البحث — المستودع الرقمي العراقي

نتائج البحث: 3 من أصل 3

تداخل اساليب الاداء التمثيلي في عروض المسرح العراقي == Interlinking of Artistic Performance Styles In Iraqi Theatrical Shows

اسم المؤلف: عتاب جاسم نصيف

اسم المشرف: عادل كريم سالم

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: دكتوراه

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يتفق كل الباحثين والدارسين في حقل الفن المسرحي ان لفن الاداء التمثيلي اسلوبين اساسيين احداهما (تمثيلي) والاخر (تقديمي) من حيث الاداء اذ تنضوي تحت لوائهما مدارس تمثيلية عدة منها الكلاسيكية والتعبيرية والواقعية والرمزية...وقد تولدت عنهما اساليب ادائية شتى | All the Researchers And Students In The Field of Theatrical Art Agreed upon That the artistic performance has two basic styles one of them is (performance) and the another is ( introductory) they included numerous performance schools among them the classical, realistic and symbolic schools…… From them numerous performance styles have been originated, opining avenue to the actors to introduce numerous of these performance styles with in the numerous concept of and interlinking of artistic performance in the single theatrical show. For achieving the purposes of the researcher in her thesis to recognize the machinery of artistic performance in single theatrical show so the research has come under the title (interlinking of artistic performance styles in Iraqi theatrical show. The research includes four chapters.The first chapter concentrated on the systematic frame of the research whereas the research problem dealt with an obstacle deters the actor performance considered the basic authority and the active element in theatrical show address which is as a result of the numerated school performance and their styles perplexion has prevailed in the theatrical performance so the criteriia have become imbalance as a result of ignorance resulted from this interlinking and non - distinguishing and awareness to the reality these styles, also the chapter includes the importance of the research ,its aim ,limits and assign the terms, while the second chapter includes theatrical frame , it contains three main categories under titles The first category : - the concept of interlinking in which I have displayed in this category the most important psychological, and Knowledge fundamentals of the interlinking concept The second category interlinking of artistic performances which I have reviewed the interlinking of styles in theatrical show of reading the text in a contemporary directory vision which will be subjected to the interlinking of new economical, political and social relations this will lead to interlinking in artistic styles which connected in its circumstances, stage and its reconstruction in away conform to the nature the direction of the modern vision. While the third category includes the machineries of interlinking of artistic performance styles in theoretical directions, I have displayed in this category techniques of artistic performance styles and its methods. The theatrical frame has produced indications, the most prominent of them are : - 1.Interlinking of artistic performance styles the in the research of new performance styles, new the artistic performances connected another styles references temporary connected with harmonious interlinking unity, in which the principles of mixing organizing, diversity , balance, harmony and rhythmic achieved the artistic effect which represent aesthetic tendency to attain the communication process between the actor and the spectator.2 - Mixing of artistic performance styles randomly doesn't mean in a random method without subjecting to unified harmony for their diversity with in the diversity concept in the unity, interlinking in styles, whereas the interlinking always move on the base of finding a central focus in performance in which and through them another performance styles move after interlinking with units of building personality, scene and action.The third chapter based on measures taking frame and it includes the structure and the specimen of the research that are represented in elected shows of the Iraqi theatre like ( Oteil in the kitchen), ( Macbeth) and(the Ghost)I have displayed in the most important and conclusions in the fourth chapterAmong these results : - 1. Thearitcal artistic performance styles interlinking which is process of liberating the actor tools from their usual expressional mode, and oriented towards new animation and movable existence being the interlinking in its essence mean movement concluded by the action in its dealing with things for revealing its hidden secrets then representing them in forms, images and expressional contexts of theatrical show address.2.Theatrical artistic performance styles interlinking means the organized technical and aesthetic structure of the whole relations of these styles inside the performance structure within central harmony, it is creative action in organizing the action of the actor and it is equivalent to organizing his tools. The research is terminated of foreign and Arabic sources and the abstract in English language and appendix with pattern of Iraqi theatre.

