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العتبات النصية في شعر عبد الوهاب البياتي ونزار قباني

اسم المؤلف: جاسم محمد جاسم الخلف
اسم المشرف: ابراهيم جنداري جمعة خليفة الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: فقد نالت متون الاعمال الادبية باختلاف اجناسهواما تزال حظا كبيرا من اهتمام النشاط النقدي الذي ما انبرى متناولا اياها متتبعا مكامن جمالهوامستبطنا مظاهر (شعريتها)، الامر الذي اشر انغلاق النقد على شعرية تلك المتون دون اهتمام يذكر بما حول تلك المتون من نصوص موازية وعتبات باتت تشكل اليوم ظاهرة حري بالدرس النقدي ان يتناولها بالتحليل خاصة وان تلك النصوص (العتبات) قد قطعت شوطا كبيرا في مجال تطورها . ان العتبات النصية ككيان ليست بالظاهرة الجديدة على الادب عربيا كان ام غيره، فقد ارتبط وجودها بوجود الشعر نفسه ، وتطور في عصر الكتابة، واخذ نصيبا وافيا من التفنن في عصر التقانة والتطور التكنلوجي. غير انها ظاهرة ظل النقد ينظر اليها باستسهال بالغ متعاملا معها بوصفها جوانب شكلية سواء تعلق الامر بنقدنا العربي او بالنقد الغربي الذي كان سباقا الى التنبيه على اهميتهواجدوى دراستها . فكان مجيء الناقد الفرنسي (جيرار جينيت) الانطلاقة الاولى لمحاولة تقعيد دراسة (العتبات النصية) في ضوء ما تتعالق معه من متون فاتحا بذلك الافق النقدي الى ميدان (شعرية الشكل) في ذهابه الى ان شعرية النص تنبع من علاقته بما يحيط به من نصوص موازية بعيدة عنه زمانا ومكانا. او من نصوص محيطة قريبة بحيث يضمها كتاب واحد (غلاف ، عنوان ، رسومات داخلية ، مقدمة ، اهداء ، هوامش .... الخ ) وهي علاقات اكبر من ان يقال عنها انها مجرد امكان تناصي كما سيتضح. وهكذا بدا النقد منذ (جينيت) ينظر الى هذه العتبات بوصفها نظاما سيميائيا دالا. اذ لم يعد الكتاب وحده هو الحامل الوحيد للدلالة ، بل اصبح ينظر اليه بوصفه نظاما نسيجيا متناغما تتازر جميع مكوناته وملامحه الشكلية في تاسيس شعريته بما يلغي عن العتبة مفهوم الحلية النصية او الزائدة التزيينية ويجعل منها معلما بارزا من المعالم التي تساهم في تلقي العمل الادبي بصورة مثلى ، وهو ما نبه اسماء اخرى كان لها مساهمات ليست بالهينة في هذا الموضوع النقدي كـ (هنري متيران) و(فيليب لوجون) و(كلود دوشيه) و(ليو هوك) وغيرهم ممن مزاال امام الدرس النقدي العربي شوطا طويلا لترجمة كتاباتهم في هذا المجال تمهيدا لاستيفاء موضوعة (العتبات النصية) حقها من جانب هذا الدرس ، وان كنا هنا لا نغمط حق جهود ترجمية وتاليفية عربية في هذا المجال كانت ـ على قلتها ـ زادا تزود به هذا البحث نذكر من المترجم منها : الترجمة الرائدة (للمختار حسني) لكتيب (اطراس : الادب في الدرجة الثانية) لـ (جيرار جينيت). وهي الترجمة التي شكلت المنطلق الذي فتح امامنا افاقا جيدة وهيا لنا ارضية امكن التحرك عليها فيما نحن بصدده, وكذلك ترجمة (عبد الرحمن ايوب) لكتاب (مدخل الى جامع النص) للمؤلف نفسه، وايضا ترجمة (غسان السيد) و(وائل بركات) لكتاب (كرستين مونتا لبيتي) الموسوم (جيرار جينيت نحو شعرية منفتحة) ، في حين ظل كتاب (sulits) لـ (جيرار جينيت) الذي لم يتوفر البحث على ترجمة له وثيق الصلة وبعيد المنال الامر الذي فوت الاستفادة منه الا بقدر الاعتماد على مقتبسات مترجمة توفرت عليها بعض المقالات المنشورة في الدوريات والتي عالجت موضوعة العتبات نذكر منها دراسة (جميل حمداوي) (سيموطيقيا العنونة) ودراسة (محمد الهادي المطوي) (في التعالي النصي والمتعاليات النصية) وهما دراستان ركزتا على الجانب النظري دون التطبيقي واعتمادا على (عتبات جينيت) . اما فيما يخص الجهد التاليفي في النقد العربي في هذا المجال ، فلم نعثر في حدود بحثنا على ما يمكن ان يشكل كتابا جامعا يدرس انواع العتبات النصية بصورة تفصيلية , وان وقفنا على دراسات تناولت عتبات بعينهواخاصة عتبة العنوان التي بدات تستقطب جهود دارسين طرحوا دراسات رائدة في مجالها نذكر من هذه الدراسات : (العنوان وسيموطيقا الاتصال الادبي) لـ (محمد فكري الجزار) و(سيمياء العنوان الشعري) لـ (بسام قطوس) و(العنوان في الادب العربي - النشاة والتطور)، لـ(محمد عويس) وكذلك عتبة المقدمة التي افرد لها (عبد الرزاق بلال) دراسة شكلت متكا مهما من متكات بحثنواالموسومة (مدخل الى عتبات النص) يضاف اليها جهود (عبد الملك اشهبون) في اكثر من مقال تناول المقدمة الروائية خاصة تنظيرا وتطبيقا، وكذلك جهود (سعيد يقطين) الذي استاثرت دراسة النص الموازي والعتبات النصية بنصيب وافر منها خاصة في كتابه (انفتاح النص الروائي).ان هذه الدراسات على جديتهواان شكلت جهودا يشار اليها ببنان العرفان وينظر اليها بعين الريادة الا انها مازالت دون استيفاء حاجة المكتبة النقدية العربية ازاء هذا الكم الهائل من العتبات النصية التي بدات تلاقي عناية ليست بالهينة من جانب المبدعين , وهي عناية تتطلب ما يوازيها نقديا - تصديا وترجمة - بما قد يفتح للدرس النقدي افاقا رحبة في التعامل مع جماليات المتون من جهة عتباتها ، لذا شئنا ان تكون دراستنا في ما يصب في هذا المجال البكر واقتصرنا لاسباب منهجية على دراسة خمس عتبات نصية تدخل فيما اسماه (جيرار جينيت) (بالنص المحيط) او (العتبات النصية) هي (لوحة الغلاف، والرسومات الداخلية او اللوحات المصاحبة، الاهداء، التصدير، والمقدمة) كونها تشكل حضورا بارزا عند كل من (عبد الوهاب البياتي) و(نزار قباني)، مستبعدين عتبة العنوان الا بما تستدعيه علاقته بالعتبات المذكورة ، خاصة واننا كنا قد تناولنا هذه العتبة بالدرس في رسالتنا للماجستير الموسومة (عنوان القصيدة في شعر محمود درويش) . واما فيما يخص الدوافع التي رشحنا على اساسها دواوين (عبد الوهاب البياتي) و(نزار قباني) كنماذج تطبيقية فيمكن تلخيصها بدافعين : الاول شخصي يتعلق بـ (صداقة نصوصية) عقدتها ذائقتنا مع شعر الشاعرين, واما السبب الثاني وهو الاهم هنا فهو سبب اكاديمي محض يتمثل بندرة ما كتب عن العتبات النصية بعامة . والعتبات النصية الخاصة بشعر الشاعرين خاصة، ففي الوقت الذي نال (البياتي) اهتماما واسعا من جانب الدرس النقدي عربيا وعالميا وشكلت متونه الشعرية مادة خصبة للمعالجة والتحليل نجد ان خطابه العتباتي قد ظل اسير الاهمال من جانب هذا الدرس على الرغم من الخصوصية الواضحة التي تحملها هذه العتبات كما ونوعا كما سيتبين ، واما (نزار قباني) فقد طاله الاهمال من جانب النقد متنا وخطاب عتبات . اذ على الرغم من الكم الشعري الهائل الذي خلفه الشاعر ومزاخر به من توظيف عتباتي مثير للانتباه . الا ان الملاحظ ان ردة الفعل النقدية تجاهه لم تكن لترقى الى مستوى ذلك الكم وتلك الخصوصية ، وبناء على ذلك يمكن القول اننا ارتاينا في دراسة الخطاب العتباتي لدى الشاعرين استهداف جملة نقاط نجملها فيما ياتي : ـ 1ـ ان يكون البحث متمما للجهود النادرة السابقة وفاتحة لاعمال اخرى تسهم في سد النقص الفادح الذي توفرت عليه مكتبتنا النقدية في مجال تناول الخطاب العتباتي بعامة . 2ـ المساهمة في الخروج بتصور شامل عن شعر (البياتي) الذي اهتم النقد بمتونه دون الالتفات الى خطابه العتباتي . 3ـ المساهمة في دفع شعرية (نزار قباني) الى دائرة الدرس النقدي الاكاديمي الذي يبدو انه على غير وئام مع شعرية الشاعر لاسباب ربما تتعلق بجوانب مضمونية يترفع الدرس النقدي عن تناولها . 4ـ الخروج برؤية ما عن طبيعة العتبات في الشعر العربي باعتماد مدرستين شعريتين مثلهما شاعران قديران وان كانا على طرفي نقيض اسلوبا ورؤى ومضامين الا ان قراءتهما من منظور عتباتي يوقف القراءة على اوجه شبه كثيرة تجمعهما كما وكيفا كما سيتضح . لقد عرف كل من (نزار قباني وعبد الوهاب البياتي) بسعة الكم لشعري الذي قد لايسلم معه دراسهما من التخبط باختيار عينة دراسته مالم ينضبط بضوابط نقدية اعتمادا على طبيعة المادة المدروسة وعلى هذا الاساس التزمنا في هذا البحث الاتكاء على المجاميع الشعرية بوصفها العينات المركزية التي يمكن ان توفر لنا مهادا تحليليا وخاصة في التصدي لعتبة (الغلاف) التي توجب التعامل مع مجاميع شعرية صغيرة بغية دراسة لوحتها الغلافية، في حين لم نتورع عن الاستعانة بالمجلدات الكاملة الخاصة بالشاعرين متى ما دعت الحاجة الى ذلك وقد خلصنا لدى التشاور مع الاستاذ المشرف الى خطة من فصلين ضما مباحث خمسة افردنا خلالها الفصل الاول لما اسميناه بـ(العتبات البصرية) التي استغرقت مبحثين مطولين نسبيا هما على التوالي : (عتبة الغلاف), و(عتبة اللوحات المصاحبة)، فيما انفرد الفصل الثاني بمعالجة ما اسميناه بـ (العتبات الافتتاحية) التي توزعت على مباحث ثلاثة هي على التوالي : (عتبة الاهداء), و(عتبة التصدير)، و(عتبة المقدمة), وقد اشفعت هذه المباحث اسوة بالمبحثين السابقين في الفصل الاول بنماذج تحليلية توزعها ما يخص العتبة المنظر لها من نتاج الشاعرين بطريقة راعت الجانب الكمي ، والتنوع الكيفي في الاختيار . ختاما اتوجه بالشكر الجزيل الى قسم اللغة العربية في جامعة الموصل رئيسا وهيئة تدريسية كما اتوجه بشكر خاص ملؤه الحب والاكبار الى الدكتور (ابراهيم جنداري) الذي وجدت فيه المشرف الحريص والاب الحاني الذي لم يال جهدا في توجيهي وتشجيعي ومتابعتي في كل ما من شانه خدمة البحث قصد الخروج بافضل ما يمكن . كما اتوجه بالشكر الوافر الى كل من ساهم براي او مشورة او توجيه او ارشاد الى مصدر سواء من الاساتذة او الزملاء الذين غمروني بفضل لا يسعني الا ان اذكره - وان غيبت كثرتهم وضيق المقام اسماءهم - واخص بالذكر والشكر هنا الشاعر (محمد جلال الصائغ) الذي لم يبخل علي بمكتبته الخاصة فيما يخص ادب نزار قباني. كما لا يفوتني ان اشكر زوجتي (ام سنن) التي كابدت معي في سبيل انجاز هذا العمل نضو ماكابدت، فاليهواالى الذين من قبلها تقديري وامتناني ، سائلا الله تعالى ان يجعل عملي هذا خالصا لوجهه انه نعم المجيب .

