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جماليات الانزياح في الشعر العربي : السري الرفاء انموذجا == The Style Violation In The Arabic Poetry Of Alsari Alrafaa
Author name:
ناظم دعاس عواد محمد الشعباني
Supervisor name:
صفاء علي حسين
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
University of Anbar - College Of Literature - Department Of Arabic Language
Language:
Arabic
University location:
Anbar
First pages:
01T4237 - p.pdf
Abstract:
We what is mentioned and presented in the three chapters by saying that studying the style of violation in the poetry of Alsari Alrfaa' ; Analysing the aspects of violation , discovering their position , limiting their proposed expressive remarks , and the methods of their used according to linguistic bases within structural , semantic , and phonetic performance is the end of the present study. Perhaps what could be the result in the case of convergence is one of the inevitable postulation. The inevitability here is related to the violation in the poetic texts. It is hard to find a poetic text free from any violation that it gets itself away from the direct decision - making and rhetoric examples. The capacity of the areas in which violation is taken place and impact that results from it on part of the hearer makes the applicable scopes of violation progressive and developmental to include all the ways of drifting from a proposed origin which is difficult to be embodied. This is due to the fact that there is no fixed standard to measure the violation level. What has been said about the possibility of taking the ordinary language or the reader through his linguistic sense as a criterion or standard for violation remains within the framework of the general standard. It is noted that the ordinary language has no certain structure. Besides, it is also known that the linguistic sense is different according to the diversity of recipients and their cultures. The Arabic word order is of high flexibility and sensitivity that any change in the positions of words leads to main semantic changes. So that the order of the linguistic structure depends logically on the arrangements of words in in a way that expresses their meanings. Any change in the position of words leads to a change in their meanings. Accordingly many types of changes in the form and implicated with various progressive and purposive semantic meanings generated within the property of preground and foreground in addition to the deleted and objection. It is said that the semantic violation is winder than the structural or phonetic one ; they are little used in contrast to the semantic violation in which it is allowed for the novel man to come up with larger intended semantic devices depend on the large dependable relation within simile and metaphor. Alsari Alrfaa' did not take certain way in his violations into account violation in his poetry comes according to the semantic needs and their implicatures. So that , the researcher neglected the way of statics which is described quantitively and qualitatively in determining the aspect of violation. This is with an exception to the repetition of certain patterns for the purpose of paying attention but not to say that there is certain style in making such a repetition. Most of the violations in the poetry of Alsari Alrfaa' confirmed that there was a previous intention. Some of them refused to certain psychological and expressive state. This indicates that the poet is fluent and qualified in his languages that he can control it in the way in which it becomes in his hands. Finally , we ask the reader to excuse us for any mistake may have been taken place prophet mohammed peace and blessings of Allah be upon him.
