اثر التصنيع الرقمي في العمارة المعاصرة == The Impact of Digital Fabrication In The Contemporary Architecture

Author name: حيدر عدنان نصيف الخفاجي
Supervisor name: علي محسن جعفر الخفاجي
General topic: Architecture
Specific topic: Architecture Engineering
Degree: Master
University: University of Technology
Language: Arabic
University location: Baghdad
Key words:
  • التصنيع الرقمي - اساليب التصميم الرقمي - تقنيات التصنيع الرقمي - استراتيجيات الانتاج الرقمي
First pages: 42T306 - p.pdf
Abstract: ادى تطور التكنولوجيا الرقمية الى توسيع القد ا رت التصميمية لدى المصمم المعماري وخاصة في مجال توليد الاشكال المنحنية وذات التعقيد الشكلي والتي اتصفت بعدم امكانية او صعوبة القدرة على تنفيذها بالطرق التقليدية للبناء مما ادى الى ضرورة البحث عن طرق واساليب جدي | The development of the digital technology has led to the expansion of design capabilities of architects, especially in the field of generating curved forms with formal complexity which was unattainable with the traditional methods of construction, thus resulting in the need to research for new executive ways and methods to realize them physically, and so Digital Fabrication has appeared in architecture as a contemporary concept that grew over the past two decades. Despite the emergence of a number of theses that tried to explain it in the field of architecture, none of them gave this concept a comprehensive definition or dealt with it in depth, hence the concept of (digital fabrication in architecture) appeared in a general framework that recognizes the concept and its beginnings in the other fields and the stages it went through to reach the field of architecture, for the purpose of reducing the limits of research to the specific frame which is summarized in(the role of digital fabrication as a link between the design process (modeling) and the realized architectural product which is represented by the fabricating of building parts, and by thorough searching of studies which took into consideration the existence of the above - mentioned three - way relationship between (designing, fabrication, and production), the research problem was derived, which states that (Lack of previous knowledge in forming a comprehensive conception describing how to achieve digital fabrication and its impact in contemporary architectural production) and thus to reachthe goal of the research (creating a comprehensive conceptual framework regarding how to achieve digital fabrication in the field of architecture and its impact in contemporary architectural production), and achieving this approach requires the construction of a theoretical framework consisting of four main units; The methods of fabricated digital design generating, Digital fabrication techniques, production strategies and to clarify its impact in contemporary architectural production, and as such is the first phase of solving the research problem. While The second phase deals with application procedures marked by the formulation of hypotheses and consisting of two main assumptions (the realization of digital fabrication depends on the integration of the levels of each of the following, the methods of fabricated digital design generation and digital fabrication techniques and production strategies) The second premise is (the adoption of Digital Fabrication with its three levels affects the contemporary architectural product positively) and then determining the basic requirements for the application by selecting the method of data gathering and the type of measurement used as well as defining the application sample marked by a range of contemporary global projects by some of the best architects who rely on digital fabrication in the production of their buildings and which are executed in the real world and belong to the same era which is the last five years and has a similar functional approach for the purpose of highlighting the formal and structural aspects.The third phase, focuses on discussing the results, analyzing them and determining the validity of the hypotheses and then defining the final conclusions which were raised in two axes, first axis focused to clarifying the effectiveness of the theoretical framework in achieving digital fabrication and its role in bridging the gap between representation and construction and its impact in the product that was achieved within the formal, structural and professional aspects, while the second axis focused on the conclusions drawn from analyzing the results of the application, which indicated the possibilities and special effects that distinguish each one. And so the research has contributed a cognitive addition to the field of architecture and defined recommendations and future horizons forpossible researches keywords Digital fabrication, ,digital design methods, digital techniques, digital.
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