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ابنية الاسماء في ديوان الواوء الدمشقي : دراسة صرفية
Author name:
الاء خميس حسين التميمي
Supervisor name:
سلام حسين علوان
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
Mustansiriyah University - Faculty Of Basic Education
Language:
Arabic
University location:
Baghdad
First pages:
01T4656 - p.pdf
Abstract:
The research plan includes an introduction, preface, three chapters I pointed out the significance of the meaning of language and idiomatically as well as talked about the definition of structures in language and terminology. In the preface he spoke about the poet's life and culture and prestige of poetry and death, as the title of poet that name because it was calling in the fruit market. Marjoa literature did not agree on the year of his birth, as they did not agree on the year of his death and the reason for this is that he was an obscure poet is known in poetry circles, but he won the admiration and praise of the ancients. There have been significant in several types, including acoustic significance and meaning of grammatical and contextual significance, which is more important to know the intended meaning of the word. The first chapter was about buildings nine derivatives beginning of the actor and closing name zoom out as mentioned the actor's name in (134) the subject, and the name of force in (29) the subject and others proved in the search, showing that the name actor semantics variety of which is significant on the constancy and permanence. And move, shops and reception, and the ratio, all of which appeared in Court found that such Almhbhh The record or acoustic, and it has a more diverse connotations that formulated the door of the fourth and fifth has indicated defect or color or constancy or illness. The third section for Mufaaol name turned out to be formulated from triple Adding it also has multiple connotations, including the case and constancy, reception and go. In the fourth section the machine name Gaudha when there was a difference when applicants and latecomers with respect to the terms (machine tool) Fawdhna difference between them. Asit turns out that the name of the machine weights acoustic record and weights only that the poet did not use the standard weights, but the words shown on the machines, including the sword and helmet and others. In Section V exaggeration formulas show that has other connotations increase the exaggeration may be frequency or generally have much or craft, industry, and Practice and abstraction, it was also noted that the poet was not used weights standard weight (Mifal and Mfiel) and exaggeration formula are less widely used of the actor's name and the name of effect. In the sixth topic I talked about my name the time and place and it turned out that they and response in (22) the subject of the triangular subject which has increased the trio has been used to Fezta (bright and Morocco), although they Foreigtan for measurement. In the seventh section, which talked about the preference name and found that the difference in the definition and essence of the dispute was about Kiesath between visual and Alkoviin, but the poet used the activation other words preference function such as name (and love of good and evil). Mbgesa I pointed out in the eighth to ratios as stated in (4) positions only hypocrisy Deal ratios. Finally, Section IX included talk about miniaturization, but he did not want in the Office of the poet. In the second chapter I referred to sources including sources deeds triple naked and whipped Bhrvuahd sources, and sources of whipped Vaguetsr two letters on the effective use of the poet - and potent trigger and whipped with a letter of sources. The three characters of whipped So it was used weight (fabricating) only. In the second section I referred to initially source Mimi sources as stated in (2) the location and source of the body mentioned in (7) positions, and the time source in Ford (14) wasthe subject using industrial source. In the third quarter, the last talked about the crowds of all kinds, as stated in the collection of masculine Salem (6) positions and did not use the supplement to it. And used the feminine collection in Salem (37) the subject did not respond thereto in his office. In the third section in said collection cracker (76) the subject and the ultimate formula crowds came in (12) the subject. In the last section stating the name of the combination, as stated in one place, and the name of the collective Gender stated in (11) the subject, and the name of sex Differentiated stated in (46) the subject. The conclusion was expressed by mentioning the intruder and the definition of it said words received in the office of a poet (8) positions enlisted Btakrejeha the glossary Persian Arabized.
