عيوب المعنى في التراث النقدي عند العرب من القرن الرابع الى نهاية القرن السابع الهجري == Flaws in the monetary heritage meaning when the Arabs from the fourth century to the end of the seventh century AH
Author name:
عبد الرحمن جابر شاكر العاني
Supervisor name:
مواهب عباس رافع
General topic:
Arabic Language and Literature
Specific topic:
Language
Degree:
Master
University:
University of Anbar - College Of Literature - Department Of Arabic Language
Language:
Arabic
University location:
Anbar
First pages:
01T4684 - p.pdf
Abstract:
I have been the subject of study (defects meaning in Heritage Cash on Arabs from the fourth century to the end of the seventh century AH), has addressed a group of books cash, in the specified period - from the fourth century to the end of the seventh century - it proceeded to collect these books and research for defects addressed by scientists therein, and the main driver in this research is to love severe criticism, but why choose a theme, it is that wrote criticism has given most attention to the interface quality, and that because of the side utilitarian Knowing quality help receiver to taste texts and the popularity of texts without the other, and see quality also helps creators, as is standard when creativity, and the second reason for the central quality, is represented as an intent sole per vision aesthetic, and as a result there is no theory that specializes in mediocrity, and this is very dangerous, as the central Quality Control model that was established in literary texts and face, and every variation from that model good count poor, not studying and neglected neglected, and only sometimes description him opposite good recipes. This research has included on this conclusion with a boot and three caused Investigation conclusion and a list of sources and references. The boot has spoken it on the main defects that are talked about critics The detective has allocated the first research study direction correction to critics towards verses, and then devote the second topic studied direction guidance The third section has examined the vision compromise between critics and poets, and then reported the most prominent results through the conclusion of which was followed by a list of sources and references on which the search.