التعارض والترجيح في كتب الخلاف النحوي الانصاف - التبيين - الائتلاف == Opposition and Preference In the Contradicted Grammatical BooksAl - Insaf , Al - Tabyeen , Al - Etila

اسم المؤلف: محمد امين حسن عبو
اسم المشرف: حسن سليمان حسين الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: التعارض والترجيح في كتب الخلاف النحوي : الانصاف - التبيين - الائتلاف )) هذا هو عنوان الاطروحة التي جرى اعدادها لدراسة ظاهرة التعارض والترجيح . واشتملت على مقدمة وثلاثة ابواب وخاتمة وثبت بالمصادر والمراجع وثلاثة كشافات : كشاف للايات القرانية ، وكشاف للاحاديث الشريفة ، وكشاف للاشعار العربية . الباب الاول - يتناول تاريخ التعارض والترجيح ونظريتهما ، ويضم فصلين : الاول - يبحث في تاريخ التعارض والترجيح في اطوار الخلاف النحوي الثلاثة : طور تكون الخلاف ونموه ، وطور التنافس بين المذهبين البصري والكوفي ، وطور الترجيح بين المذاهب المختلفة . والثاني - يبحث في نظرية التعارض والترجيح ، ويقف عند محاورها الرئيسة : مدلول التعارض والترجيح ، وحكم قبول المعارضة ، ومجال التعارض والترجيح ، واركان التعارض والترجيح ، وصور تعارض الادلة النحوية والترجيح بينها . والباب الثاني - يتناول التعارض في كتب الخلاف الثلاثة ، ويضم فصلين ايضا : الاول - يبحث في ركني التعارض ، وهما : وجود مسالة اختلف فيها اثنان او اكثر ، وتقابل دليلين او اكثر وتعارضهما . والثاني - يبحث في مجال التعارض ، وهو الادلة النحوية ، وجرى التاكيد فيه على الادلة النحوية المعروفة ( السماع ، القياس ، الاستصحاب ، الاجماع ) ، مع الوقوف عند صور تعارض الادلة بين البصريين والكوفيين ، وموقف النحاة الثلاثة من هذه الادلة . والباب الثالث - يتناول الترجيح في كتب الخلاف الثلاثة ، ويضم ثلاثة فصول : الاول - يبحث في طرائق الترجيح واركانه ، جرى فيه الوقوف طويلا عند اركان الترجيح ، مع نقد دليل الترجيح عند النحاة الثلاثة . والثاني - يبحث في ادلة الترجيح النحوية ، جرى التاكيد فيه على الادلة المعروفة ، ووجوه الاعتراض على ادلة النحاة . والثالث - يبحث في علل الترجيح النحوية ، جرى التاكيد فيه على سمات العلة وشروطها ، ومسالك العلة وانواعها | This study includes three chapters : the first one deals with the history of opposition and preference and their theories . It also contains two sections . The first one studies the history of opposition and preference in the three contradicted syntactic stages which are as follows : the stage of its appearance and growth , the stage of the competition between the kufi and Basri trends , the last stage contains preference among other varied books . The second section deals mainly with the theory of opposition and preference and its basic elements such as : the sense of opposition and preference , the principle of accepting opposition , its positions , its elements and the forms of opposition among contradicted syntactic evidences . The second chapter concerns the incongruity in the three contradicted books and also falls into two sections . The first one stresses on the two opposing elements which are : the question that has also been discussed and opposed by two or more , and the two equalled or contradicted evidences . The second one deals with the conception of opposition including the syntactic evidences . Emphasis has been focused on some famous Syntactic evidences ( the audile , measurement , constancy , unanimity ) with stress on examples of contradicted evidences between the kufi and Basri schools and the attitude of the linguists towards them . The third chapter deals with the preference in the three contradicted books and includes three sections too : The first one is dedicated to study methods and elements of preference which have fully been analyzed with critical points for the evidence of preference itself according to the three Grammarians . The second section deals with the preferable syntactic evidences , with special emphasis on the famous ones and some objections directed to the evidences of the Grammarians . The third one finally studies the syntactic preferable reasons , their kinds and conditions with much consideration

