البحث — المستودع الرقمي العراقي

نتائج البحث: 17 من أصل 117

العمارة والمجتمع : دراسة تحليلية مقارنة بين الواقع الاجتماعي والنتاج المعماري العراقي في القرن العشرين Architecture And Society : A Comparative Analytic Study Between Social Context And The Iraqi Architecture In 20Th Century

اسم المؤلف: تحسين علي مجيد العزاوي

اسم المشرف: غادة موسى رزقي

الموضوع العام: الهندسة المعمارية

السنة: 2012

الموضوع الدقيق: هندسة العمارة

الدرجة: دكتوراه

الجامعة: جامعة بغداد - كلية الهندسة - قسم الهندسة المعمارية

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يتناول البحث اشكالية معرفية عامة طالما طرحت نفسها افتراضا نظريا قائما في مسيرة الفكر الانساني بشكل عام والمعماري منه على وجه الخصوص , الا وهي العلاقة بين العمارة والمجتمع , وفي خضم واقع عراقي معاصر كثيرا ما نسمع عن مشاكله او ازماته وعلى كافة الاصعدة ا | Research deals with a general epistemic issue has always been set as a theoretical assumption in the march of the human thought in general and most notably in the architectural theory, that is the relationship between the architecture and society. And in related to the Iraqi situation, we often hear about its problems on all cultural levels including both social and architectural levels, the research comes as an attempt to retrace the course of the Iraqi architecture within the twentieth century by describing and analyzing the cultural and social changes in Iraq at that century according to the general theoretical frameworks in which the previous assumption is based on. The research consists of four main chapters in addition to the introduction and the conclusions. At its first chapter, the research considers exploring the general theoretical frameworks for the relationship between architecture and society through reviewing a collection of related literatures and theses to mark its problem which represented by " the insufficiency of the available theoretical knowledge for representing inclusive theoretical framework to include the relationship between architecture and society with the special capacity for both concepts ". Therefore the aim of the research determined by making such theoretical framework and then applying it on the path of the Iraqi architecture at the twentieth century trying to extrapolate it socially, in other words " study in the compatible relationship between the path of Iraqi architecture and its changes, and the changes of the Iraqi social reality within the twentieth century ". Based on that, the research on its second chapter considers defining the concept of society and what this concept include of sub concepts and of the interfering concepts most notably culture and personality which they represent in addition to the society three logically distinct actually overlapping patterns for the human social act, which is mostly performed in three general types. This chapter also deals with the concept of the social change and its relevance to the cultural change as a sort of harmonic changes. The third chapter was devoted to explore the indications of the relationship between the architecture and society by assuming the architecture as a social act subjects to three phases which are (the traditional phase, the rational phase including scientific rationality and value rationality and the emotional phase). And as a social phenomenon, it's available socially at four levels as (the physical level, the functional level, the communicational level and the ideological level) showing that each of these levels has its vocabulary and indications in which to measure the mentioned phases of actions. Whilst the fourth chapter contains a description and analysis for the Iraqi cultural and social changes which has been as a base to divide the 20th century historically into three culturally distinctive periods as (the first period 1900 - 1945 and its general feature is the cultural duality between continuing the local traditions and the trend of simulating the other, the second period 1945 - 1980 and its general feature is the rotional conflict of concepts between modernization and keeping heritage as two samples for rationality, and the third period 1980 - 2003 and its general feature is the emotivity of cultural experimentation to restore the lost ego). So that the research marks the three phases of architectural act at these three periods as the following : - 1 - The traditional phase : - represented by the first period and its architectural act which is featured with the duality of the local traditions and the classical traditions.2 - The rational phase : - represented by second period which varies between scientific modernization and heritage valuation as two opposite types for rationality in architecture.3 - The emotional phase : - represented by the architectural act for the third period and what it included of variable architectural experimentation which was mostly flavoured with selectivity and plurality Then the research ends up with a number of conclusions and general recommendations.

الخصوصية في العمران الاسلامي المعاصر : دراسة حول مفهومي الهوية واللاشرفية على مستوى النسيج الحضري والوحدات السكنية Privacy & Identity In Contemporary Islamic Physical Environment : A Study Around The Concepts of Identity & Privacy In Urban Fabric & Residential Units

اسم المؤلف: نورة نصيف جاسم الربيعي

اسم المشرف: نادية عبد المجيد السلام

الموضوع العام: الهندسة المعمارية

السنة: 2012

الموضوع الدقيق: هندسة العمارة

الدرجة: ماجستير

الجامعة: جامعة بغداد - كلية الهندسة - قسم الهندسة المعمارية

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: بمختلف انـواعها، وظل الفـن المعماري والعمـراني من اغنى الدلالات على تقدم الشعوب ورقيها. واذا كانت الحضارة هي نتاج شعب، او امة ما، في مختلف مجالات الحياة، فان الفن المعماري يعتبر احد اهم التجسيدات لكل المفاهيم، واختزال للقيم والمعتقدات والثقافات الخاصة با | In different periods, People express themselves through their civil activities in art, literature and different types of sciences, but the architectural art is still one of the most denotations of people advancement, because architecture reflects in its urban and architectural shapes - the habits, traditions, religious beliefs and social relations of the society.This research takes the terms (Privacy) and (Identity), and tries to find the relation between these two concepts in traditional and contemporary Islamic architecture. The main problem of this research is the lacking of the role of privacy in assigning identity. While the other one is the absence of identity in contemporary Islamic physical environment, so the research's purposes and aims are to define the role of privacy in identity. In addition; to define the indicators that upholds Identity in contemporary Islamic physical environment.Both individuals & groups need privacy as a daily quest. This lacking differs from environment to another. Its degrees also differ in one society because of many factors. So Privacy must be considered when designing any space for human uses. Privacy is considered the most important parameter affecting man - dealing with the space in use. Islam assured this privacy in different sources of the Islamic law (Holy Quran, Prophet's sayings, and Islamic jurisprudents). It had a role in forming architectural and urban shapes for traditional Islamic cities. So the research hypothesizes that "Privacy has the main role in the Identity of traditional Islamic cities". But modern urban fabrics have an unsuitable form for our traditions and religious values, separated buildings and outward looking design. If we talked about architectural respects in residential units - especially Privacy - we would find that it has disappeared, because of the repeating of western architecture which is not suitable for the traditions of Islamic society. Else the laws of these buildings do not have any conditions that organize the openings placement in order to provide Privacy. So people used different manners that verify privacy to their houses. So the research's hypothesis is that "the absence of Privacy in contemporary Islamic physical environment has the main role in the amissibility of Identity in both fabric & units".From here this research tried to study Privacy & Identity in architecture, and study the affecting parameters on their concepts. A case - study in selected models from Baghdad was chosen, so the research started by looking at Privacy & Identity concepts and tried to find what the characters of the traditional Islamic architecture are by sorting them into two levels : fabric and residential units. Then it would have a giving - back these characters to its juristic laws which were related to the Privacy concept in Islamic architecture, in order to verify its hypothesis.