. The most important results are : 1 - The designer achieved the ideological aesthetic reading of the monodramatic scene in accordance to structure form elements transformations within the limits of the symbolic level at the monodrama plays (the samples analysis).2 - The designer sought to use slight raw materials to build the scene order to enable the actor to change its aesthetic particulars in harmony with the events during the play as is the case with (The Gone Days) and (the Hunchback). Finally, the researcher fixed a list of references, supplements and this English Abstract.

التكامل الدلالي بين المؤثرات السمعية والبصرية في مسرح الطفل == Semantic Integration Between Visual And Audio Effects In Children'S Theater

اسم المؤلف: ناجد جباري علي الربيعي
اسم المشرف: مصطفى تركي السالم
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Depends Children's Theatre on the influences that make up language play tag through two systems audio and video to contribute in pulling attention of the child for display through the delivery of items that mimic Madrkath mental which they can check means educational, social and cultural rights of children, and as they play effects of a prominent role in the theatrical presentation directed the child being element interesting that enriches thinking and imagination and breed has fun in the follow - up offer, this sought researcher to monitor these effects as signs refer to references leave becoming a Wares on stage, to refer to the factors imagined settle apprehensive in the mind of the recipient, and it becomes theatrical work network governed display system that achieves integrated lines between what is and what is audiovisual. This eating in his first season (methodological framework), which included the research problem and the need for and importance of the research objectives and the limits of search, and definition of the terms and procedurally defined. While eating in his class II (theoretical framework), which included three sections, taking first, the system audio and video in the Children's Theatre, which revolves around two axes, the first for the system audio, either second axis has search in the system optics, the researcher on the division (Tadeusz Kavzan ) in tracking display elements across two axes first represents what the representative and the second represents what is outside Representative, The second section handled construction rhythmic and importance semantic and aesthetic offers children's theater and revolves around two axes also the first study building rhythmic and importance semantic and aesthetic in the system audio, either second axis has He studied construction rhythmic and importance semantic and aesthetic in the system visual, and devoted the third section to address shifts elements of audio - visual in children's theater and revolves around two axes first represents elements of audio, either second axis is a visual elements, also addressed the topic most prominent indicators resulting from the theoretical framework. And devoted researcher Chapter III of the research procedures, methodology, tools and analysis specimens seven : the play (Flying Fox), and play (access), and play (world vitamins), and play (wolf fake), and play (story pearlmissing), and play (sky color), The play (advanced Jackal), and these models is, of distinguished theatrical works within the limits of the search, and seal chapter, presented a summary of the results reached by the researcher through the analysis of samples. While included chapter IV to discuss the results of the search, according to what created by the theoretical framework of indicators, to devise such conclusions that represent answers complementary research objectives, and in the light of these findings, coined researcher recommendations reinforcing through investment results and conclusions of the research, and achieves a range of influence in the middle and arena, and finally the researcher what he deems appropriate proposals completed this study, and give the subject the attention it deserves, then your search is over a list of sources and references used by the researcher, and attached some documents relating to research, and a summary of the research. Finally, I hope that I have managed in Msai, and God of the intent behind...

اشتغالات المنظر في العرض المسرحي العراقي (عباس علي جعفر) انموذجا == Astgalat Scene In The Iraqi Theater (Abbas Ali Jaafar) Model