البنية الاسلوبية للجنة والنار في القران الكريم == The Stylistic Structure Of Paradise And Hell In Holy Quran

اسم المؤلف: Ahmad G. Naif Alsaadoon
اسم المشرف: عبد الواحد زيارة اسكندر المنصوري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: Stylistics is born under the shadow of the modern phonological studies and achieves a balance and connection between the distance and the literary distance , bordering its field in studying the literary phenomenon through the phonological entry. It starts from the idea that the expressive context as a unity can be achieved by seueral phonological patterns. Since the stylistics is directed essentially to the expressive text ; and the research in its creativity and wit , and the texts are distinguished by components of the text that prepares for the influence and acceptance in the recepiant. The aesthetic and literary value of the text is not occur except by the options of its tools and expressive methods and it is not separated from it but subordinate to it and rotate in the frame of its machinery. Because of what the stylistics characterized by nonalliance in the view to the text as it is a materialistic entity stands by itself , so the researcher tries to recite this methodology and grasp benefit in understanding the holy Qur'an text especially the scenes of paradise and hell. He also follows what it has of aesthetic values and stylistic features , and expressive features , and reveals the system that governs the grammatical relations with in the holy Quran text “ the scenes of paradise and hell “. The researcher also tries throughout his study of some scenes to uncover some of the features and obscure in other times using stylistic methodology and its linguistic tools by different ways as calculating one time and structural in other times and the alliances and defectives in the third time and imaging in fourth , the articulated bell and tone in fifth time

الفروق الدلالية في الاسلوب القراني

اسم المؤلف: حسين عودة هاشم
اسم المشرف: فاخر هاشم سعد الياسري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: The Quranic text is characterized by its brilliant composition and precise choice of words. It has its own manner by which it challenges what the Arabs were exellent in. Since then up to now, the Quranic style has been for a considerable study and meditation when the jurist, these jurisprudent, and the linguist have tend tn irrigate themselves from its sweetness in an attempt to contemplate 011 the distingnishcd connotations of its various manner. The linguists have been reflecting on the iilimitability and rhetoric nature of Holy Quran through using accurate vocabulary items or excellent formation of its installation in an endeavour to justify the intended significance of these marvelous points in spite of their efforts to get the semantic purpose but there was barely an uuanimous concept to happen among the schlars of the Qunrnic text not to reach to an access of the peremptory Quranic text and the real secrets behind using certain structure rather than the other or select an item instead of the other, so this study is bascdon the views of the former semantic meanings of the items and tl1eir occurrence in the context attempting to offer an opinion or to render an idea concerning the the idea of the Quranic Rhetoric through chosing a procedure based on semantic differentiation rising from thevarious Quranic style in a certain context rather than the other considering all Iinguistiv tendencies beginning from Al - Sufy to Al - Mu'jamy and this what distinguish this study from the previous ones. It comprises four sections : section one deals with the semantic discriminativity on the phonetic level through two ways; the first studies sound inside the item structure and the other investigates the comma differences because of its different places.In section two, studies the semantic differences on the level of Morphology through studying the aspect and its divergences such as replacement, suffires, elision, and the study of masculine and feminine forms. Section three is about the semantic distinction on the structured level concerning sertences ellipsis, mentioning , structured deviation, and the contertual ~'.~~~~~ally, section four deals with this aspect or semantics on t~e li~fof·.··d1.~ ·.'.i··t· ~ •. m. si~ficance in the Qnranic text divided into two parts : nomm3[,ablvrrbal a.n~#'arc followed by the results of the study.

رثاء المـدن فـي الشعـر العربي في العصر العباسي (132 - 700) هـ (732 - 1100)م == Elegizing Of Cities In The Abbasid Poetry (132 - 700 A.H.) (732 - 1100) A.C

اسم المؤلف: عبد الله بيرم يونس
اسم المشرف: غانم سعيد حسن الطائي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
المستخلص: Elegizing (Rithaa) is generally considered one of the loftier poetic purposes. It is the supreme and superior one. Elegizing of Cities is the more - exalted kind of Elegizing. The poet lets his country and home cry because he loves them and feels unhappy and pain when he loses them. He, by that, does not wait to be rewarded from someone sooner or later. This type of poetry is characterized by sincere emotion and deep feeling of sorrow and sadness.Standing on debris in the ancient Arabic poetry, by which the line of poetry be started, is a great evidence that art of elegizing is closed to the Arabic man's deepness and feelings. This standing was not upon the first origins of cities elegizing art, which was prosperous in the Orient at the Abbassid era by reason of unsettled political situations for some time and of foreign invasion at other times. Poets lamented their cities when they were destroyed because of interior and political troubles and affected by the natural disasters and calamities such as earthquakes and floods as well as occupied by their enemies, crusaders and moguls. Baghdad elegies (197 A.H.) were the oldest cities ones. They were the truest as to sorrow. They preceded well - known Andalus cities. This study showed that the Orient people preceded Andalusians in cities with regard to cities Elegizing.When he was elegizing his city, Abbasid poet was affected by the ancient poetry from which he derived many expressions and forms. Also, he was obviously affected by Islamic principles that imbued all ideas, forms and meanings

البحــث اللغــوي عند السيد محمد باقر الصدر == Al - Sayyid Muhammad Baqir Al - Sadr's Linguistic Study

اسم المؤلف: حسين مزهر حمادي
اسم المشرف: عبد الحسين علك المبارك
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:
المستخلص: This is a study of the linguistic efforts of one of the most significant modern figures in the field of the science of origins and sources of Fiqh;namely, Ayatollah Sayyid Muhammad Baqir Al - Sadr It investigates his works on Sources of Fiqh ,especially his book. Lessons in Science of Sources as well as his investigation of External studies which one of his students, Sayyid Muhmood Al - Hashimi published under the title, Papers in Science of Sources A descriptive approach has been followed here to trace back the linguistic phenomenon on the part of the linguists on the one hand. On the other hand the very phenomenon of language is investigated as part of the work of the scholars of Sources. Finally, this investigation covers the point of view held by al - Sadr to trace the methods followed by such scholars and the their views so as to anchor at the recognition of the seriousness and mastery Al - Sadr practices while discussing and evaluating earlier linguistic view points. As far as the section on the thought and viewpoints of Sayyid Al - Sadr ,is concerned it analyzes these viewpoints into their main components and supporting ideas to pinpoint the sources from which AL - Sadr has drawn his own opinion when developing his view points here and there Then all that is of some relevance to what Al - Sadr suggests whether held by those pioneer linguists preceding or succeeding him has to be matched to arrive at the originality and novelty of his very suggestion or opinion By so doing , the researcher aims at showing the application and value of Al - Sadr ‘s contribution to language and interpretation of certain aspects of the very phenomenon of language. To outline the thesis, one may say that this research work falls into two parts preceded by an introduction on Al - Sadr biography including the features of his linguistic approach. Again, each of these two parts subdivides into two chapters. The thesis ends with some relevant results. Part I is entitled Sound and Meaning. The first chapter of the first part is on the source of meaning This chapter falls into three sections.Chapter Two carries the title of A Variety of Semantic Patterns. This chapter divides into two sections : Factual and Figurative language and Equivalence and Association. Part II is given the title, Letters and Sentences. Chapter One is on letters and it is divided into two sections. On the other hand, Chapter Two is has got the title of Sentences. This is also subdivides into two sections.The first and most important result of the present research work is the description of the theory developed by Al - Sadr. This theory can be added to the two traditional theories of sources of language. In the light of his new linguistic theory, Al - Sadr explains the origin of language and how sound is associated with meaning in the field of semantics. Al - Sadr's novel theory is called “Approved Association”. In this study of Al - Sadr's theory, the researcher has done his best to shed the light on the very linguistic theory under investigation discussing its basic components as well as its knowledge bases and linguistic dimensions within the frame of modern linguistics. Thus, this is a comparative study that seeks the application of such a linguistic theory to the significant interpretation of the initiation of meaning or semantics emphasizing the first connection between word and word meaning. Furthermore, among the other results of this study is the exposition of the various view points held by Al - Sadr. These views cover matters such as reality and fiction, association and equivalence, function words and their meanings, the use of prepositions as well as types of sentences. Al - Sadr's views have dealt with almost all aspects of language; starting with the word and ending with the whole sentence. Al - Sadr's efforts reflect this unique pioneer's own brilliance and innovation.. It is to this man, one may safely relate the invaluable innovation.that can never be matched in linguistics.

الخطاب الشعري في لافتات احمد مطر

اسم المؤلف: محمد وليد محمد
اسم المشرف: ضياء راضي محمد الثامري
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة البصرة
اللغة: العربية
مكان الجامعة: البصرة
الصفحات الاولى:

شعر رثاء الامام الحسين ( عليه السلام) في العراق ابتداء من سنة 1100هـ حتى 1350هـ : دراسة فنية == The Poetry Of Elegizing Imam Hussein ( Peace Be Upon Him) In Iraq Beginning From 1100 A.H. Till 1350A.H. Artistic Study

اسم المؤلف: خالد كاظم حميدي الحميداوي
اسم المشرف: علي كاطع خلف المحمداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Since the peoples' culture, their intellectual progress, and their position among the nations' and peoples' culture are contingent upon their thinkers, creative geniuses and experienced leaders, I started to deal with this subject believing in this vision and discussing the authors opinions reading their minds and notions about the personality of Imam Hussein (peace be upon him ) as he represents a prominent signpost of super honour and immortality, and it would be of most important if we knew about the emptiness of the critic field that took up the elegic poetry of Imam Hussein ( peace be upon him) during the Middle Age as a subject equivalent to its other critical studies.The thesis form and its scientific subject required to be devided into chapters preceded by an introduction and ended with a conclusion followed by a summary about the elegists of Imam Hussein (peace be upon him)mentioned in this study. The introduction dealt with the Husseini elegizing march formed during the Pre - Middle Ages, and the form it adopted as a method, then the disagreement and agreement points of the nature of the Husseini elegizing during the Middle Age. In the first chapter, I dealt with the structural form of the Husseini elegizing, in which I studied the setup of the poem, stanza, sonnet and pentameter, followed by a talk about the fictional narration, which is considered as a texture connecting the poem parts.While the second chapter revealed the nature of the language of these elegies, their expressions, structures and styles. The third chapter studied the rhythmic setup of the Husseini elegy, and was devided into two sections. The first dealt with the extemal rhythm represented by rhyme and meter, while the second one studied the internal rhythm such as paronomasia, run - on lines, rhyme, internal rhyme and repetition. As for the fourth chapter dealt with the poetic image constituents and divisions of personification, embodiment and humanization. The study required an analytic descriptive method that tends to be somewhat normative.The references that the researcher adopted were distributed to the poetic divans (printed manuscripts), in addition to the poetic collections that included the poetry of this era. While the old and modern books of criticism, rhetoric, grammar and linguistics were my basic references. The difficulties I faced were many , of them were the long subject of the study which resulted in the multiplicity of the poetic texts, difficulty of reading the manuscript due to the intermixing of the copies lines, and the fewness of the references that studied this era that led the researcher to buckle down to arrive at a number of results , of them diminishing the belief that this era is called the (Dark Age) due to the multiplicity of the literary works produced during it - rather the literary production is the most outstanding phenomenon of its creativeness and existence, in addition, the Husseini poem had comprehended all types of artistic setup in terms of its external form, its structure pattern , maintaing the pedigree of its language and contents, and its being free from grammatical mistakes, as well as using the meters and rhymes that were greatly used during the pre - Middle Ages. The most important feature that distinguishes this period is its sensuous images which constituted a great portion of its total.This study could not be achieved without the great efforts presented by the Assistant Professor, the Supervisor of the thesis, Dr. Ali Gatea Khalaf Al - Muhammadawi for his invaluable guidance and striking advice which were the best support to arrive at these results.Recommendations : At last I'd like to review a set of suggestions, the most important of them is inviting the researchers to write creatively about this era as it is worthier to be studied and to reveal its concealed pearls, and to study those poets separately as I'm sure that we would get a great linguistic and literary heritage. I also suggest studying the Husseini elegizing in the other countries during the Middle Age.

ادب الشهيدة بنت الهدى القصصي : دراسة في الفن == The Fictional Literature Of The Martyr Bint Al - Huda (Study In Art)

اسم المؤلف: قاسم نجم عبد الربيعي
اسم المشرف: علي كاطع خلف المحمداوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Al - Alwyaa , the martyr , Bint Al - Huda had many novls and short stories.In the Field of novels , she wrote " The Virtue Wins " , " Two women and aman " , " That who looks for the truth " and " A meeting in the hospital ". In the field of short stories , she had three groups " I wish i knew " , The lost aunt " , and " a struggle from real life ".The experience of the Martyrs narrator had a difference in the artistic level , sometimes , in the simplicity of froms inspite of good themes as in her novel " two women and a man " or in her short story " The lost aunt " but in some texts , we find a high artistic work written by a professional writer who knows how to write as in her novel " The virtue wins " and in her short story " The voice of conscience ".Althongh the experience of the writer had a growth in quantity , it witnessed agrowth in quality also. The Martyr narrator and through her understanding for the philosophy of writing stories works to define all the differences in life , its opposites and its basic unities through the credence on many elements , so we find in her stories many historical texts , verses , proverbs and wisdomsThrough the use of those implements , she was able to understand what is found in life and used it in her stories. The story for Bint A - Huda had enumeration directed by an artistic hand and sometimes , we find dialogues, and dramatic scenes and description and the credence on the Poetic language in many of her stories especially the short ones.It is a kind of contrast , the writer used it to reveal and discover the false ideology of the other discourse as adiscourse that produces the loss and poverty.These are some of the artistic features which we noticed through the study and research , but what is important to us is that which is related to the " martyr narrator " herself and her position in the world of literature and art especially in the field of novls and short stories.The martyr narrator has a clear understanding of the circumstances in which she lived. she knew the historical , ideological and social structures in her society and she worked to absorb and re - build them in her stories. This shows us that the writer interacts with those complex circumstances and work with a clear thinking that gives her the chance to destroy the negative aspects and disclose them in her stories and made the reader takes the side of the positive - voices and ideas that the writer wants to explain in her stories.The martyr writer, in all of her stories was interested in the struggle between the good and the evil and she did her best to make the voice of the good , the highest , and make it the basic way in human communication. In her rich experience which contained , what is artistic , scientific and what is political , she was abl to disclose the depths of the humanitic soul in all its kinds which she had known well. we are in front of awriter who watched and understood her socity , so the story for her , is that which looks for the meaning , principles and the virtue in aworld in which the principles had confused. In her novel " The virtue wins ". we find ourselves infront of a trial of the humanstic decay in one of the Moslems houses and in her novel " That who looks for the truth " we find ourselves sympathize with that girl and look together for away that leads us to the bright truth which is represented by Islam.

المعنى في النقد العربي القديم حتى نهاية القرن السابع الهجري

اسم المؤلف: حسين لفتة حافظ الزيادي
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Meanig in its simplest Logical definitions is : the copception or idea on the technical structure of the poem and the poet language a and it became clear that there is un acceptable kind of praising because there is agop between the receirer and the technical effect the same method was followed with the other poetic purposes revealing the goodness and badness elements of the poetic purposes by balancing and throwing lights on the defects and trying to amending it in the second chapter a studied the meaning criticism standards according to the critical opinions that are set by the critics and rhetoricians and how did thes standards became fixed basis on which the scholars depend to deduce the basic principles of studying the poetic texts , the most disting uished standars are, honestg , exaggeration, relingion , clarity and ambiguity , these are relating to the poetic meaning and the poet taste and the effect of civilization on that taste.A throu lights on the civilized development that occur in the abbasid era due to the prosperity of that era the arabic criticism issues and its effect on meaning hare been dealt with in the third chapter emphasizing on orgnizing orgnizing , nature, attribute, ancient,modern and poetic balancing or scaling , in a delition to the types of meaning and its significance, where a noticed that each of these issues has its deep effect on the poetic meaning a ccording to era through which these issues passed , and a stopped with its mostdisting uishd figures suchas al - jahidh , abdul - qhaher al - jerjany and hazim al - qhertajenng.in the fourth and the last chapter a dealt withrhetorics, issues and its effect on meaning the research emphasized on eloquence, summarization , description , metaphor and imagerg, where it becameclear that rhetorics is associated with the arabic criticism and handnever a purted from it till the late ags, and that most of the critics are areb rhetoricians such as ibn selam, al murad. ibnqhutaybah and ibn tabataba. there is no doubt that rhetorics had affeeted the poetic text and meaning because it is away to understand the text and findout its beauty poins by the image. the rheterical studies were fleurished dwe to the holy quren which is the eloquence source and the basic motive of these studies that tried to know the prodigy secret of the quranic text.in the conclusion a set the most important results of this study, such as.1 - the research reveals the critics interesting on ' the meaning of the meaning ' which is on element of the literary theay and the creativeness of linguistics, because the talked about the first branching of meaning aor about including mang meanings which they colled' the other'secend' meanings2 - the research shows that the reason of the less interesting of lamentation poetry is that this kind of poetry did not suit what the arab wanted for himself of strength, because lamentation poem usually involvedthe human emotions which rereals weakness withcraying and sorrow a and the arab refused that due to the societg nature at that time. 3 - the criticism theory is as ancient as arobs themselres, even that it was not with its modern concept, before the third centuty of hejira, it was perfeed within the critical judgement of the pre - islamic are.4 - the critics emphasiza the grammatical ruly and standars in the arabic speah, poetry and prose, because folloing these rules is a conditions for the speech rightness, and in literature we ask what is beyond rightness, it is creativness.5 - one who check the arob critics efforts who deal with the menning , will find that those critics and the poets were aware of this case importness, so they dealt with it early a and its derelopment was due to the arabic educational status, change.6 - through the research of the poetic purpose and the meaning effect which affect the ancient arabic poetry because by it we can define the poem weather it was satir, courtly ….j,e there was akind of independnce and throwgh this purpose the critic presented his ideas and opinions.7 - the research shows that the ancient crities, opinions had aneffect on the ancient arabic poetry a but sometimes these opinions were not accept able by the creative poets who has his own rules that lead him away from the critics judgement.8 - in spite of the quranic emph asis on the moral principel of the poetic text, through the research it appears that the arabic criticism went away from this field that it saperated the arts from morals.9 - the plagiarism standard rereals that it is possible to njudge the writer and his position and interactien with his enviornment. in addition it helps us to know the resoures of the writers and their psyhchological direction and their educational and intellectualsituntien ,so this standerd is abasic one for the literary criticism. 10 - the study shews that praising lexicon in the ummayed era became axiture of the in herited pre. is lamic mennings and the new sslamic mennings as wellas the environ ment effects and the general life development in the ummayad society

اثر التراث الجاهلي في الشعر الاموي == The Pre - Islamic Heritage Effect On The Ummayad Poetry

اسم المؤلف: حسين عبد حسين
اسم المشرف: حاكم حبيب عزر الكريطي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Each nation has its own heritage which it celebrates as it is considered one of its continuation and immortality basis, a heritage that ensure interconnection of its present time with past reaching the future. Our literary heritage, especially the Pre - Islamic one has derived its facts from the nomadic environment to which it belongs, so it portraited it in the truest way of expressing its values, habits, traditions, thought, achievements and exploits. Hence, it has become a mirror in which the life aspects manifestations would be reflexed, and an alive image of the life status prevailing that period.This heritage has remained as a fountain from which the poets drew their need throughout ages of them is the Ummayad Era.The nature of the subject required that the research should be organized in three chapters preced by an introduction and a preface and followed by a conclusion.In the introduction, I referred to the heritage concept linguistically and conventionally, explaining the objective and the artistic causes hidden behind the Ummayad Poets inclination towards the Per - Islamic heritage and investing it in their poetry.In the first chapter, I have deal with the social tradition represented by the virtuous and the habits Arab values ,the Arab days, and the historical personalities and hreed horses and camels.While in the second chapter , I have studied the intellectual tradition and what legends and beliefs it contains such as AlGhurab, Al - Shaqraq, Al - Haman, Al - Sada…etc.In the third chapter,I have deal with literary and artistic tradition.In the literary tradition I stopped at the names of the poets that the Ummayad poets took from ,and educated in their poetry.Also I have stopped at the proverbs as they considered a social art and one of the literary culture's fountains while in the artistic tradition I talked about the poem artistic structure which is comprised the introduction, details and the main purpose. In addition, I have studied the language in words and in structure and stopped at some structures found in the Ummayad poem.As for rhythm, I have explained the nature of the poetic meters that the Ummayad prefer when writing poetry and studied the artistic image explaining the extent of the Ummayad poets’ being affected by their ancestors and their following them whether on thelevel of the single verse or a set of verses, or an the level of the whole poem. In the conclusion, I have reviewed the most important results that the research reached, of them were the following : ?? The heritage of any nation do not stop at the margins of a specific era. It is a continuous series that takes from each era what enriches it as influence and being influenced is acharacteristic accompanying each heritage.?? The literary heritage(artistic objective) is the main source of writer's education in general, and the poet in particular.?? The nomadic Arab values the Arab inherent have taken their to the Ummayad poets under the influence of the party that has blazed again.?? The Ummayad poets have made the pre - Islamic days one of their education sources, and utilized them in their as they were considered a record of their ancestors’ achievements and exploits ,and exploits, and bright pages of the history of their life.?? The Ummayad poets utilized the myths to relive their feelings and sentiments through subjecting then to their artistic experiences and their psychological sufferings.?? The poets’ talk about the poetry finds was not stamina from a belief or faith, but it is an attempt to show their artistic abilities, and their differentiation from their companions.?? The Ummayad poets followed their ancestors’ method in the artistic structure of the poem which is formed of three parts(introduction, details and the main purpose), with stopping at the margins of the sheer imitation, but they strived for renwal inside that arts framework.?? The pre - Islamic language was the basis that the Ummayad a doped in poetizing their poems, as there is no attempts to replace that nomadic language by other one.?? Most of the images that appeared in the Ummayad poetry were derived from the desert environment in which they were brought up or were close to.?? Their being affected by their ancestors’ image has been varied from the sheer negative imitation to perceiving those images and subjecting tem to their personal experiences then adding some adding some artistic touches to them.

الاتجاه البياني في الدرس البلاغي القراني الحديث == Rhetoric Trend In Modern Koranic Eloquent Lesson

اسم المؤلف: احمد عويز حسين
اسم المشرف: علي كاظم اسد الخفاجي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: النجف
الصفحات الاولى:
المستخلص: Since ancient time the eloquent lesson has formed a field (in which the issue of Koranic miracle) occurred which has been still one of the serious issues in the Islamic thinking , so arguments increased and views conflicted about this miracle. It is no doubt that the agreement point that unified scholars and their views is statement of the rhetorical miracle in a way that even the rhetorical lesson was a fruit for several questions which raised by the Koran and in which the scholars engaged, and this is what permitted the birth of rhetoric which contains books that is hard to be enumerated and explains secrets of the biggest Arabic book.The eloquent lesson formed the corner stone among rhetoric researchers particularly if we look to its widespread for the ancient people. In spite of the increase of these studies, some contemporary researchers could classify and study them and make use of their efforts in such studies, but I do not know if one of these scholars who dealt with the Koranic rhetoric has specified (the rhetoric trend in the modern Koranic eloquent lesson) an independent academic study that reviews its studies and explains their approaches and their different views. Thus, I see submit a study of this important Koranic field that might fulfill a part of this gap.I would explain that I do not mean by the word "modern" the "modernity", but I mean its general meaning which is studies in our present time , as well as I did not deal with university theses for the limited period of writing the master thesis and the difficulty of counting such studies. I did not deal with the studies that adopted the scholastic understanding so the research is based on observing published studies that exceeded the scholastic understanding; thus this falls into two parts : 1 - Studying the rhetoric from its widest significance.2 - Studying the rhetoric in the light of the term "image" if thecontemporary lesson in the light of the evolution law of sciences entailed theobligation of knowing the heritage effort and its results, it should be of a wide scope so I think explaining two points : did the rhetoric lesson make use of the heritage , have a contemporary perspective of it, or stay centering around the heritage understanding without adding anything to it?The profile of the research entailed to include two parts that contain four chapters, as well as two introductions and a conclusion as fellows : The first part is specified for those who taught the rhetoric in its widest significant. Its introduction explains the heritage understanding of the rhetoric. The first chapter of this part is specified for researching the significance of the term "rhetoric", its limits, and its researches for those scholars. The second chapter is written to explain the views and texts of those scholars in their practical studies. The second part concerned of studying those scholars who deal with rhetoric in the light of the concept of the term "image". Its introduction explains the concept of the term "image" and its attachments for ancient and modern scholars. The first chapter of this part is specified to deal with the significance of the term "image" and its limits for those scholars, while the second chapter explains their views and texts in their practicality of the Koranic text.The material of the research is formed from basic references, as well as some ancient references like (Miracle Evidences) and (Rhetoric Secrets) for Aljrjani , (Discoverer) for Alzarakshi ,and others.The scholarly honesty entails referring to closely related studies of this research, like ( Artistic imaging theory in Said Kutb ) for Salah Abdul Fatah Alkalidi, and the master degree thesis ( Rhrtoric trend for Koranic expression in Dr. FadhilAlSamra'ai ) for Saad Juma Salih ( Unversity of Dyala). Though these studies are important in this respect, , their trending still do not explain the features of the rhetoric trend as a whole.The research concluded the following results : 1 - The term "eloquence" appears to those scholars who research it in its widest significance into categories : some scholars considered it the rhetoric as a whole, some of them see it combining (eloquence and semantics) others make it parallel for the concept of verse, and another scholar makes it represented in all the secrets of the Koran in its letters and words. Those scholars agreed to research it on the (Phonological and Semantic) level in four constituents (letter, word, sentence and text)2 - Their approach in researching the Koranic letter concerned in letter contexts, and they see that a letter has its own meaning resulting from considering explicitly; thus, there is no addition, alternation or estimation in letters.3 - Their approach in researching the word concerns in following it in its contexts and counting it; therefore, this leads them to stating the thorough (intention) in Koranic uses, so I refuse stating the (synonymy) in the Koranic text.4 - Their approach in researching the Koranic phrase concerns in two points : phonological aspects in which they researched the phonological combinations which are produced from combining letters and words in the Koranic verse. The semantic aspect which was researched by some scholars in the light of concept of verse without showing the structural phenomena , while others concerned in researching these phenomena and explaining their semantic effects. 5 - Their approach in researching the coherence and textual cohesion is clear in the observation of relating verses and chapters with weakness relationships and in the research of semantic and musical accord phenomena, thus; this is what make them closely related to the researches of the ancient scholars of relativity , in addition to the contemporary text scholars.6 - The view of AlJarjani of (imagining meaning) is parallel to the term of (artistic trueness) for the contemporary scholars.7 - They disagreed on the significance of the term of image into categories.Some of make use of heritage and offer a contemporary definition which is finding a relationship between two realizations that are not related , and others see it stick in mind when a certain expression is heard , which is also a modern understanding , while others see it lays in researches of the known rhetoric.8 - Their approaches in researching the image came into two categories. Someof them moved into a description tendency concerning of observing the movements of concrete things from the reasonable to the perceptible without getting into other idiomatic details in addition to their concern in observing the general artistic phenomena , while others moved from a standard tendency starting from mentioning the rule and bringing witnesses as evidence for them. It concerns in limitness and classification; thus , their results often do not differ from the results of ancient scholars.Finally the researcher recommends the importance of studying the academic effort of university theses and researches which represent the rhetoric trend in the modern Koranic lesson which is a worthy researching subject.I thank all those who help and make it easy for me to produce this thesis in its final form and thanks for God.

المولد والمحدث في المعجم الوسيط : دراسة لغوية == The Generting And Up Dataing Tearm In Al Wseed Dictiory As Alngual Study

اسم المؤلف: وليد حمدي عبد الغريب المشهداني
اسم المشرف: خليل ابراهيم حمودي السامرائي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: وتعد هذه الخلاصة هي ابراز المواضع في البحث والمستخلصة منه، فان اللغة بصورة عامة قائمة على مبنى ومعنى، وهما اللفظ ودلالته، فان مشكلات العربية المتعلقة بالدلالة اكبر واعقد بكثير من مشكلاتها المتعلقة باللفظ؛ ذلك ان الدلالة تتعرض للتغير والتبدل والتطور اكثر م | The Arab language is always. processing continually with all life. Stages, its life is depending upon its speater and its renewing within word development.In order the linguistics and phynolism, agree on. undoubted fact up it. saing, a language is a life as other. life thing subjected to the growing law. and belonging. to devel opment nature, we are, however, will not go as far. to believe compeea compeleally. in this passage, or in other words, we don’t under stand. the elvelopmen tearm and we will not accept. the gap dhat. isoiateel us or it from the folkiore or uprooting from it, hs no expectable that we ignore tearm and principle by all meam, that the opinion thatwe shold. adopt in dhis issue that language development in from. Of it qulifi cation, teams and amethodlyy listed by the linguistics, Accor ding or keen. on to the social. commemtmemt methodolgy is not as aguarding ship. implementet. on or langual conspet or akind one pold op inion and yesrrvation privcy. on thought or selfsh but rather it is akind of commentment in the practcal. teams and issuerquired in this issue, or dealing with this case and or cousion requir. to do or job to the. language, thuswe become occur in this study and keem on general. methodologyin spire, that the language still has theability to provd what is the best, and title on society we live. This study presentied, that. the arbic language is the most wide suprior. langnge what we rech till now is few or abit of imformation. amd most of imformatiom has dided out as the responser s passed the way well. This study cmposs of three. chapters, the first one I s divided in to seven (7) researchs In the first chapter. I deal with ALWASSD, and the first research incounler to its outher autograqhy, the secmd one his works. this is, however, is qlso. discussing the studen and the critisis, the fourth : reseawch is discuss its postion among otherworks, then the fifth research is about his methode and aproche iwhile the sixth one in its referemce, I isted the seventh 7th as ablamce contract. beteen ALWASSED (inter midi) dictonary and the orgnal langnage text. the second chapter is composs. of ten (10) researches, the first one is identifing the gemerter as a alangnage, the 2th one is in reform, the 3th. research is showing. the community rule in recognazed the generating, the 4th on is shwing the jmportamt of the generted stndy, the 5th on, however, is rumning around. the historical pont view the 6th. is concering in refermce and gemeratiry the 7th. one is discussing the meaming and its weak point. The 2th one is about. the symintic and contemt. the gth in idintifing and the gener ated its kind The concluison in first chapter or in the bth research. concluion about generating idientifed and recognizing. Langnage tearm the jth chapter is divided in twa, I in conted in the. first the upgreter in the lamguage, the 2th is about. the upgreater peform, the 3th recognizeek. historical point of upgreater. or followed by the 4th researchjst. subject concering the upgreater study improve, the 5th one is deeleaing, the understaanding historical view, the 6 th researche subject is abot. theupdating in the language, the 7th. in symantic end its changing, the 8 th in context and. symintices. then the 9 th in gemerated understinding and its forms the conclousion of. the first chapter. in the 10 th reseach. is about the langual standerds understanding. This study. composs of 3 chapter, the first one is divided in to 7 reseaches in the first chapter, dealing results and recommendtions, hoping. to siasifed the whole rerchse reauirement with the updading in languaye, the 2th researehg is about updataing. in reform, them the third is about the historical point view joof. updating, them the 4 th one. on the importamt the updating study, the 5 th on the Egpition langual. society and privte and individuau role, the 6 th research. Subjeect is abut. the updading in the languge, then the 3th unite. con culded by the 7 th resrvaion Ials. concluded. the whole. research by

الغربة والحنين في شعر الجواهري

اسم المؤلف: محمد حسون نهاي
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

البناء الفني في شعر ابن زمرك الاندلسي 797هـ == The Technical Struchure Of The Verse Of Ibn Zumrak Al - Andulsi

اسم المؤلف: علاء طالب عبد الله العاني
اسم المشرف: سحاب محمد رشم الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: Islam ruled Andalucia for eight centuries during which Arabs Iaid the foundations of a great civilization. Andalucia became the bridge on which the Arabic culture crossed to Europe. When conflicts and domestic differences spread, the nation split up and became too weak to stop the Christian attacks in the north of the island. However the Arabic cultural heriage remained as a witness of the Arabic mental talent represented in various fields of Knowledge. Hence research work should reveal those distinguished masters of literature and their precious treasures. Ibn Zomrak was of those masters who marked an important stage out in the history of Arabic thought in Andalucia during a critical period of a threating collapse. He lived in the first half of the eighth Higri century and became one the distinguished people of the cultural movement in Grenada where litrary life flourished despite the deteriorated political conditions and the retraction of Arabic rule and the fall of the big bases in Andalucia. Ibn Zomrak was one of the Andalusi poest hose poetry was characterized by Keebing the inherited from and exploring new ideas , meanings, and images. He was one of many other poets whose potry needs to be exblored and revealed to readers to establish one pillar in the Andalusi studies. This study attempts to shed light on one of the poets of Andalucia whose poetry was scattered out in various Andalusi and east and west Arabic countries. The study collected, analyzed and verified his poetry and put it in its proper place among the poetry of his contempoatry great poets such as Ibn Elkhateeb, Ibn khatima, Abi - El - Bakaa, as he had a great aristic talent of writing poetry. The study is made up of an introduction, four chapters, and a con clusion. The introduction deals with the poet's evvironment which represents the geographical, political, cultural and constructional aspects of Granada; the birthplace of lbn Zomrak, and all of its surroundings such as hills, mountains, rivers, gardens, etc. In the introduction l referred to the policy adopted at home and abroad and the treaties of reconciliation and and friendship between the Kingdom of Granada and its neighboring countries. part of the inteduction tackled the conflicts among the members of the ruling family and the political relationships between the Kingdom Granada and the friendly Kingdom of Morocco ( Kingdom of Bani Mareen ) and the enemy Christion Kingdom of Castilla and Argoon. Then I dealt with the cultural environment and the literary development as a result of Bani Nasr's encouraging of a group of distinguished poets, thinkers, linguists, scientists, and doctors and the establishing of Yousofiya School and recruiting the best qualified teachers for it

النكــت فـي القـران للمجاشعي ( ت 479هـ ) : دراسة نحوية

اسم المؤلف: طالب فرحان سعـود
اسم المشرف: محمد علي حمزة سعيد الاسدي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

الفنون البديعية ودلالاتها في الحديث النبوي الشريف : دراسة في متن صحيح البخاري

اسم المؤلف: احمد شكر محمد مهاوش
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: The Quran and the honest speech and the other Quranian studies are the origin step for the grammatical studies , the speech science after the Quranian science are the best sciences and the highest sciences. I achieved my hope in this matter (subject) of studying when I chose this subject. So I wanted to study one of grammatical arts in the speech of our prophet and after series of advices and suggestions come (The excellently arts and its signs in the honest speeches of our prophet study in deep saheeh AL - Bukary) the tattle in this study by the suggestion of supervisor Dr - Jaber AL - Qurakuly and encouraged me some reasons the first : the subject didn't deal with it in academic way except some signs in number of some resources which dealt with some speeches concerning the grammatical sides (The prophet speech from the grammatical side) for Dr - Iz AL - Deen Ali Sayeed and (the literature of prophet speech) for Dr - Bakry Shayk A mean and (the arts photo in prophet speech) for Dr - Mohammad AL - Sabbak. The second : The Quaranian studies took large space as compared with the studies of the prophet speech , which didn't take as they deserved from studies specially the grammatical side. The third : the attractive sights for the beauty of the honest speech through the discovery of the product of the excellent arts in. Nowadays we found numbers of the sounds set out from here and there and wanted the study of the AL - Badea science and the study should be accurate and concerning with psychological state for the authors which appeared in the production of phonetical aspects. From here was my studies presented by the best book after the God's book. From the honest speech books adopted by Abi Abid Alla Bin Ismaeal AL - Bukary (256) whose speeches are taken by the sciences : - At the beginning specify the understanding (AL - Badea) in language and repairing and studied how AL - Badea developed from Ibn Motaz (298) and ended by the speaker AL - Qezweny (739) and dealt with the importance of AL - Badea and explained the effects of the prophet speech. The first door was in tittle (The excellent arts in the prophet speech practical speech) and the first chapter was in tittle (The excellent arts in the honest speech) The researcher dealt with AL - Badea arts (the methods and matters) The researcher dealt with all the matters and supported by the Quran and poems , and also the researcher stopped in front of each art and known them. He followed their beings in the honest speech presented from that by numbers of evidence. The second chapter carried the tittle (The excellent arts pronounced in the honest prophet). The researcher dealt with AL - Badea arts and he depended on the same way which depended in chapter one. While the second chapter it came with atittle (Applied the excellent arts in phonotic level) The researcher dealt with the excellent phonetic art which presented in chapter two from the first door , and analysis the evidence which came in each art in accuracy. The researcher ended with a conclusion contained the major thoughts and the important results which he arrived it. The research depended on (saheeh AL - Bujary) the major research for speaches , and also depended on some of the explaination of AL - Bukary , as AL - Kermany explaination (786) called (saheeh Abi Abid Alla Al - Bukary with Al - Kermany detailed) and the explaination of AL - Aeiny (855) called (The readers with the explaination of saheeh Al - Bukary) and the explaination of AL - Qsstlany (923) called (Irshad AL - Sary for saheeh Al - Bukary) and he also depended numbers of grammatical books from the beginning from the book (AL - Badea) to Ibn Motaz (296) to (grammatical arts) for Dr - Ahmed Matloob , then (Arabic grammatical) for Dr - Nasir Halawy and Dr - Talib Mohammad Al - Zawbay , and others explaination and qurnian studies (AL - Kashaf) for AL - Zarkashy and (The skilful of AL - Quran science) for sweaty and there were some of the aspect of language (Alain Dictionary) for Kahlil Bin Ahmed AL - faraheedy , and (The dictionary of the language measurement) for Ibin AL - Fares (Lisan AL - Arab) for Ibn Manthoor helped the research with phonetical evidence. I should mention for the difficulties which faced the research , as the resources which talked about the prophet grammer which needed accuracy because said by the prophet who get Divine inspiration , and also the safety conditions which surrounded the country which effected on the researcher to get the resources in the libraries or from the people who have such kinds of this science even they could find in the city , Baquba , So all the difficulties faced the researcher because of the American occupation and we ask our God to remove it from our chest. I grate my friend shaher Jalal AL - AZi for his generousity and helping me too much , and also I grate each one helped me from near or far. I put my work in front of good teachers , so I wish they admired with it. I ask for request if there is amistake. I ask my God to accept my work and I thank my God too much because of the benefit I get. Finally I beg my God to bless my work and Allah's blessing and peace on our prophet Mohammad

علل التعبير القراني عند السمين الحلبي (ت756هـ) في كتابه الدر المصون

اسم المؤلف: رنا هادي صالح الالوسي
اسم المشرف: جبير صالح حمادي القرغولي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:
المستخلص: This study is concerning with Quranic Expression Defects in the explanation of AL - dur AL - masson to AL - Sameen AL - Halabi. Findings of this study can be summarized as follows : (1) AL - Sameen AL - Halabi was effected by his teachers especially Abu

ديوان ابن حجر العسقاني شهاب الدين ابي الفضل احمد بن علي بن محمد الكناني العسقاني (773 - 852هـ) : دراسة وتحقيق == Poetry of Aben Hajar Al Askalane : Artistic Objectivity Study

اسم المؤلف: حامد خلف محمد احمد الدليمي
اسم المشرف: حامد مزعل حميد عبد الراوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: Thanks to Al - Mighty Allah, the God of the universe and peace be upon his messenger, the master of all messengers and those who follow him kindly till the end day. The glorious arts represents his hamed (PBUH), his sayings, deeds, orders and thing he pr

الاتجاه النفسي في النقد العربي القديم حتى نهاية القرن السابع الهجري == The Psychological Direction In The Ancient Arab Criticism

اسم المؤلف: ابراهيم محمد سرهيد
اسم المشرف: عبد السلام محمد رشيد الدليمي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: The (psychological direction in the ancient Arab criticism) is one of the most important critical directions as a result this study tries to concentrate on : the process of creation and innovation, the significance of the literary work on its owner and it

كتاب الايام لطه حسين : دراسة اسلوبية == Al - Aiam Days By Taha Husein : Astytistic Study

اسم المؤلف: حسن علي سرحان
اسم المشرف: حامد مزعل حميد عبد الراوي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
اللغة: العربية
مكان الجامعة: الانبار
الصفحات الاولى:
المستخلص: Stylistic studies have attracted the attention of researchers. They are becoming a major trend that tackles literature, be it poetry or prose. The present study attempts, an analytical veding, throng the stylistic approach, of Al - Aia'm (days) by Taha Hu

توسع المعنى في التعبير القراني عند ابن عادل في كتابه (اللباب في علوم الكتاب)

اسم المؤلف: احمد رجب حمدان الكبيسي
اسم المشرف: محمد امين بكري الكبيسي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: دكتوراه
اللغة: العربية
مكان الجامعة: بغداد
الصفحات الاولى:

ما ورد على (افعال) في القران الكريم : دراسة لغوية == What is Mentioned about (Afa'al) in Holly Kora'an Semantic Study

اسم المؤلف: صباح اسود محمد مصطفى العبيدي
اسم المشرف: سناء طاهر محمد عثمان النفطجي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

شعرية القصة القصيرة جدا

اسم المؤلف: جاسم خلف الياس عطران
اسم المشرف: ابراهيم جنداري جمعة خليفة الجميلي
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: اللغة
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:

المكان في نقائض جرير والفرزدق والاخطل == Place upon Antitheses Poets ( Jareer , Al farazdaq, and Al Akhtal )

اسم المؤلف: اسماء سالم يونس عبد الله المشهداني
اسم المشرف: رافعة سعيد حسين السراج
الموضوع العام: اللغة العربية وادابها
السنة: 2007
الموضوع الدقيق: الادب
الدرجة: ماجستير
الجامعة: جامعة الموصل
اللغة: العربية
مكان الجامعة: الموصل
الصفحات الاولى:
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