تمثلات الفكر الجمالي الاسلامي في التنوعات الفنية للخط العربي == Aesthetic Embodiments of Islamic Thought In The Artful Variations For Arabic Calligraphy
Author name:
عدي ناظم فرمان
Supervisor name:
عبد الرضا بهية داود
General topic:
Fine Arts
Specific topic:
Calligraphy and Decoration
Degree:
Doctorate
University:
University of Baghdad - College Of Fine Arts - Arabic Calligraphy And Decoration Section
Language:
Arabic
University location:
Baghdad
First pages:
18T960 - p.pdf
Abstract:
لقد اتخذت العديد من الدراسات النقدية الجمالية نظريات مختلفة في تفسير الفن ومحتواه الانساني وقد تبنت كل من هذه النظريات تحليل الفن وفق بيئة معينة تحددت بزمان ومكان، فنظرية المثل الاعلى حللت الفن الكلاسيكي الجديد والنظرية الشكلية حللت الفن التجريدي والنظ | Many of aesthetic critical studies have taken various theories in explaining the art and its human content.These theories have adopted the art analysis according to a certain environment determined by time and place.The theory of ideal analyzed the new classical art ,the theory of formalism analyzed the abstract art and the emotional theory analyzed romantic art ,while the theory of essence analyzed various methods and schools ,but all these theories were involved under the thought of the material philosophy which take from the concrete facts and values as an example of beauty.In what relate to the Islamic thought, thethought whichcharacterized with leaving the self - uniqueness towards the assembly mentality within the Islamic thought doctrine related to the book of Allah and the fair of explaining or keeping the aim of linguistic meaning for the sake of aesthetic form.In the absence of many of the circles which reach us to a real understand and realize what is the Islamic thought in general and what is the calligraphy in particular ,which requires an intellectual research for the aesthetic vision.At the same time that requires an effort to draw the features of that thought.The approach of calligraphy and the philosophy of its thought was based on the antithesis of material philosophy where the Muslim artist calligrapher works towards the renovating and developing the art of calligraphy to reflect the permanent care to show his achievements of calligraphy as artful aspects do not stop at the functional performance ,but overcome them to decorative and aesthetic dimensions reflect the creative extents which reached by the calligrapher for centuries and generations.In the midst of this growth and development filled with creativity of calligraphy ,a phenomenon was found in the formations of calligraphy based on an ability which reflects appearance for the scales of the aesthetic as a final achievement of calligraphy ,do not depend on the material values only as a mean to express the spiritual side.That appears via the large impact for the Islamic aesthetic thought which was gathered from different resources from Holly Quran , biography of Prophet and the philosophical opinions in Islamic thought.This was clear in the form and the content of the Arabic calligraphy ,which included the form and the content by away in which writing changed into a drawing open expressive aesthetic prospects for the Islamic art.There is no doubt that there is a need for the aesthetic criticism according to the modern Arab Islamic vision based on criticism term which put the base for like theses aesthetic studies ,according to that the problem of the research rise these questions : - - Are there bases and feature represented for the aesthetic thought in the Islamic art affected the Arabic calligraphy?According to that tow questions are arisen : - - What are Embodimentsof the Islamic aesthetic thought? - What are the Effectiveness of that Embodiments in the artful variety of the Arabic calligraphy?What helped in Prominence the artful vision which achieved the aesthetic dimensions according to aesthetic embodiments which were invested in the Islamic thought.For that the research studies the Islamic aesthetic thought embodied in the artful varieties for the Arabic calligraphy ,which includes four chapters.The first chapter deals with the problem of the research and its importance ,aims limits and terms.The second chapter includes three researches ,the first research dealt with the foundations of the aesthetic thought for the Islamic art. The second research included the references of the artful varieties for the Arabic calligraphy in the Islamic thought.The third research dealt with showing the effectiveness of the embodiment of the Islamic aesthetic thought in the Arabic calligraphy.The third chapter represents the research procedures through knowing the society which amounted( 140) forms of calligraphy (calligraphy formation) ,(14) where chosen from them as a sample were subjected to analysis which was depended by the research was the descriptive approach ( the analysis of content) according to the research tool represented in the analysis form which were built according to the indications of the theoretical frame and recommendations of the judges.The analysis reached to a number of results ,where the fourth chapter cleared the most important ,the speech of God ( holly Quran) which became the essence of the doctrine of the Muslimcalligraphy and a source of his inspiration where he was able to make the writtentext as visible art has aesthetic importance which deepen the imaginative awareness in another thing dependent from the logical meaning ,and the mentality of the calligraphycrystallizes thoughts and imaginations for whole vision about the abstraction systems and how they can coincide with the text ,which do not express the subject directly ,but by the intellectual Inspiration which targets arisen the mentality value for the recipient.the contemporary calligraphy tried to take from the human heritage items either he emulate as simulates the surrounding sense or to has a special self - attitude resulting from his interaction and understanding for the vocabularies and submitting them in pure template with a special internal a personal view from his heart headed outside to be expressive of the objective sense to result balancing equations for the internal necessities he live in and express them by himself. Depending on the resources of literary deportations (linguistics and semiotics) to complete the aesthetic side and enrich the functional side, to represent qualified artful presence to treat the approach of expression and communication modes through embodiment of iconography formations. The variety of the features of Arabic letters and the variety of their artful endings , helped in converting the mentality picture (thought ) into the stage of achievement through the real picture (the calligraphy formations in all its kinds) and making one visible outcome reflects the vision of Islamic aesthetic thought , and the stimulus motivefunctioning of the meanings of holly verses which were embodied by the calligraphy in an artful product ( calligraphy formation) with an aesthetic value and showing the religious Privacy in the mental of the Muslim calligrapher and explaining them in what add the Carrots and not sticks.The researcher to include the courses which deal with lessons of Arabic calligraphy art to concentrate on continuing in deriving the cultural identity for the Islamic art in the formations the art of calligraphy and decoration ,with the ability to activate the idea of using the aesthetics of the Arabic calligraphy as a mean to call for educating the Islamic concepts among the peoples and reaching the Islamic thought to the world via an elegant international human language.