خصائص الاداء التمثيلي للمجاميع في عروض المسرح العراقي == Features of Acting Performance For Groups In Theatricals of Iraqi Play

اسم المؤلف: غازي حمود سعود

اسم المشرف: عادل كريم سالم

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يتناول البحث خاصية اداء المجاميع وتطورها عبر العصور المسرحية المختلفة حتى عصرنا الحالي وما لهذه المجاميع من دور مهم في بناء العرض المسرحي. وكيف تعامل المخرجون, والممثلون مع هذا العنصر المهم ضمن التكوين العام للشكل المسرحي.قسم البحث على اربعة فصول، يتض | This research is about the feature of groups and Their development Through a different play periods till the moderan period, also These groups had important roles in construct.The play Theatrical and they are formed ingredent which is hold abeauty and mental value connect with construct relationship in public forming for the theatrical,and how the directors deals with this important ingredent according a public forming for the play forme.For that the researcher was divided his research into four chaptersThe first chapter : including the (Sustematic framework) which is the researcher presents the research problem , its needed , its importance, its aim, its edge and its defintion to The its terms.The research problem was appear by a question about (What is the features of acting performance for groups in theatricals of Iraqi play) ?The importance of this research is about the work of the groups on the Iraqi stage.The aim of the research is about the identify on the features of acting performance for groups in theatrical of Iraqi play.This research is restricted on the study of dealing with groups in choosen samples and intentional from Iraqi play theatrical in(1988 - 1977) and it presents on the Baghdad stages In The second chapter : (The thearetical framework) is consisted of three subjects : - The first subject : is about a public sight in a group estabilshment.The second subject : is about groups and thier development through play periods.The Third subject : is about directorial treatment for groups in wordly play theatricals and also it consist of the most important refers which are result upon them theoretisal framework and previous studies. In The Third Chapter : The researcher was specify. This Chapter for carrying out ,his research specific his society and its samples and the way for thier analysis the researcher was used analystic descripition system for this sample which is made of (3) Iraqi play theatricals as : ((ALMOTANABY)) : is preparing by (ADEL KADM) directing by (EBRAHIM GALAL)in 1977 acting By nationality group for acting. ((ALEKTRA)) : is preparing by (SOPHOCLES) directing By (ADEl KAREM) in 1987 , acting on circling theatre in Arts Fine College.((THE BIRD LETTER)) : is preparing and directing by (KASIM MOHAMAD) in 1988 , acting by nationality group for acting.in The fourth Chapter : is consist of The results and The researcher was reach to them through his analysis for these samples also this chapter is consist of lists of sources , references and the summary in English language.

قيم التكوين الدرامية في العرض المسرحي العراقي == The Dramatic Values of The Composition In The Iraqi Play Productions

اسم المؤلف: نمير رشيد بيري

اسم المشرف: سامي عبد الحميد نوري

الموضوع العام: الفنون الجميلة

السنة: 2008

الموضوع الدقيق: الفنون المسرحية - اخراج وتمثيل

الدرجة: ماجستير

الجامعة: جامعة بغداد

اللغة: العربية

مكان الجامعة: بغداد

الصفحات الاولى:

المستخلص: يختص هذا البحث بمسالة تصميم القيم الدرامية _ العقلية والعاطفية والجمالية _ للتكوينات البصرية في العرض المسرحي العراقي، ويهدف الى الكشف عن تلك القيم على وفق عناصر التشكيل وعوامل التكوين البصري.وفي الفصل الثاني يستعرض الباحث ويناقش الادبيات ذات | The problem of this research is depended on designing the visual compositions of the play productions in Iraqi Theatre. It aims to reveal the intellectual , the emotional , and the aesthetic values of the compositions through the plastic elements and the factors of emphasis , stability , coherence , sequence , and balance. In the second chapter the researcher reviews the literature concerning the subject which include the plastic elements and their values and the factors of composition and their values. The chapter also discusses the dramatic values inthe play productions. In chapter three , the researcher analysizes three samples according to the method of ( concept analysis) with the tool of several photographs for the different scenes of the three Iraqi plays and their visual compositions. The researcher reaches to the following conclusions : 1.The first production was presented in the openspace - Cafeteria which has not allowed to design significant visual composition while the other two productions were presented in box stages which allowed for good amounts of Visual compositions. 2. The dramatic values in the compositions emerge from the actors bodies , their costumes , and their positions on the stage other than from the scenery and lighting. 3. The power and authority were the dominant intellectual Values , whereas the fear and coldness were the dominant emotional Values. the esthetic Values emerge from the colors of costumes , décor , and Lighting. The researcher observers that the play directors have not so careful in designing the visual compositions. The researcher suggests to adapt further studies concerning kinetic compositions and audiory compositions for their dramatic Values in play productions.