اسم المؤلف: مزاحم خضير حسين الجبوري
اسم المشرف: محمد عبد الرحمن الجبوري
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: ماجستير
الجامعة: جامعة بغداد
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: ان اشتغالات المنظر في العرض المسرحي قد اكتسبت دلالات مختلفة مرت بها الية تصميم المنظر المسرحي على الخشبة، اذ انطلقت فيها الممارسات التصميمية للمصمم عباس علي جعفر بين مساحات الخيال والابتكار وبين مساحات الواقع لخلق توافقية تنسجم مع المضامين الفكرية والجمال | The Achtgalat scene in the play have gained different connotations passed out mechanism design theorist theatrical on stage, as it was launched by the practices of design for the designer Abbas Ali Jaafar between the spaces of imagination and innovation, between spaces reality to create a consensus consistent with the implications of intellectual and aesthetic display of theatrical, as the researcher of mechanism functioning of the scene when the designer Abbas Ali Jaafar as artistic interpretation and aesthetic and technique for the delivery of the subject in an integrated manner to the recipient, as a researcher wanted to reach through the problem discussed stand on the experience of the designer Abbas Ali Jaafar and the resulting interaction is based on mixing and homogenization techniques theater The research includes four chapters : - Chapter I : - methodological framework for the search, which includes the research problem and the need for and importance of research and research objectives and its borders and determine the terms, since emerged the importance of research and focused on one of the means of expression in the theater, a recognition Achtgalat scene in the play, but needed it to identify experience designer Abbas Ali Jaafar in the Iraqi theater, and that this study will benefit all students and workers in the fields of art in general and theater in particular, and can be generalized to the modern curriculum in the future The researcher identified the limits of his research, a temporal boundaries of the presentations since 1980 and even in 2010 theaters Baghdad The objective is the border with Iraq plays Elachtgalat scenic developed and owns Mkhil high design, and conclude chapter defines the terminology (of operation, parallax) The second chapter : - has included the theoretical framework and previous studies, which included five sections and are as follows : - The first topic : the foundations of design theorist theater, which make up the landscape theater, which is employed by the designer in order to give a theatrical work recipe beauty during harmonies and contrast in the organization of the desired shape, with me the second part, which consisted of two axes, the first axis : - parallax between the designer and the director , as it was the opening salvo in an approach to the understanding of the landscape between the vision and directorial vision that convey design ideas and connotations contained in theater The third topic : - handled the theatrical landscape and trends and how to adopt each director and designer in shaping the play according to the direction that meets the aspirations of art The fourth topic : - Astgalat scene in the play, as it ensures designers to eat this or that direction through the incarnation and the manner in theater to achieve the desired effect in the theatrical landscape Section V : - Abbas Ali Jaafar and dealing with the elements of the play, which dealt with the researcher stand on the biography of the artist Abbas Ali Jaafar by Maaktsabh of expertise in the study phase and the phases that followed and stand on artistic experience through the implementation and design of the landscape in the Iraqi theater and evolution in the theater and the subsequent general evolution of the view in a private theater and experiences gained by Iraqi artists through their studies outside Iraq It also included this chapter on the most important indicators that resulted from the theoretical framework and previous studies Chapter III : - contained research procedures, containing : 1 - the research community, which consists of theatrical performances presented on the stages of Baghdad, for the period from 1980 to 2010, and the research sample, containing the three samples have been selected in a deliberate namely : - King Lear, b - Goat Island, c - Macbeth 3 - the search tool relied on as indicators resulting from the theoretical framework, and Manscher in media 0.4 - Research Methodology : adopted as a researcher on the descriptive approach (analytical) in the review samples Chapter IV : - consisted of the results and discussion, as the researcher to some results of the analysis of samples, including : - 1 - The recruitment and Achtgalat landscape designer with Abbas Ali Jaafar shows through diversity places with theatrical presentation of an exhibition hall to the traditional circular theater to theater in the open air, and so by employing various spaces in order to conform with the requirements of theatrical text 2 - The Iraqi experiences with designers and directors Iraqis was able to form the new features of the generated forms and bodies reflect the aesthetic philosophy to produce movement visible through the scenic formations and deal with them Representative to paint a visual image to express instead of dialogue 3 - The Achtgalat scene in the play came through visions compatibility between the director and the designer, which gave room for a multiplicity of visions and multiple interpretations which indicates good experience in the capture, interpretation and analysis of successive images in the play in shaping the image of the future theater

بوليفونيا التصميم الضوئي في العرض المسرحي التجريبي == Light Design Polyphony in the Experimental Theatrical Performance

اسم المؤلف: نورس محمد غازي
اسم المشرف: عقيل جعفر مسلم الوائلي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى:

التقنيات المسرحية واشتغالاتها في عروض الحداثة == Theatrical Techniques and their Operation in the Modersim Shows

اسم المؤلف: برلين كاظم مفتن القيسي
اسم المشرف: سمير شاكر عبد الله اللبان | حيدر جواد كاظم العميدي
الموضوع العام: الفنون الجميلة
السنة: 2013
الموضوع الدقيق: الفنون المسرحية - تقنيات
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بابل
الصفحات الاولى: